Cincinnati Ballet’s The Nutcracker, choreographed by Victoria Morgan and conducted by Alyssa Wang, is whimsical and magical, a perfect show for the holiday season. 

The competitive world of track and field is the center of 1st Stage’s Fair Play, written by Ella Road and directed by Deidra LaWan Starnes, but there is more to this play than just running. Ann (Mahkai Dominique) is a British-Nigerian who crosses paths with Sophie (Camilla Pivetta), a white British star runner who has been competing since she was nine years old.

To Wong Foo the Musical, featuring Quadry Brown, Solomon Parker III, Connor James Reilly, and David Singleton, recently made its American debut as a concert as part of Olney Theatre Center’s Outdoor series. 

While the show currently isn’t on Netflix anymore, the beloved Kim family’s story lives on in productions like Olney Theatre’s Kim's Convenience, directed by Aria Velz.

It’s a Motherf**cking Pleasure, directed by Josh Roche, goes rapidly back and forth between a play and commentary (as well as a little bit of audience interaction) that addresses ableism, and this makes the fictional play hard to follow.

Signature Theatre’s production, Where The Mountain Meets the Sea, is a touching narrative that explores the complex dynamics between a father and son, set to the soulful sounds of mountain music. You don’t want to miss out on this original musical, which will stay with you in your heart, even after you leave the theatre.

On Saturday, April 20, 2024, PASO brought their program, Todo Tango, an intimate and fiery evening of tango to the Kennedy Center. 

Nancy is a compelling satirical play with themes which still resonate today as Indigenous communities in the U.S. (and around the world) fight to get their land back, advocate for environmental justice, and improve the lives of people within their communities.

Foster breaks out songs from his rolodex of hits and shares the stage with friends (and family) on the Kennedy Center stop of his tour of An Intimate Evening with David Foster and Katharine McPhee.

Pretty Woman: The Musical doesn’t live up to the award-winning romantic comedy that it is based on.

Here is wonderful dark magic at work. The wizarding workshop is Do Or Die Productions, its owner/ director/ writer, CJ Crowe, the magician, and her brainchild, POE'S LAST STANZA the spell. The magic of live theater, collective imagination, and audience-driven improvisation are the ingredients in Crowe’s bewitching brew.

ExPats Theatre’s production of The Body of a Woman as a Battlefield, directed by Karin Rosnizeck, features two great actors, but stumbles with low production quality and a script which doesn’t do its characters justice. 

STC's King Lear is fresh and breathtaking, and even funny. Yes, there is even humor in the tragedy.

What did our critic think of SEVEN METHODS OF KILLING KYLIE JENNER at Woolly Mammoth Theatre?

So, should you attend the Jellicle Ball? Absolutely. Cats is one of those musicals that will stay with you, whether you see it for the first time or twentieth time. think of CATS at National Theatre?

Whether you have seen The Blue Man Group before or are going for the first time, you don’t want to miss out on this otherworldly experience. 

A 70-minute opera is a challenge, especially as it is based on source material that is also short. UrbanArias’ Why I Live at the P.O. isn’t the full package, but it delivers with its lively cast.

The Princess of Pop meets fairytale princesses in the world premiere of Once Upon a One More Time, at Shakespeare Theatre Company's Sidney Harman Hall.

Arena Stage’s production of Celia and Fidel, directed by Molly Smith, is a fast-paced drama set within Cuban politics during Castro’s dictatorship. 

Roundabout Theatre Company’s production of Toni Stone at Arena Stage, directed by Pam MacKinnon, gives Toni (Santoya Fields) the power to tell her own story — the way she wants to tell it. 

Studio Theatre wraps up their 2020-2021 virtual season with George Brant's Tender Age, directed by Henry Godinez.

Midnight at The Never Get begins as a cabaret act that transforms into a love story and concludes as a meditation on the way we grieve our past selves. The entire show takes place in a 1960s nightclub where things are not quite as they seem: the star of the act, singer Trevor Copeland (Sam Bolen, who also co-conceived the show), has died, and he's chosen to spend his afterlife inside a cabaret of songs and stories. We are the audience to Trevor's memories as he takes us on a journey through a chapter of his past in which he performed in a nightclub routine with the love of his life, songwriter Arthur Brightman (Christian Douglas).

Belinda lets her imagination take her away from her chores and into Cenicienta’s world. With its playful puppetry and poetic spark, Cenicienta is a perfect play for young children. 

Round House Theatre’s “Sleep Deprivation Chamber,” directed by Raymond O. Campbell, is a tale of injustice, which echoes stories of police brutality in the news, wrapped in dreamy surrealism.

Round House Theatre’s production of “He Brought Her Heart Back in a Box” is a haunting portrait of segregated Georgia.