BWW Review: HANDS ON A HARDBODY is a Cult Classic at Keegan Theatre
While short-lived on Broadway, Keegan Theatre's regional premiere of Hands on a Hardbody, directed by Elena Velasco and Mark A.
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BWW Review: TAP DOGS at Kennedy Center
The art of tap dancing is taken to new heights…literally…in the high octane, high energy worldwide sensation known as Tap Dogs.
BWW Review: SHE A GEM at Kennedy Center
With all of the media options at their disposal today, creating theater pieces that will keep young people totally engaged is getting to be more and more of a challenge.
BWW Review: Nellie McKay at Kennedy Center
The recording artist/composer/free spirit known as Nellie McKay is not your typical performer to be sure.
BWW Review: THE MUSIC MAN at Kennedy Center
There are certain performances from Broadway history that can never be replicated, one of which is Robert Preston's star turn as the flimflamming boys band sales man Harold Hill in the 1958 Tony Award winning musical The Music Man.
BWW Review: THE ELVES AND THE SHOEMAKER at Keegan Theatre
There are many companies presenting Theater for Young Audiences (TYA) shows in and around the DC area.
BWW Review: CIRQUE DU SOLEIL'S CRYSTAL at Capital One Arena
For many years now, the famed Cirque du Soleil has been combining the two worlds of circus and theater to create some spectacular productions.
BWW Review: THE NUTCRACKER Presented by Ballet West at Kennedy Center
There are certain theatrical presentations you can always depend on for sheer holiday joy at this time of year.
BWW REVIEW: HOW TO KEEP AN ALIEN at Solas Nua
How far would you go to be with the one that you love? Sonya Kelly's autobiographical How to Keep an Alien, now being presented by Solas Nua, explores this question with warmth, humor, and a tour-de-force performance from DC acting goddess Tonya Beckman.
BWW REVIEW: INDECENT at Arena Stage
There are some plays in the history of Broadway that you just scratch your head as to why they didn't have a longer run.
BWW REVIEW: WALT DISNEY ANIMATION STUDIOS: A DECADE IN CONCERT at Kennedy Center
Any one of us that has ever seen an animated feature or short produced by the Walt Disney Animation Studios knows that the music is always a big component in making the film a success.
BWW Review: Creative Adaptation of Children's Book HOW TO CATCH A STAR Charms at the Kennedy Center
I had two main questions about the world premiere Kennedy Center commission of HOW TO CATCH A STAR: would it match the original children's book's ability to appeal to kids and adults alike, and would it be as visually charming as Oliver Jeffers's illustrations? I'm pleased to report that the answer
BWW Review: Scena Theatre Puts a Hollywood Spin on Oscar Wilde's WOMAN OF NO IMPORTANCE
Now playing at the Atlas Performing Arts Center is an all-female, 1930s Tinseltown take on Oscar Wilde's WOMAN OF NO IMPORTANCE, directed by Robert McNamara.
BWW Review: LONG WAY DOWN at the Kennedy Center
Long Way Down delves deeply into the circumstances surrounding urban gun violence, and the impacts which it has on those left in its bloody wake.
BWW Review: THE FEVER at Woolly Mammoth is a Positive, Communal Experience
600 Highwaymen's THE FEVER, which has made its way to Woolly Mammoth for a limited run after a national and international tour, is a collaborative piece requiring full audience participation.
BWW Review: AIDA at Constellation Theatre Company
Over the past few years DC's Constellation Theatre Company (CTC) has branched out from its mostly classical offerings by presenting a few musicals.
BWW Review: PRAMKICKER at Taffety Punk Theatre Company
Few and far between are the times that we reviewers have a perfect night in the theater.
BWW News: HAMILTON Education Made Sure Local Students Didn't Throw Away Their Best Shot at Kennedy Center
For many high school students, just the dream of seeing a Broadway show is something pretty awesome.
BWW Review: Theater J's The Pianist of Willesden Lane at the Kennedy Center
Theater J's production of The Pianist of Willesden Lane, adapted and directed by Hershey Felder, is a timeless piece of storytelling.
BWW Review: TURN ME LOOSE at Arena Stage
The late great comic genius/activist Dick Gregory was a trailblazer for so many reasons.
THE BRIDGES OF MADISON COUNTY at Keegan Theatre
Sometimes a show comes along on Broadway that leaves you saying, 'Hmm I wonder what it would be like without the large scale production?' The 2014 Jason Robert Brown/Marsha Norman musical The Bridges of Madison County is one of those shows.
BWW Review: THE STORY OF THE GUN at Woolly Mammoth Theatre Company
I think it's safe to say that guns in America might be one of the most divisive and important topics today.
BWW Interview: Arena Stage's Molly Smith on the Continuing Importance of THE ORIGINALIST
You might say that Arena Stage's Artistic Director Molly Smith is responsible for some of the most socially and politically conscious theatre produced in the DC area.
BWW News: Theatre Lab Takes on THE HUNCHBACK OF NOTRE DAME (Week Three)
So far, in our four part Vblog series on the making of The Theatre Lab School of the Dramatic Arts' upcoming production of The Hunchback of Notre Dame, we've seen much happen in a short time.
BWW Review: DEADLIE AFFAIRS: ARDEN OF FAVERSHAM presented by Guillotine Theatre at Capital Fringe
We all know how hard the life of a performer can be.
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