Need a new musical to die for? Based on the iconic 1992 film, Death Becomes Her is Broadway's new laugh-out-loud musical comedy. The acclaimed new musical is directed and choreographed by Tony Award winner Christopher Gattelli, features a book by Marco Pennette, and an original score by Julia Mattison & Noel Carey.
Madeline Ashton is the most beautiful actress (just ask her) ever to grace the stage and screen. Helen Sharp is the long-suffering author (just ask her) who lives in her shadow. They have always been the best of frenemies…until Madeline steals Helen’s fiancé away. As Helen plots revenge and Madeline clings to her rapidly fading star, their world is suddenly turned upside down by Viola Van Horn, a mysterious woman with a secret that’s to die for. After one sip of Viola’s magical potion, Madeline and Helen begin a new era of life (and death) with their youth and beauty restored…and a grudge to last eternity.
The film on which the musical is based (starring Meryl Streep, Goldie Hawn, and Bruce Willis) has earned cult status for its biting satire, groundbreaking special effects, and iconic performances by Meryl Streep, Goldie Hawn, and Bruce Willis. Directed by Robert Zemeckis, the film explores themes of vanity, immortality, and the absurd lengths people go to in pursuit of eternal youth. Its sharp humor and campy tone, coupled with its innovative use of early CGI technology, have made it a standout in the genre.
Over the years, Death Becomes Her has become a cultural touchstone, celebrated for its queer appeal, memorable one-liners, and commentary on society's obsession with beauty and aging. Its enduring popularity is reflected in frequent revivals, tributes, and its influence on subsequent works in film and fashion.
Before the musical arrived on Broadway, it played at the Cadillac Palace Theatre in Chicago in early 2024. Both the Chicago and original Broadway productions were led by Megan Hilty, Jennifer Simard, Christopher Sieber, and Michelle Williams.
So if you want perfection, look no further than Death Becomes Her.
This may be the one musical where you really might exit humming the set — but you’ll also remember the rapier-sharp repartee between Hilty and Simard, who lean into the material’s catty campiness with hilarious results. Simard’s Helen isn’t the only one who’s busting a gut at the Lunt-Fontanne Theatre. In addition, Hilty’s playfulness extends to her bio in the Playbill, where her credits are lifted directly from Streep’s résumé aside from a lone authentically Hilty TV credit, Smash, and the Streep-centric Instagram handle @ThisIsTotallyMegansRealBio. It’s a deft touch for a show that defies expectations in its all-out assault on the funny bone.
It’s hard to follow the film's leading ladies Meryl Streep and Goldie Hawn, but if anyone is up for it, it’s Megan Hilty and Jennifer Simard. Hilty bursts with star power as the glamorous and self-indulged actress Madeline Ashton, and Simard’s dry delivery is hilarious in author Helen Sharp’s meeker getup — and even better after she transforms into a femme fatale to show up Ashton. Christopher Sieber is the perfectly bumbling plastic surgeon Ernest Menville, who can’t get a song in edgewise when Madeline and Helen are at their finest - though he manages to sneak away for a ludicrously funny song of his own in one of the campiest scenes of the show. Michelle Williams, a Broadway veteran and former Destiny’s Child member, opens the show and is ever-present as the otherworldly Viola van Horn (based on Lisle von Rhuman from the film). Aloof in contrast to the hotheadedness of the main characters, with a voice to bring the house down, she is a fitting choice for a character offering eternal youth.
| 2024 | Broadway |
Original Broadway Production Broadway |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2025 | Drama Desk Awards | Outstanding Book of a Musical | Marco Pennette |
| 2025 | Drama Desk Awards | Outstanding Costume Design of a Mus | Paul Tazewell |
| 2025 | Drama Desk Awards | Outstanding Lead Performance in a Musical | Jennifer Simard |
| 2025 | Drama Desk Awards | Outstanding Wig and Hair Design | Charles G. LaPointe |
| 2025 | Drama League Awards | DISTINGUISHED PERFORMANCE | Jennifer Simard |
| 2025 | Drama League Awards | DISTINGUISHED PERFORMANCE | Megan Hilty |
| 2025 | Drama League Awards | OUTSTANDING DIRECTION OF A MUSICAL | Christopher Gattelli |
| 2025 | Outer Critics Circle Awards | Outstanding Book of a Musical (Broadway or Off-Broadway) | Marco Pennette |
| 2025 | Outer Critics Circle Awards | Outstanding Choreography | Christopher Gattelli |
| 2025 | Outer Critics Circle Awards | Outstanding Costume Design | Paul Tazewell |
| 2025 | Outer Critics Circle Awards | Outstanding Direction of a Musical | Christopher Gattelli |
| 2025 | Outer Critics Circle Awards | Outstanding Featured Performer in a Broadway Musical | Christopher Sieber |
| 2025 | Outer Critics Circle Awards | Outstanding Lead Performer in a Broadway Musical | Jennifer Simard |
| 2025 | Outer Critics Circle Awards | Outstanding Lighting Design | Justin Townsend |
| 2025 | Outer Critics Circle Awards | Outstanding New Broadway Musical | Death Becomes Her |
| 2025 | Outer Critics Circle Awards | Outstanding Orchestrations (Broadway or Off-Broadway) | Doug Besterman |
| 2025 | Outer Critics Circle Awards | Outstanding Scenic Design | Derek McLane |
| 2025 | Outer Critics Circle Awards | Outstanding Score (Broadway or Off-Broadway) | Noel Carey |
| 2025 | Outer Critics Circle Awards | Outstanding Score (Broadway or Off-Broadway) | Julia Mattison |
| 2025 | Outer Critics Circle Awards | Outstanding Sound Design | Peter Hylenski |
| 2025 | Tony Awards | Best Book of a Musical | Marco Pennette |
| 2025 | Tony Awards | Best Choreography | Christopher Gattelli |
| 2025 | Tony Awards | Best Costume Design of a Musical | Paul Tazewell |
| 2025 | Tony Awards | Best Direction of a Musical | Christopher Gattelli |
| 2025 | Tony Awards | Best Lighting Design of a Musical | Justin Townsend |
| 2025 | Tony Awards | BEST ORIGINAL SCORE (Music and/or Lyrics) | Julia Mattison |
| 2025 | Tony Awards | BEST ORIGINAL SCORE (Music and/or Lyrics) | Noel Carey |
| 2025 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Megan Hilty |
| 2025 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Jennifer Simard |
| 2025 | Tony Awards | Best Scenic Design of a Musical | Derek McLane |
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