BWW Review: THE KNOWLEDGE, Charing Cross Theatre
A timely revival for one of Jack Rosenthal's celebrated TV plays of the 70s with much to say about the age of the Uber.
UK / West End Theater Reviews
The latest reviews and critic recommendations from UK / West End.
Our UK / West End Critics
View All ›
Aliya Al-HassanCritic
Amber-Rae StobbsCritic
Caroline CroninCritic
Cheryl MarkoskyCritic
Cindy MarcolinaCritic
Debbie GilpinCritic
Donald HuteraCritic
Franco MilazzoCritic
Gary NaylorCritic
Guest AuthorCritic
Kat MokrynskiCritic
Kerrie NicholsonCritic
Matthew PaluchCritic
Mica BlackwellCritic
Michael HiggsCritic
Vikki Jane VileCritic
BWW Review: DOUBT, A PARABLE, Southwark Playhouse
When Sister Aloysius (Stella Gonet), St.
BWW Review: WAITING FOR GODOT, Arts Theatre
Samuel Beckett's Waiting for Godot returns to the Arts Theatre, 62 years after making its English-language debut at the same venue.
BWW Review: BRITNEY SPEARS - THE CABARET, The Other Palace
Britney Spears The Cabaret entertains and provokes with the story of the pop princess's life told through Christie Whelan Browne's comic cuts and wonderful singing.
BWW Review: FOLLIES, National Theatre
Theatre has a long memory.
BWW Review: DEADLINE DAY, Theatre N16
Deadline Day has echoes of The Likely Lads in its humour, drawn from the clashing of cultures as a boy wonder footballer and his go-getting agent travel to London to sign for Chelsea.
BWW Review: HYEM (YEM, HJEM, HOME), Theatre503
Mick and Sylv's (Patrick Driver and Charlie Hardwick) home is a safe haven for some of the teenagers living in a small town in Northumberland.
BWW Review: WAIT UNTIL DARK, Richmond Theatre
Wait Until Dark first opened on Broadway in 1966, but many know it from the 1967 Hollywood film, where the lead role of Susy went to Audrey Hepburn, who was nominated for an Academy Award and a Golden Globe for the role.
BWW Review: OUTLAWS TO IN-LAWS, King's Head Theatre
An evening dedicated to the highs and lows of gay history, Outlaws to In-Laws takes a look at how men have interacted with one another over the past seven decades.
EDINBURGH 2017 - BWW Review: THE F WORD, ZOO
Sick to death of reading shows aimed at 16-25 year olds written by writers 40+, Conor Hunt has created this story of the millennial child, giving his own personal reflection on what it's like to grow up as a product of the Nineties.
EDINBURGH 2017 - BWW Review: THIRD WHEEL, Gilded Balloon
After losing his battle to cancer, Dylan has left in his will a video to be given to his best friends Polly and Eve.
BWW Review: HOW (NOT) TO LIVE IN SUBURBIA, Soho Theatre
Annie Siddons is a London-based playwright and performer.
EDINBURGH 2017: BWW Review: KIRI PRITCHARD-MCLEAN: APPROPRIATE ADULT, Pleasance Courtyard
Chortle Award nominee Kiri thinks the world revolves around her, but she didn't let that stop her wishing to mentor vulnerable kids.
BWW Review: THE RAILWAY CHILDREN, Richmond Theatre
The Railway Children holds a special place in Britain's heart; E Nesbit's well-loved tale was first published in 1905, but most of us know it from Lionel Jeffries' iconic 1970 film, which also made a star of the teenage Jenny Agutter.
BWW Review: HAMLET, Park Theatre
With Robert Icke's Andrew Scott-led Hamlet successfully transferring to the West End from the Almeida, and Tom Hiddleston about to get in on the action for Kenneth Branagh at RADA, it is potentially a very risky moment to stage a rather unique and stripped back version of the same Shakespeare play.
![EDINBURGH 2017 - BWW Review: [title of show], Paradise In The Vault](https://cloudimages2.broadwayworld.com/columnpic8/200200A3965BE2-BD54-9A3E-FACBFC527D326B7B.jpg?format=auto&width=220)
EDINBURGH 2017 - BWW Review: [title of show], Paradise In The Vault
[title of show] is a clever musical which documents its own creation as an entry in the New York Musical Theatre Festival.
EDINBURGH 2017 - BWW Review: GIRLS, Pleasance Courtyard
Girls follows the story of three young women who are hostages, being put to work and forced to marry.
EDINBURGH 2017 - BWW Review: WEREWOLVES, Summerhall
Who can you trust? Make the wrong choices and you will end up dead! While Werewolves is in the theatre section of the Fringe brochure, it is better described as an interactive role-playing experience, with the audience involved as participants throughout, striving to survive.
EDINBURGH 2017 - BWW Review: 5 GUYS CHILLIN', Assembly Roxy
After their highly acclaimed productions in London, Dublin, New York and Sydney, 5 Guys Chillin' returns to the Edinburgh Fringe for the second year.
EDINBURGH 2017 - BWW Review: ASSASSINS, theSpace @ Venue45
Nearly 30 years old, Assassins manages to remain fiercely relevant in 2017.
EDINBURGH 2017 - BWW Review: #JOLLYBOAT: WHY DO NERDS SUDDENLY APPEAR?, Subway
Musical comedy duo of brothers Ed (the thoughtful, if slightly filthy-minded, guitarist) and Tommy (the shirtless rocker brandishing a balloon cutlass) make up Jollyboat, a vaguely pirate themed double-act who are a definite Fringe cult hit.
EDINBURGH 2017: BWW Review: ROB AUTON: THE HAIR SHOW, Just The Tonic
This show is a comedy/theatre/spoken word show about hair and hairs.
EDINBURGH 2017: BWW Review: TUTU: DANCE IN ALL ITS GLORY, Pleasance Courtyard
The show is performed by six dancers: The TUTU men, polymorphous artists who struggle with many different interpretations, faces and styles.
EDINBURGH 2017 - BWW Review: WAGGO, TheSpace
Waggo is a hilarious, deliberately crazy piece of theatre brought to the fringe by Queen Mary University's theatre society.
EDINBURGH 2017 - BWW Review: ALL GENIUS ALL IDIOT, Assembly Roxy
Outrageously over the top, All Genius All Idiot celebrates the craziness of life, using expert circus skills to highlight the extremity of human behaviour at its most primal form.
Tickets From $59
Tickets From $77
Tickets From $71
Tickets From $71