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DARKIE ARMO GIRL Will Return to the Finborough Theatre by BWW News Desk
- October 27, 2025 OffWestEnd Award nominated Darkie Armo Girl, written and performed by Karine Bedrossian, will return to the Finborough Theatre for a four week limited season next month.
Photos: PADDINGTON THE MUSICAL in Rehearsal by BWW News Desk
- October 27, 2025 All new rehearsal photography has been released for Paddington The Musical, which opens next month at the Savoy Theatre. Check out the photos and learn more about the show here!
Review: MACBETH, starring Sam Heughan and Lia Williams by Cindy Marcolina
- October 26, 2025 Something wicked this way comes: it’s another exciting high-concept Shakespeare. Director Daniel Raggett moves the action of the Scottish Play to a safe-house pub in the midst of a racketeering war. Succession meets Sons of Anarchy with a hint of The Sopranos in this daring, new production. With a hypnotic tempo that’s almost cinematic in nature, Raggett leaves you on the edge of your seat, gasping for air, mouth gaping and eyes wide. It’s Macbeth like you’ve never seen it before. Is it an extravagant idea on paper? It sure is. Does it work? Flawlessly and explosively so.
Wine Bar TANIKŌ Visits London For One Night Only by BWW News Desk
- October 26, 2025 On Monday, November 17 Tanikō, a new play by konstantinos avramis, will be performed at Theatro Technis in London for one night only as part of Voila! Festival. The performance is at 7 p.m.
Review: THIS LITTLE EARTH, Arcola Theatre by Cindy Marcolina
- October 25, 2025 For her debut, playwright Jessica Norman leans into the singular speculation that “the people in power” keep us humble citizens from the truth. It’s fascinating stuff. Long-listed for the Women’s Prize for Playwriting and directed by Imy Wyatt Corner, This Little Earth is a thin exploration of the debris of grief at a time where reality flickers. It’s alright, but it could be so much more.
Review: COLOSSEUM: THE LEGENDARY ARENA, Eclipso by Franco Milazzo
- October 24, 2025 Ever wondered what it would be like to walk off a high street and into Ancient Rome? Eclipso’s latest VR adventure plunges its audience into the roaring atmosphere of Rome’s Colosseum and explores a world of gladiators and gods.
Review: CROCODILE FEVER, Arcola Theatre by Clementine Scott
- October 24, 2025 During the interval at Crocodile Fever’s London premiere, we’re all rushed out of the Arcola auditorium a little quicker than we would be normally. This is because the set needs to be doused in blood in preparation for the Tarantino-esque revenge fantasy in the second act, where two sisters deal with the aftermath of hacking off the legs of their abusive father.
Photos: A CHRISTMAS CAROL In Rehearsal At The Old Vic by BWW News Desk
- October 24, 2025 The Old Vic has released new rehearsal photos and announced the full cast for its 2025 production of A Christmas Carol, directed by Matthew Warchus and adapted by Jack Thorne.
CLARKSTON Will Host Programme of Creative Workshops With Industry Guests by BWW News Desk
- October 24, 2025 Producers of Clarkston, in partnership with ATG Entertainment West End Creative Learning, have announced a programme of daytime education and community workshops as part of Creative Careers Month this November.
Full Cast Set For ROAM Concert at the Shaftesbury Theatre by BWW News Desk
- October 24, 2025 The producers of ROAM, a new musical, have announced the full cast. ROAM will have a special one-night only concert production at the Shaftesbury Theatre in November.
Full Cast Set For WHEN WE ARE MARRIED At Donmar Warehouse by BWW News Desk
- October 24, 2025 Artistic Director Tim Sheader and Executive Director Henny Finch has announced the full cast for Sheader’s revival of When We Are Married by J.B. Priestley, which will open at the Donmar Warehouse,
Review: BLACK SABBATH - THE BALLET, Sadler's Wells by Franco Milazzo
- October 23, 2025 Despite the enticing cultural dissonance of its title, Black Sabbath – The Ballet is, by definition, a terrible idea. It is the conceptual equivalent of putting a tuxedo on a pit bull, or hiring Prince Andrew as your PR manager. This is what happens when the civic-minded folk at a major arts company, having dutifully listened to enough AC/DC to establish their street cred, decide they can bottle the anarchic essence of heavy metal and sell it in three-act bottles to those living off the ever-sweet smell of nostalgia and the kind of people who buy all their concert T-shirts from Vinted.
