BWW Review: STAR TREK IN CONCERT, Royal Albert Hall
The Royal Albert Hall is about a month into its inaugural Festival of Science - a range of talks, screenings, concerts and comedy events that are taking enthusiasts of all ages on an exploration of space, both factual and fictional. This weekend was no exception, with special screenings of two of th...
BWW Review: STITCHERS, Jermyn Street Theatre
Lady Anne Tree thought she had a brilliant idea to help convicts. After seeing what the prisoners went through every day firsthand as a visitor, she decided that she would teach them needlecraft, a way to occupy the mind and to set aside a small amount of money through the sale of the artworks. Base...
BWW Review: FATHERLAND, Lyric Hammersmith
"What's the earliest memory you have of your father?"
This is the question, among many, that sets off a process of enquiry into the state of the nation's masculinity and its concerns through the prism of fatherhood in the verbatim play Fatherland. Thrillingly staged, it muscles beyond its documen...
BWW Review: LEAVE TAKING, Bush Theatre
The Guardian described Winsome Pinnock as the 'godmother of black British playwrights'. She's the first black British woman to have a play produced by the National, and her success has inspired many generations to follow in her footsteps. Her George Devine Award winning play, Leave Taking receives a...
BWW Review: THE CHALK GARDEN, Chichester Festival Theatre
The Chalk Garden takes place in the summer of 1955 in the garden room of Mrs St Maugham's house in a seaside village in Sussex. It was written by Enid Bagnold (author of National Velvet) while she was living in Rottingdean....
BWW Review: CIRCOLOMBIA, Underbelly Festival Southbank
There's a definite sense of excitement when you walk into the Underbelly Festival right now. The Southbank has transformed into a magical garden of circus, art and booze. The venue is full of life and it's the perfect home to the exuberant creation that is Circolombia....
BWW Review: BLUEBERRY TOAST, Soho Theatre
Everything seems perfect in this cute little suburban town. The sun is shining, the birds sing and a couple arise from their peaceful slumber, greeting each other with love and affection. Nothing seems out of place; the ordinary morning routine is carried out as usual, as papers are read and breakfa...
BWW Review: TRANSLATIONS, National Theatre
It begins with deep breathing, in order to access words that hold unimaginable power. And Ian Rickson's exquisite production of Brian Friel's masterpiece maintains that space throughout: for words to breathe and simmer, to hang in the air, and for us to understand how vital language is not just as a...
BWW Review: CONSENT, Harold Pinter Theatre
Nina Raine's Consent first premiered last year at the National Theatre, before the #MeToo movement happened and the change that it has brought about in society. The topic of consent is extremely relevant today and the production's transfer to the West End is timely, offering those who may have seen ...
BWW Review: THE TWO NOBLE KINSMEN, Shakespeare's Globe
Third in line in Michelle Terry's first season as Artistic Director of Shakespeare's Globe is The Two Noble Kinsmen. Directed by Barrie Rutter, the Shakespeare-Fletcher collaboration becomes a lighthearted and wonderfully ironic piece of theatre....
BWW Review: CRAZY FOR YOU, Theatre Royal Brighton
George and Ira Gershwin have written some of the most memorable songs of the 20th century. Crazy for You contains some of their most beloved hits: 'I Got Rhythm', 'Embraceable You', 'Someone to Watch Over Me', and more....
BWW Review: TARTUFFE, Theatre Royal Haymarket
The Royal Haymarket Theatre's new production of Tartuffe reimagines the classic Moliere comedy in the West End's first ever dual-language production. The play, adapted by Christopher Hampton, sets the satire in contemporary Los Angeles, with hints at Donald Trump replacing original references to Kin...
BWW Review: BIRDSONG, Theatre Royal, Glasgow
As the centenary of the armistice of the First World War approaches, there is no better time for Sebastian Faulks's Birdsong to be revived once again in its staged adaptation by Rachel Wagstaff....
BWW Review: A LITTLE PRINCESS, Royal Festival Hall
The concert of A Little Princess at Southbank Centre's Royal Festival Hall was a lovely production with lots of great talent of a musical that still feels a bit messy. Rebecca Trehearn, Danny Mac, and Alexia Khadime all lent their amazing voices to the show and the young girls playing Sara, Becky, L...
BWW Review: KING LEAR, BBC2 and iPlayer
King Lear given the Game of Thrones treatment on the small screen, losing a little of the claustrophobic madness en route....
BWW Review: BREAK OF NOON, Finborough Theatre
A revival of a work by the revered French playwright, Paul Claudel, that probably doesn't say enough, but does so at enormous length....
BWW Review: ADAM & EVE, The Hope Theatre
The couple at the heart of the award winning writer Tim Cook's new play - Adam (Lee Knight) and Eve (Jeannie Dickinson) - inevitably calls to mind its biblical counterpart. They are a young, naive and aspiring couple who fell in love at first sight and who move to a countryside idyll in order to rea...
BWW Review: INTO THE WOODS, The Cockpit
Following a sell-out production in 2014, Sondheim's dark comic masterpiece detailing fairytale distress arrives at the Cockpit for a limited run. Performed in the round, the audience are thrown right into the action, and observe an ensemble of 17 working together to create a modern-day adaptation, t...
BWW Review: CONFIDENCE, Southwark Playhouse
Boundless Theatre's Confidence at Southwark Playhouse feels a bit lacking in, dare I say, confidence. The first UK revival of Judy Upton's 1998 play has plenty of 1990s nostalgia, but still feels shaky....
BWW Review: RAMBERT'S LIFE IS A DREAM, Sadler's Wells
Life is a Dream is Rambert's first full-length work is over 40 years. It's perhaps best left to seasoned dance-lovers and those who like a challenge, because choreographer Kim Brandstrup certainly doesn't make it an easy task for his audience....
BWW Review: THE TEMPEST, Brighton Open Air Theatre
The Tempest follows the antics of a number of stranded voyagers on a remote island. This particular production is presented by The Lord Chamberlain's Men, an all-male outdoor theatre company founded in 2004, named after Shakespeare's original acting troupe....
BWW Review: THREE SISTERS, Yard Theatre
C-H-E-K-H-O-V - that's the theme buzzing around the Yard Theatre right now. Recognised as one of the greatest writers of short fiction, the famous Russian playwright's world-renowned text is given a radical reimagining. A blend of movement, music, theatre and personal politics, RashDash bring their ...
BWW Review: PETER PAN, Regent's Park Open Air Theatre
Timothy Sheader and Liam Steel's production of J.M. Barrie's Peter Pan returns to Regent's Park Open Air Theatre, three years after it first captivated audiences - young and old....
BWW Review: SWAN LAKE, Royal Opera House
There is no greater anticipation in the ballet world than that for a new Swan Lake. The unenviable pressure of this task has fallen to one of the Royal Opera House's current Artists in Residence, Liam Scarlett. Scarlett's more recent works for the Royal Ballet include the Age of Anxiety and Frankens...
BWW Review: WITH A LITTLE BIT OF LERNER, Royal Festival Hall
With A Little Bit of Lerner combined an outstanding group of performers with the BBC Concert Orchestra to present an exciting variety of many of Lerner's well-known and lesser-known songs at Southbank Centre's Royal Festival Hall. It celebrated the centenary of great American lyricist Alan Jay Lerne...
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