Review: PURITANI Is Bel Canto Bliss with Oropesa and Brownlee under Armiliato's Baton
by Richard Sasanow - Jan 7, 2026
The Met’s new production of Vincenzo Bellini’s I PURITANI made its debut on New Year’s Eve, but I caught up with it at its third performance on January 6. I was glad I did--because it offered a cast with staggering singing abilities in four major roles that offered major demands, along with at least one minor one and the brilliant Met chorus under Tilman Michael. Simply put, soprano Lisette Oropesa, tenor Lawrence Brownlee, baritone Artur Rucinski and bass-baritone Christian Van Horn sang the pants off their roles, with Marco Armiliato conducting the fearless Met orchestra.
Review Roundup: I PURITANI at the Metropolitan Opera
by Stephi Wild - Jan 2, 2026
Performances are now underway for The Metropolitan Opera's new staging of Vincenzo Bellini’s I Puritani, marking the company’s first new production of the opera in nearly 50 years. Find out what the critics are saying in the reviews here!
Review: THE LINE OF BEAUTY, Almeida Theatre
by Katie Kirkpatrick - Oct 30, 2025
An award-winning LGBTQ novel, adapted for the stage by playwright of the moment Jack Holden (Cruising; Kenrex)... It sounds like a surefire hit for the Almeida, and sure enough, the entire run is currently fully sold out. But can a production be too sure of itself? Slick but straightforward, this premiere bucks the venue’s recent trend of plays that push the envelope.
Cast Set For THE LINE OF BEAUTY at the Almeida Theatre
by Stephi Wild - Aug 19, 2025
Francesca Amewudah-Rivers, Ellie Bamber, Doreene Blackstock, Charles Edwards, Arty Froushan, Claudia Harrison, Matt Mella, Hannah Morrish, Alistair Nwachukwu, Robert Portal, Leo Suter and Jasper Talbot are cast in the world premiere of The Line of Beauty.
Review: FAUST, Royal Ballet And Opera
by Michael Higgs - May 24, 2025
Celebrating its sixth revival, David McVicar’s critically acclaimed production of Faust is a spectacular success with stunning sets and costumes, a magnificent cast, and some of Gounod’s greatest music.
Review: The Marx Brothers Found Life in TROVATORE that the Met Couldn’t Muster
by Richard Sasanow - Nov 1, 2024
I must admit that the Met’s current revival of IL TROVATORE--with RIGOLETTO and TRAVIATA, considered the great creations of Verdi’s middle period--made me think of another masterwork, “A Night at the Opera,” my favorite of the movies by those champions of silliness, the Marx Brothers.
Review: THE BALLAD OF HATTIE AND JAMES, Kiln Theatre
by Franco Milazzo - Apr 19, 2024
Somewhere in King’s Cross, a middle-aged woman sits at a piano and plays an original piece with surprising fluency. There begins Samuel Adamson’s tumultuous tale of two teenage musical prodigies whose lives become thoroughly entangled.
Review: JEN®FA, London Coliseum
by Franco Milazzo - Mar 15, 2024
Opera is not short of stories where women are violated and abandoned by the men in their lives but Leoš Janáček’s Jenůfa is an especially cruel tale.
International Opera Awards 2023 Shortlist Revealed
by Stephi Wild - Oct 11, 2023
The International Opera Awards has announced the shortlist for this year's Awards, which will be held at Teatr Wielki, Polish National Opera, Warsaw on Thursday 9 November.
Review: Met Audience Tips Its Hat to FEDORA on New Year's Eve
by Richard Sasanow - Jan 2, 2023
Musicologist Joseph Kerman is probably most widely remembered for calling Puccini’s TOSCA “a shabby little shocker.” I wonder whether he’d have something similar to say about Giordano’s FEDORA, which brought the Met audience to its feet on New Year’s Eve?