One show on Broadway is making—and re-making—history every night.
The Tony Award-winning Best Musical 1776 has catapulted to blazing new life in a thrillingly new production, and New York Magazine/Vulture says, “it’s an absolute blast!” Suddenly, the songs, humor, and passion of this musical masterpiece soar as never before.
A glorious multiracial cast of female, transgender, and nonbinary actors portrays the fiery founders of this country, putting history in the hands of the humans who were left out the first time around—and the result is an epic show of passion, debate, and roof-raising musical fireworks. Experience “a 1776 worth celebrating!” (Variety) “It pulsates with energy and snaps with attitude.”
“AN ABSOLUTE BLAST. IT WINS YOU OVER IN MINUTES! I’m glad to have witnessed it. I want other people to witness it.” – James Frankie Thomas, New York Magazine
“FOUR STARS! YOU LEAVE THE PRODUCTION AMAZED!” – Adam Feldman, Time Out
“VERY FUNNY, WITH A JAUNTY AND TUNEFUL SCORE. A WIN FOR LIFE AND LIBERTY!” – Leah Greenblatt, Entertainment Weekly
“A 1776 WORTH CELEBRATING! It pulsates with energy and snaps with attitude.” – Frank Rizzo, Variety
At nearly three hours with intermission, the machinations of the last days leading up to July 4 begins to drag, unhurriedly circling the inevitability of that final, deathless Declaration. What colors and fills up the room is the vibrant, gifted cast, many of them making their Broadway or even theatrical debut: a mild loss for historical accuracy, maybe, but a bigger win for life and liberty, created equally. Grade: B+
The joys of this production are Stone's vibrant book and the fun of seeing the cast play their way through it. Lucas-Perry is a dynamic Adams, Murray sports with the gouty Franklin. Carolee Carmello has swagger for days as John Dickinson, Adams's chief antagonist. If Elizabeth A Davis's Thomas Jefferson feels somewhat removed and empty, Jefferson was described as the American sphinx, so she may be responding to that. Page generates some nice moments, too, as with some under-the-table choreography for the congressmen's feet. But this conception offers something less than a full-throated revival of this musical, if indeed this musical needs to be revived at all. It has remembered the ladies. But it can't make them live.
Videos
TICKET CENTRAL
Recommended For You