EDINBURGH 2017 - BWW Review: WAGGO, TheSpace
Waggo is a hilarious, deliberately crazy piece of theatre brought to the fringe by Queen Mary University's theatre society.
UK / West End Theater Reviews
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EDINBURGH 2017 - BWW Review: ALL GENIUS ALL IDIOT, Assembly Roxy
Outrageously over the top, All Genius All Idiot celebrates the craziness of life, using expert circus skills to highlight the extremity of human behaviour at its most primal form.
EDINBURGH 2017 - BWW Review: ALAN WE THINK YOU SHOULD GET A DOG, Pleasance Courtyard
Bunting decorates the stage and a cardboard sign reads 'Happy Birthday'.
EDINBURGH 2017 - BWW Review: SONGS FOR A NEW WORLD, Paradise In The Vault
Moonstruck Theater Company presents this year's sole Fringe offering of Jason Robert Brown's theatrical song cycle, and the Massachusetts group perform with enthusiasm and a clear love of Brown's work.
EDINBURGH 2017 - BWW Review: I LOVE YOU, YOU'RE PERFECT, NOW CHANGE, C Chambers St
The four person song cycle presents a series of vignettes connected by the central theme of love and relationships.
BWW Review: LATE COMPANY, Trafalgar Studios
Michael Yale gives new life to Jordan Tannahill's Late Company at Trafalgar Studios after a critically acclaimed run at Finborough Theatre earlier this year.
BWW Review: KNIVES IN HENS, Donmar Warehouse
'I must look close enough to discover what it is'.
EDINBURGH 2017: BWW Review: JAMES AND JAMESY: 2 For Tea, Gilded Balloon
Canadian Comedy Award winners, 16-time Best of Fest winners and 3-time London Impresario Award winners.
EDINBURGH 2017: BWW Review: DUST, Underbelly
'I've been dead for three days.
BWW Review: LOST WEST END VINTAGE, Stage Door Records
There's such a rich history of musical theatre in London.
EDINBURGH 2017 - BWW Review: DARIUS DAVIES: ROAD TO WRESTLEMANIA, Laughing Horse @ The Free Sisters
Stemming from a childhood wish to emulate Hulk Hogan, comedian Darius Davies takes us on a journey into pursuing his dream of becoming a professional wrestler, and how it all went wrong.
EDINBURGH 2017 - BWW Review: PIXEL DUST, Assembly Roxy
A monologue on the themes of technology and identity, Pixel Dust features teenager Daniella, always online in some fashion, vlogging her hopes and dreams into cyberspace.
BWW Review: AGAINST, Almeida Theatre
The incident tent, the police tape: a sickeningly familiar sight, made fresh yet again by the tragic events of this week.
EDINBURGH 2017 - BWW Review: ALL WE EVER WANTED WAS EVERYTHING, Roundabout @ Summerhall
All We Ever Wanted Was Everything is a rocking rollercoaster ride through the last thirty years in Britain, from the Thatcherite late 80s, through Cool Britannia, to Brexit Britain.
EDINBURGH 2017 - BWW Review: MORALE IS HIGH (SINCE WE GAVE UP HOPE), Northern Stage at Summerhall
Things really are rotten right now, aren't they? We've got resurgent racism, the Welfare State's continual erosion, a terrible economy and climate change.
EDINBURGH 2017 - BWW Review: THE NORTH! THE NORTH!, Summerhall
In the 1980s, the era of Thatcher, managed decline and "the enemy within", a crack formed between the northern and southern parts of England, splitting them apart physically as well as socially.
BWW Review: BOURGEOIS & MAURICE: STYLE OVER SUBSTANCE, Soho Theatre
As one of the leading acts in the queer performance circuit Bourgeois and Maurice have been entertaining audiences for a decade.
EDINBURGH 2017 - BWW Review: FOREIGN RADICAL, CanadaHub @ King's Hall
Foreign Radical is a piece of interactive theatre focusing on surveillance and suspicion in an age of prominent terrorist threat.
EDINBURGH 2017 - BWW Review: NOTHING, Summerhall
Adapted by Pelle Koppel from the controversial young adult novel by Janne Teller, Nothing tells the story of a class of young people searching for the meaning of life.
BWW Review: SALAD DAYS, Union Theatre
Salad Days is easy to dismiss is the lightest of light entertainment, but has plenty of political punch under its joyous exterior.
EDINBURGH 2017: BWW Review: SEYMOUR MACE, The Stand
This bit's called the blurb whatever the f*ck that means.
EDINBURGH 2017: BWW Review: FUNZ AND GAMEZ, Just The Tonic
They're back! Why? Money.
EDINBURGH 2017 - BWW Review: CREATIVES, Pleasance Courtyard (Venue 33)
Creatives is a dark comic pop-opera written by Irvine Welsh and Don De Grazia with music by Laurence Mark Wythe.
EDINBURGH 2017: BWW Review: RACHEL PARRIS- KEYNOTE, Pleasance Dome
Rachel (Austentatious, The IT Crowd, Murder in Successville) has been invited to be a guest speaker at her old school, but what kind of a role model is she really? Through stand-up, character and musical comedy, she explores what messed up message she can possibly offer to impressionable young minds
EDINBURGH 2017 - BWW Review: SPEAKING IN TONGUES: THE TRUTHS, Pleasance Courtyard
Two for one is more commonly applied to tickets at the Fringe rather than the plays themselves.
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