Meet Jenna, a waitress and expert pie-maker who dreams of a way out of her small town and rocky marriage. Pouring her heart into her pies, she crafts desserts that mirror her topsy-turvy life such as "The Key (Lime) to Happiness Pie" and "Betrayed By My Eggs Pie." When a baking contest in a nearby county - and a satisfying encounter with someone new - shows Jenna a chance at a fresh start, she must find the courage to seize it. Change is on the menu, as long as Jenna can write her own perfectly personal recipe for happiness.
Brought to life by a groundbreaking, all-female creative team, this Tony Award-nominated hit features original music and lyrics by 6-time Grammy nominee Sara Bareilles ("Love Song," "Brave"), a book by acclaimed screenwriter Jessie Nelson (I Am Sam) and direction by Tony Award winner Diane Paulus (Pippin, Finding Neverland).
"Waitress is a little slice of heaven!" says Entertainment Weekly, and is "sweet, sassy and passionate," according to New York Magazine. Don't miss this uplifting and hilarious musical.
It's surprising that 'Waitress's' director, the resourceful Diane Paulus, who staged recent Broadway revivals of 'Hair' and 'Pippin,' would not have required the softening of at least one of Earl's monstrous edges, because he's a villain so transparently designed to provoke a specific response that - no disrespect to the highly competent, physically imposing Cordero - the character comes across as an inane contrivance. Some other supporting parts fare far, far better, as with an eccentric suitor for Dawn named Ogie, played to the wonderfully kooky hilt by Christopher Fitzgerald. The number late in Act 1 in which Ogie introduces himself to us, 'Never Ever Getting Rid of Me,' jump-starts the proceedings with its effervescent spirit (and suggests that it might be fun if Ogie and Dawn got a spinoff musical of their own).
Waitress can still be an uncomfortable genre mix: domestic-violence drama and workplace rom-com. That's in the source material, and the musicalization exaggerates it. What I certainly didn't expect, though, is that the musicalization could also help to justify the mismatch. As the story rushed toward its multiple conclusions - a typical Broadway problem the creative team was unable to solve - I began to understand that for these characters, life itself is an uncomfortable genre mix. Seeing that and sharing it is the start of their mastering it. Perhaps it really did take an all-female creative team to understand how such a story could be true, and how it could sing. If so, well, hand me a slice of that humble pie.
2015 | Boston |
American Repertory Theater World Premiere Production Boston |
2016 | Broadway |
Original Broadway Production Broadway |
2017 | US Tour |
First National Tour US Tour |
2019 | West End |
Original West End Production West End |
2021 | Broadway |
Broadway Revival Broadway |
2021 | US Tour |
US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2016 | Drama Desk Awards | Outstanding Actress in a Musical | Jessie Mueller |
2016 | Drama Desk Awards | Outstanding Book of a Musical | Jessie Nelson |
2016 | Drama Desk Awards | Outstanding Featured Actor in a Musical | Christopher Fitzgerald |
2016 | Drama Desk Awards | Outstanding Lyrics | Sara Bareilles |
2016 | Drama Desk Awards | Outstanding Music | Sara Bareilles |
2016 | Drama Desk Awards | Outstanding Musical | Waitress |
2016 | Drama League Awards | Distinguished Performance Award | Jessie Meuller |
2016 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Musical | Waitress |
2016 | Outer Critics Circle Awards | Outstanding Actress in a Musical | Jessie Mueller |
2016 | Outer Critics Circle Awards | Outstanding Featured Actor in a Musical | Christopher Fitzgerald |
2016 | Outer Critics Circle Awards | Outstanding New Broadway Musical | Waitress |
2016 | Outer Critics Circle Awards | Outstanding New Score (Broadway or off-Broadway) | Sara Bareilles |
2016 | Tony Awards | Best Musical | Waitress |
2016 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Christopher Fitzgerald |
2016 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Jessie Mueller |
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