Review: Sondheim’s Swan Song Is Goofy, Satirical, And A Joy to Hear
8 / 10
What music there is, is playful and joyous. You wish there were more of it, especially a finale. But Ives and Mantello do heroic work endowing it with coherence and force. Sondheim always insisted on giving equal credit to his book writers, those who fed him and goaded him. It’s fitting that his last collaborator finished the epitaph. Viewed in the context of Sondheim’s monumental career—quirkiest since Anyone Can Whistle, most political since Assassins—Here We Are is a tenderly whispered coda. It shocks, how much he achieved: writing the lyrics to West Side Story and Gypsy before he was thirty; noodling at the piano in his nineties. Here he was. Yet he’s still here.
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