Review: SUNSET SONG, Edinburgh Lyceum
Labeled the most important piece of contemporary Scottish literature, Lewis Grassic Gibbon's 1932 novel Sunset Song is an ongoing frontrunner of nationwide school curricula.
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Review: IRVINE WELSH'S PORNO, Kings Theatre Glasgow
Porno lives up to its opening line: sequels are never as good as the original.
Review: MAGGIE & ME, Tron Theatre
Ten years after his award-winning memoir, Damian Barr revisits his past onstage with the National Theatre of Scotland in Maggie & Me.
Review: WHAT THE BUTLER SAW, Perth Theatre
Cross-dressing, guns, psychiatry, politics, incest, adultery and accidental overdoses interlace in Joe Orton's final and most subversive play.
Review: UNFORTUNATE: UNTOLD STORY OF URSULA THE SEA WITCH, Pavilion Theatre Glasgow
After spellbinding success in the Edinburgh Fringe, the not-safe-for-work musical parody Unfortunate dives into Glasgow to stage a revolutionary queerification of Disney's 1989 movie The Little Mermaid.
Review: SISTER ACT, Kings Theatre Glasgow
This divine revival of the iconic movie follows nightclub singer Deloris van Cartier (Landi Oshinowo), whose life takes an unlikely turn after she witnesses a mobster murder.
Review: ADAM KAY: UNDOCTORED, Pavilion Theatre Glasgow
Adam Kay is the doctor-turned-comic who secured paramount success with his show and book 'This is Going to Hurt'.
Review: THE WOMAN IN BLACK, Theatre Royal Glasgow
Sometimes tactical stagecraft, talented actors and a minimalist set are all you need to evoke spine-chilling terror.
Review: BLUEBEARD, Royal Lyceum Theatre Edinburgh
Emma Rice places an old age folktale in a new age context through an eccentric movement-led, magical and musical theatrical extravaganza.
Review: PETER PAN GOES WRONG, Theatre Royal Glasgow
Mischief Theatre made headlines in the West End with their acclaimed “Goes Wrong” series, where the Cornley Polytechnic Drama Society showcases performances and everything goes absolutely haywire.
Review: URINETOWN, Alexander Gibson Opera Studio
Drawing on Theatre of the Absurd, clowning and Bertolt Brecht, this Tim Burton-esque musical uses quirky song and dance to explore humanity's deepest, darkest truths.
Review: CYPRUS AVENUE, Pavilion Theatre Glasgow
Labelled as 'the most shocking, subversive and violent play on the London stage', David Ireland's Cyprus Avenue is a darkly comic exploration of sectarian hatred.
Review: THE FULL MONTY, Theatre Royal Glasgow
Actors bare it all in Simon Beaufoy's award-winning adaptation of The Full Monty in Glasgow this week.
Review: ANTIGONE, Perth Theatre
An ancient play with a contemporary message, Perth Youth Theatre’s Antigone tells us to never underestimate a powerful woman, or talented young people.
Review: BEND IT LIKE BERTIE, Pavilion Theatre Glasgow
Last weekend sparked a very different theatrical audience - mostly male, all sporting green, ready to watch a unique piece catered to Celtic football fans.
Review: TWELFTH NIGHT, Chandler Studio Theatre
The RCS second-year BA Acting cohort present a welcome genderfluid adaptation of Shakespeare’s queerest comedy.
Review: JEKYLL AND HYDE, Royal Lyceum
Gary McNair's one-man adaptation of Jekyll and Hyde faces a daunting obstacle: most of us know how it ends.
Review: THE BODYGUARD, Theatre Royal Glasgow
Adapted for the stage by Alexander Dinelaris, the piece follows bodyguard Frank Farmer (Ayden Callaghan) who is hired to protect music superstar Rachel Marron (Emily Williams) and her son Fletcher (Kaylen Luke) after she receives death threats from a harrowing stalker (Marios Nicolaides).
Review: SUNSHINE ON LEITH, Pitlochry Festival Theatre
The sun is shining brightly on Pitlochry this winter with an incredible revival of the Scottish classic musical Sunshine on Leith.
Review: SECOND PERSON NARRATIVE, Chandler Studio Theatre
The Royal Conservatoire’s ‘Performance in British Sign Language (BSL) and English’ students present a profound piece showcasing the overwhelming importance of equity for all in the theatre space.
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