EDINBURGH 2025: Review: THE CRAWL, 10 Dome
Two people.
Mary Baillie - Page 2
EDINBURGH 2025: Review: SHE'S BEHIND YOU, Traverse Theatre
Scottish comedy legend Johnny McKnight examines the panto dame through an inventive new lens in She’s Behind You.
EDINBURGH 2025: Review: CONSUMED, Traverse Theatre
Four generations of Northern Irish women gather for a 90th birthday party in Karis Kelly’s Consumed, and what unfolds is a pitch-black dark comedy with razor wit and gasp-inducing shock.
EDINBURGH 2025: Review: THE BEAUTIFUL FUTURE IS COMING, Traverse Theatre
Flora Wilson Brown’s six-hander examines climate change across 250 years of real and imagined history.
Review: MAN'S BEST FRIEND at Tron Theatre
Celebrated Scottish writer Douglas Maxwell returns to the Tron Theatre, more than two decades after his debut with Our Bad Magnet in 2000.
Review: THE LION, THE WITCH AND THE WARDROBE at Kings Theatre Glasgow
Few stories capture the wonder of childhood and the weight of war as gracefully as The Lion, the Witch and the Wardrobe.
Review: THE MOUNTAINTOP, Edinburgh Lyceum
Katori Hall’s Olivier-winning play follows Martin Luther King Jr.
Review: ...EARNEST?, Kings Theatre
Theatre company Say It Again, Sorry? brought their smash Fringe hit Earnest? to the King's last week, turning Oscar Wilde’s classic of mistaken identity on its head in a brilliantly chaotic, genre-bending take that joyfully challenges theatrical convention.
Review: SPRING AWAKENING, Tron Theatre
Students at the Royal Conservatoire of Scotland upload Anya Reiss’s unique adaptation of Spring Awakening to the Tron this week.
Review: MYRA'S STORY, Pavilion Theatre Glasgow
'Myra’s Story' is a one-woman play by Brian Foster, a much-acclaimed hit at the Edinburgh Fringe.
Review: BAT OUT OF HELL, Kings Theatre Glasgow
Based on the iconic songs of Jim Steinman and Meat Loaf, Bat Out of Hell zooms into Glasgow like a Harley Davidson motorbike on steroids.
Review: PRIDE & PREJUDICE* (*SORT OF), Theatre Royal Glasgow
From Netflix series to teen chick flicks to zombie mashups, Jane Austen adaptations feel overdone in the entertainment world.
Review: ALL MOUTH: A QUEER COMEDY SHOW, The Rum Shack
The Rum Shack’s queer comedy night is the best kind of silly — hosted by the fabulous Kate Hammer, it brings together a beautifully diverse lineup of queer comedians showcasing chaotic joy.
Review: HAIRSPRAY, Kings Theatre Glasgow
Hairspray returns with charm to the Kings Theatre in Glasgow this week.
Review: THE MERCHANT OF VENICE, The Royal Lyceum Edinburgh
Arin Arbus's bold reimagining of The Merchant of Venice trades Venetian canals for tech bro skyscrapers in a near-future America dominated by corporate giants.
Review: SNOW WHITE AND THE SEVEN DRAG QUEENS, Queen Margaret Union
The North East’s adult pantomime sashayed into Glasgow with its latest saucy spectacle: Snow White and the Seven Drag Queens.
Review: TROUBLE IN SPIRITLAND, Traverse Theatre
Author Paul Tinto performed his original work 'Trouble in Spiritland' as a work-in-progress show at the Traverse this week.
Review: SHE LOVES ME, New Athenaeum Theatre
The Royal Conservatoire of Scotland's musical theatre students showed off their talent in 1930s musical She Loves Me last week.
Review: A CHRISTMAS CAROL, Chandler Studio Theatre
The Royal Conservatoire’s ‘Performance in British Sign Language (BSL) and English' students presented a beautiful silent adaptation of Dickens classic 'A Christmas Carol' last week.
Review: THE COSMONAUT'S LAST MESSAGE... , Chandler Studio Theatre
David Greig's 1999 play 'The Cosmonaut's Last Message to the Woman he Once Loved in the Former Soviet Union' is inspired by the real-life story of Sergei Krikalev, a cosmonaut stranded on the Mir space station as the Soviet Union disintegrated.
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