Review: Barry Manilow Writes the Songs That Make ‘Harmony’ Sing
5 / 10
To be honest, I slightly dreaded this one, after suffering through A Beautiful Noise a year ago. But although Manilow and Neil Diamond share similarities—Jewish soft-rockers big in the ’70s with kitschy afterlives—Harmony aims higher than jukebox navel-gazing. A story this compelling could have made a good musical—with less narration, more character development, and a finale that milked the nostalgia less. Needless to say, a tale of innocent people caught in a nauseating wave of antisemitism hits harder in our present moment. Director and choreographer Warren Carlyle skillfully weaves the elements together and gets the Harmonists—a handsome six-pack of triple threats—on their feet and dancing. Lovable tummler Zien gives his all to a self-recriminatory 11th-hour number about failing to save the group—call it “Rabbi’s Turn.” You might leave humming the title tune, but also unsatisfied. Well, he wrote the song.
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