Review: HOT MESS, Southwark Playhouse Elephant by Mica Blackwell
- October 23, 2025 Godfrey and Coote's sophomore offering far from lives up to its name. With a music and book of charm and wit carried by two West End heavyweights, Hot Mess proves you can portray serious issues with a touch of fun. Earth and Humanity's relationship may be messy and complicated, but I see this musical's future as clear and bright.
Review: SIT OR KNEEL, The Other Palace by Clementine Scott
- October 23, 2025 Many a recent headline has luxuriated in Gen Z becoming one of the largest demographics at church services in the UK – we’re the ones who made the papal conclave go viral, after all. Fitting then, that the latest voice-of-a-generation one-hander to transfer from the Edinburgh Fringe is about a young woman who becomes a vicar.
Review: THE WANDERERS, Marylebone Theatre by Cindy Marcolina
- October 23, 2025 It’s an extensive rumination on family, Jewishness, marriage, and the boundaries of emotional infidelity, but it neglects the nuances and peculiarities of the characters, who ultimately remain two-dimensional figurines with very little identity. The narrative is severely self-indulgent, without as much scope or aim as it believes it's offering. It exploits womanhood for the benefit of its male protagonists and under-analyses the consequences of their actions. The direction and company are remarkable, but each element suffers the material.
Camille O’Sullivan Brings LOVELETTER to Soho Theatre This November by BWW News Desk
- October 23, 2025 Irish singer and actress Camille O’Sullivan will bring her acclaimed show LOVELETTER to Soho Theatre for its London premiere, running November 24–December 6, 2025.
Exclusive: 'I’m Gonna Be Strong' From BRONCO BILLY - THE MUSICAL by BWW News Desk
- October 23, 2025 Bronco Billy – The Musical, Recorded live in performance during its 2024 run at London’s Charing Cross Theatre, will release an album. BroadwayWorld has an exclusive listen to 'I’m Gonna Be Strong' here.
Ramin Karimloo Will Lead Concert Celebrating Maury Yeston by BWW News Desk
- October 23, 2025 To celebrate multi-Tony Award winning composer Maury Yeston's 80th birthday, producer Danielle Tarento will present a concert of his most well know and loved music, directed by Thom Southerland, and led by Ramin Karimloo.
Little Lyric Unveils Shows For 2026 and New Ticket Scheme For Families by BWW News Desk
- October 23, 2025 Lyric Hammersmith Theatre has unveiled a number of Little Lyric shows for 2026, introducing families and young theatre goers to the magic of theatre. Learn more about the lineup here!
Photos: MAMMA MIA! West End Finds New Cast by BWW News Desk
- October 23, 2025 All new production photos have been released of the new cast of MAMMA MIA! at the Novello Theatre in London's West End. Check out the photos and learn more about the show here!
Beverley Knight And Sharon Rose To Star In SYLVIA UK Tour And Royal Albert Hall Run by BWW News Desk
- October 23, 2025 Sylvia, the Olivier-nominated musical created by The Old Vic and ZooNation: The Kate Prince Company, will return in Autumn 2026 for a major UK tour culminating in a five-performance engagement at the Royal Albert Hall.
THE KARATE KID THE MUSICAL Will Embark on UK Premiere Tour in 2026 by BWW News Desk
- October 23, 2025 A UK premiere production of THE KARATE KID - THE MUSICAL will embark on a major UK Tour next spring, prior to the West End and Broadway. Learn more about the production here!
Review: EVERY BRILLIANT THING, starring Minnie Driver, @sohoplace by Franco Milazzo
- October 22, 2025 If you’re anything like me — a man of taste, decency, and a healthy suspicion of anything that smells of group therapy — you approach a one-person play about depression with the same enthusiasm you’d reserve for an unexpected colonoscopy. The title, Every Brilliant Thing, only amplified my well-fed scepticism. It sounds like it should be a self-congratulatory bumper sticker on an electric vehicle or the name of a hastily manufactured boy band.