In their humble abode of Killicrankie, the McTwankie family are in a spin trying to keep their laundry business afloat while the evil Countess searches impatiently for the cave of pleasures, treasures and immeasurable measures.
A playfully profane Alice in Wonderland-esque trip transforms into a profound psychological exploration in The Wonderful World of Dissocia at the Royal Conservatoire of Scotland this week.
You'll have the time of your life watching this classic at King's Theatre this week.
It’s worth coughing up some cash for Daniel Evans’ and Sean Linnen’s Quiz: The Coughing Major Millionaire Scandal at Kings’ Theatre this week.
If you go to 2:22 A Ghost Story expecting traditional spine-chilling phantoms, you will be disappointed.
A frontrunner of Scottish school curricula, Ann Marie Di Mambro’s Tally’s Blood has a bit of everything – history, humour, tragedy, romance and disturbingly relevant social critiques.
The set is scarce, but that doesn't matter.
A goofy fantastical mermaid tale told through cardboard signs with descriptive labels accompanied by a spoken language that sounds like a fusion between Icelandic and Simlish? It sounds ludicrous, but strangely.
Drag Queen of Scots and RuPaul's Drag Race UK winner Lawrence Chaney presents a mix of stand-up and lip syncs in her Fringe debut extravaganza exploring what it truly means to be 'plus-sized'.
In a world where social media stalks our every move, comment and click online to manipulate personal preferences, it seems pertinent to bring George Orwell's famous novel to the stage.
Abbey Glover embraces her Fringe debut with a playful, poetic and poignant solo show exploring relatable topics through a refreshing new lens.
Watching Lucy and Friends is how I imagine a halluncinatory drug trip.
The Parker & Schnell Youth Company showcase the immense talent of young people through their performance of ‘DNA’.
The glam queen showcases her knack for storytelling, comedy and operatic vocals (that RANGE though) in an anecdote-filled, fabulous performance extravaganza.
Faizal Abdullah launches an engaging, thought-provoking, unique and deeply personal exploration of Malay identity in Singapore through his performative lecture Siapa Yang Bawa Melayu Aku Pergi? (Who Took My Malay Away?)
A queer immersive nightclub musical based on the life of Oscar Wilde? In theory, this sounds incredible.
There are rare occasions in the theatre when dance, film, music, adaptation, ensemble and puppetry combine to create magic.
There is something surreal about watching a play banned for blasphemous biblical portrayal in an old Church.
A minimalist set and tiny venue require extraordinary actors, and Michael Matthews’ Blue absolutely delivers.
It’s a hard knock life, but Nikolai Foster’s Annie makes it better.
