Review Roundup: Simon Stone's THE ORESTEIA, Now Open At The Bridge Theatre
A contemporary family wakes up in a Greek myth and can’t seem to find a way out of their hellish destiny.
A contemporary family wakes up in a Greek myth and can’t seem to find a way out of their hellish destiny.
There is a dig at Simon Stone in the National Theatre's new Misanthrope, a jab at ultra-contemporary classical reboots staged in rotating glass boxes, the Australian auteur's calling card.
Ahead of One Day's transfer to London's West End, a new video has been released, featuring an acoustic performance of the song 'Blackbirds' from the show, performed by Sharon Rose.
Full casting has been announced for the upcoming UK tour of HIGH SOCIETY, the musical comedy based on the classic film featuring Cole Porter's iconic score.
Emmy-nominated actor and singer Tituss Burgess, known for UNBREAKABLE KIMMY SCHMIDT and Broadway's MOULIN ROUGE!, will perform one night only at London's Cadogan Hall, produced by Lambert Jackson.
BWW catches up with Yoz Mensch to chat about bringing My Grandpa Doesn't Follow Me On Instagram to the 2026 Edinburgh Festival Fringe.
Matt Lucas will star as Fagin in Lionel Bart's iconic musical, Oliver!, for 6 weeks only at the Gielgud Theatre in London beginning in September.
BWW caught up with Daniel Nodder to chat about bringing Only Bones to the 2026 Edinburgh Festival Fringe.
Jenny Seagrove and Simon Shepherd reprise their roles in Royce Ryton's thriller THE ANASTASIA FILE, returning to Theatre Royal Windsor before embarking on a multi-venue UK tour.
Following its 2025 debut, the GLADIATORS LIVE TOUR will return to UK arenas, hitting cities including Aberdeen, Glasgow, London, Manchester, Newcastle, Liverpool, and Birmingham.
BroadwayWorld caught up with Margaret Curry to chat about bringing Who We Become to the 2026 Edinburgh Festival Fringe.
You can now get a first look at photos of Josh Radnor, Noah Galvin and Khalil Madovi in the world premiere of Hit Machine, written by Jonathan Caren, and directed by Daniel Bailey, now runing at Soho Theatre.
The UK premiere of the comedy musical Something Rotten! is now running at the Manchester Opera House ahead of a West End run.
Since the 2010s, grooming gangs have remained a recurring feature of the British news cycle.
The Royal Opera will open its upcoming season with Kasper Holten's production of Mozart's DON GIOVANNI, featuring Gordon Bintner, Rachel Willis-Sørensen, and Aigul Akhmetshina, alongside three House debuts.
A queer romance-thriller mash-up sounds an ambitious undertaking, so one must applaud writer Eleanor Tindall and director Emily Aboud for giving it a go.
Five new principal cast members announced for HADESTOWN at London's Lyric Theatre, including The Wanted's Nathan Sykes as Orpheus and Olivier Award-winner Danielle de Niese as Persephone.
All new rehearsal photos have been released for the West End premiere of Tao of Glass composed by Philip Glass, written by Phelim McDermott, @sohoplace theatre.
Harriet Walter leads a full cast including returning and new performers in the RSC and KPPL Productions touring revival of JULIUS CAESAR, directed by Phyllida Lloyd, visiting schools across England.
Linnea Berthelsen, known for her role as Kali Prasad in Netflix's Stranger Things, will make her UK stage debut in DARKLING, a solo play by Titas Halder, directed by Olivier Award-winner Matthew Xia for Actors Touring Company and Bush Theatre.
FIRE FIRE, a two-hander by John Webber exploring class tensions in climate activism, will open at Arcola Theatre before embarking on a 16-venue East of England tour, presented by Webber & Co.
Darren Criss added a matinee performance at London's Royal Albert Hall after his evening show sold out.
Southwark Playhouse has shared the official trailer for THE JONATHAN LARSON PROJECT, the European premiere of a celebration of the composer behind Rent and tick, tick.
Recently, we had the chance to speak with Van Hughes and Nick Blaemire about bringing Space Dogs to the Other Palace in the UK after runs in Maine and New York.
With Rent set to return to the West End in September, now feels like the right time for The Jonathan Larson Project, a retrospective of what the composer Jonathan Larson did before he wrote the classic East Village-set tale of life and love amid the AIDs crisis.