Review: CHANUKKAH IN THE DARK at Theater J
Theater J’s Chanukah in the Dark, directed by Tyler Herman, is a play with music (by Adam Wernick), and it is a wonderful, family-friendly celebration of Hanukkah.
Theater J’s Chanukah in the Dark, directed by Tyler Herman, is a play with music (by Adam Wernick), and it is a wonderful, family-friendly celebration of Hanukkah.
1st Stage’s production of Birthday Candles, directed by Alex Levy and written by Noah Haidle, is a celebration of life, love, and family with a stellar cast led by Deidra LaWan Starnes.
Cincinnati Ballet’s The Nutcracker, choreographed by Victoria Morgan and conducted by Alyssa Wang, is whimsical and magical, a perfect show for the holiday season.
The competitive world of track and field is the center of 1st Stage’s Fair Play, written by Ella Road and directed by Deidra LaWan Starnes, but there is more to this play than just running.
To Wong Foo the Musical, featuring Quadry Brown, Solomon Parker III, Connor James Reilly, and David Singleton, recently made its American debut as a concert as part of Olney Theatre Center’s Outdoor series.
While the show currently isn’t on Netflix anymore, the beloved Kim family’s story lives on in productions like Olney Theatre’s Kim's Convenience, directed by Aria Velz.
It’s a Motherf**cking Pleasure, directed by Josh Roche, goes rapidly back and forth between a play and commentary (as well as a little bit of audience interaction) that addresses ableism, and this makes the fictional play hard to follow.
Signature Theatre’s production, Where The Mountain Meets the Sea, is a touching narrative that explores the complex dynamics between a father and son, set to the soulful sounds of mountain music.
On Saturday, April 20, 2024, PASO brought their program, Todo Tango, an intimate and fiery evening of tango to the Kennedy Center.
Nancy is a compelling satirical play with themes which still resonate today as Indigenous communities in the U.
Foster breaks out songs from his rolodex of hits and shares the stage with friends (and family) on the Kennedy Center stop of his tour of An Intimate Evening with David Foster and Katharine McPhee.
Pretty Woman: The Musical doesn’t live up to the award-winning romantic comedy that it is based on.
Here is wonderful dark magic at work.
ExPats Theatre’s production of The Body of a Woman as a Battlefield, directed by Karin Rosnizeck, features two great actors, but stumbles with low production quality and a script which doesn’t do its characters justice.
STC's King Lear is fresh and breathtaking, and even funny.
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So, should you attend the Jellicle Ball? Absolutely.
Whether you have seen The Blue Man Group before or are going for the first time, you don’t want to miss out on this otherworldly experience.
A 70-minute opera is a challenge, especially as it is based on source material that is also short.
The Princess of Pop meets fairytale princesses in the world premiere of Once Upon a One More Time, at Shakespeare Theatre Company's Sidney Harman Hall.
Arena Stage’s production of Celia and Fidel, directed by Molly Smith, is a fast-paced drama set within Cuban politics during Castro’s dictatorship.
Roundabout Theatre Company’s production of Toni Stone at Arena Stage, directed by Pam MacKinnon, gives Toni (Santoya Fields) the power to tell her own story — the way she wants to tell it.
Studio Theatre wraps up their 2020-2021 virtual season with George Brant's Tender Age, directed by Henry Godinez.
Midnight at The Never Get begins as a cabaret act that transforms into a love story and concludes as a meditation on the way we grieve our past selves.
Belinda lets her imagination take her away from her chores and into Cenicienta’s world.