Interview: CAMP MORNING WOOD Cast Members Bare It All. PART ONE: Leo Ayala
by David Green
- Mar 20, 2026
Top notch talent, and a WHOLE LOT MORE, is on display in Prism Theatre’s debut production of CAMP MORNING WOOD, which plays its final weekend in Palm Springs with just four more performances remaining before the campfire goes out. The show’s premise is about seven characters navigating their inhibitions in the judgement-free, clothing-optional environment of Camp “Morning Wood”. It is far from an evening a high-art or thought provoking theatre but, if you just want to let go of the cerebral and give in to a mindless romp with a wonderfully engaging cast, CAMP MORNING WOOD is the ticket. I had the chance to catch up with Leo Ayala, the actor who plays the musical’s protagonist, Randy, as he was getting “undressed” for e recent matinee performance. (Just kidding about the undressing). Here are a few excerpts from the conversation:
Review: THE COLOR PURPLE by Chromolume Theatre at The Zephyr
by Shari Barrett
- Mar 16, 2026
Directed magnificently by Elijah Green, with energetic choreography by Katie Powers-Faulk and musical direction by Miki Yokomizo, the totally entertaining and artistically brilliant production pulled me in from the moment it started.
Paramount’s Copley Comedy Series Unveils Spring Lineup
by A.A. Cristi
- Feb 28, 2026
Paramount Theatre’s Copley Comedy Series continues through May 2 at the Copley Theatre in Aurora, Illinois, featuring Chicago comedians including Jeanie Doogan, Dwayne Kennedy, Vince Maranto, and Brian Hicks.
GAZILLION BUBBLE SHOW Will Play The Coppell Arts Center
by A.A. Cristi
- Dec 18, 2025
The Coppell Arts Center will present the Gazillion Bubble Show, a family-friendly stage production featuring bubble artistry and interactive visual effects. The production has toured internationally and appeared on multiple television programs.
Review: SOWETO GOSPEL CHOIR'S PEACE TOUR at Southern Theatre
by Paul Batterson
- Oct 31, 2025
In the end, the choir’s music prevailed over any language barrier. The cavalcade of different voices kept the mostly full theatre dancing, raising their arms in agreement, and being moved by the power of things they couldn’t understand.
|
|