& Juliet
6.2
Opened Nov 17, 2022
Aladdin
6.8
Opened Mar 20, 2014
Buena Vista Social Club
8.6
Opened Mar 19, 2025
Chess
6.3
Opened Nov 16, 2025
Chicago
9.5
Opened Nov 14, 1996
Death Becomes Her
8.1
Opened Nov 21, 2024
Dog Day Afternoon
5.1
Opened Mar 30, 2026
Every Brilliant Thing
7.9
Opened Mar 12, 2026
Giant
7.7
Opened Mar 23, 2026
Hadestown
8.2
Opened Apr 17, 2019
Hamilton
9.7
Opened Aug 6, 2015
Harry Potter and the Cursed Child
8.9
Opened Apr 22, 2018
Just in Time
7.5
Opened Apr 26, 2025
Maybe Happy Ending
8.9
Opened Nov 12, 2024
MJ the Musical
6.8
Opened Feb 1, 2022
Moulin Rouge!
7.6
Opened Jul 25, 2019
Oh, Mary!
9.4
Opened Jul 11, 2024
Operation Mincemeat
7.8
Opened Mar 20, 2025
Ragtime
8.2
Opened Oct 16, 2025
Six
8.4
Opened Oct 3, 2021
Stranger Things: The First Shadow
5.8
Opened Apr 22, 2025
The Book of Mormon
8.7
Opened Mar 24, 2011
The Great Gatsby
4.8
Opened Apr 25, 2024
The Lion King
8.8
Opened Nov 13, 1997
The Outsiders
6.9
Opened Apr 11, 2024
Two Strangers (Carry a Cake Across New York)
7.4
Opened Nov 20, 2025
Wicked
5.3
Opened Oct 30, 2003
Review Roundups
Teatro La Plaza's Hamlet is now playing Off-Broadway at Theatre for a New Audience. See what the critics are saying about the production in BroadwayWorld's Review Roundup here!
Seagull: True Story is officially open at The Public Theater’s LuEsther Hall. Following runs at La MaMa and London’s Marylebone Theatre, the play will now run through May 3. Read reviews for the production.
Dog Day Afternoon has officially arrived on Broadway at the August Wilson Theatre. Starring Emmy Award Winners Jon Bernthal and Ebon Moss-Bachrach, the new play is written by Pulitzer Prize winner Stephen Adly Guirgis and directed by two-time Olivier Award winner Rupert Goold. Check out what the critics are saying about the new play...
What do critics think of Red Bull Theater's TITUS ANDRONICUS, running now Off-Broadway, directed by Jesse Berger and starring Patrick Page, which runs through April 19?
See what the critics are saying about Tru Off-Broadway in BroadwayWorld's Review Roundup. The production starring Tony Award winner & five-time Emmy-nominee Jesse Tyler Ferguson as Truman Capote is presented for an audience of 99 patrons.
See what the critics are saying about The Public Theater’s world premiere play Public Charge, a new play based on true events written by former United States Ambassador Julissa Reynoso and award-winning playwright Michael J. Chepiga and directed by Tony Award winner Doug Hughes.
Regional Reviews
All Regional Reviews ›
What did our critic think of THE PIN-UP GIRLS at Winter Park Playhouse?
What did our critic think of BERHANTU at Eclipse Studios?
A small, sincere musical that reaches for neither spectacle nor modernity.
Sometimes alchemy really happens. A blockbuster title with a perfect cast at the most appropriate time of year makes up the spectacular new production of JESUS CHRIST SUPERSTAR now playing at Shea’s 710 Theatre.
The Orange Girls and St. Louis Actors’ Studio’s The Half-Life of Marie Curie is a beautiful work. The production brings together all the design elements of a play into an artistic expression of friendship and feminism through intelligent story telling. It is flawlessly directed, convincingly acted, and meticulously executed. Its originality, integrity, honesty, and impact would make any Nobel prize winning scientist proud.
Ottawa Little Theatre’s presentation of Kimberly Akimbo, written by David Lindsay-Abaire, is a fun, quirky, and deeply human musical about growing up amid unusual challenges. Set deep in the suburbs of New Jersey, we meet Kimberly (Sharon Bernbaum), a teenager navigating high school, family chaos, and a first crush while carrying more responsibility than anyone her age should, thanks to a rare disease and a dysfunctional family.
Berkely Rep’s co-production with La Jolla Playhouse of Ngozi Anywanu’s The Monsters is a joyous, heartwarming story of the bond between sister and brother that will want to make you hug your sibling. Both emotionally devastating and rewarding, The Monsters is brilliantly written, superbly acted by Anyanwu and Bay Area–born actor Sullivan Jones (HBO’s The Gilded Age, Slave Play on Broadway), and beautifully staged by Director Tamilla Woodard and her technical crew.
Featuring spot-on recreations of John, Paul, George, and Ringo-these guys are triple threats! They have mastered the group’s look, sound, and musicianship.
Carmen is the world’s third most performed opera. Its tale of the doomed love affair between an innocent young soldier and a beguiling young woman unconstrained by conventional beliefs was seen in more than 6,000 productions on five continents last year. This performance was in the opera’s original French with Spanish and English translations displayed above the stage.
What is the definition of crazy? Are you nuts? And perhaps the most unsettling question of all—would you be able to defend yourself in court if your sanity were put on trial? To be honest, I’m not entirely sure how successful I would be at convincing a judge to deem me fit for a regular trial… and that uneasy thought is exactly what lingered with me as I walked into Tom Toper's NUTS at The Weekend Theater, which ran March 6–22 in Little Rock.
In an enchanting evening of music, magic, and memorable performances, Theatre 29's production of 'Rodgers + Hammerstein's Cinderella' breathes new life into the classic fairy tale.
Packed with information, praise, and sublime musical performances, Marieann Meringolo's Bergman tribute show is an elegant and emotional entertainment.
BETTE AND JOAN – fame, fear, fervour, and feuding. This famous Hollywood feud delves into the unique paths of these two movie icons.
As Dionne Warwick took the stage at Groton Hill Music Center in Groton recently, before she had sung a single word, she was met by a rousing standing ovation. It was clear from the get-go that the capacity audience knew they were in the presence of a legend.
Come From Away is based on a true story of when the isolated community of Gander, Newfoundland played host to the world. What started as an average day in a small Canadian town turned into an international sleep-over when 38 planes, carrying thousands of people from across the globe, were diverted to Gander's air strip on September 11th, 2001.
For Starra Jones, a baller from rural Plainnole, Arkansas, fulfilling her mother’s dream of basketball glory is her prime motivation. Playing a style of ‘dirty’ ball, her braggadocio will lead her to a foul play in Candrice Jones’ Flex, making its West Coast premiere at SF Playhouse.
When it comes to the arts, there are a lot of things in DC that go either unnoticed or get lost in the shuffle. For almost twenty years now Ford’s Theatre has been presenting such a piece of theatre and it’s a very important one.
What I’m Here For (Danish title Flora) is a co-production between internationally acclaimed companies Vanishing Point (Scotland) and Teater Katapult (Denmark).
When the original production of Chicago opened on Broadway in 1975, its subtitle read “A Musical Vaudeville.” And as distinctively Bob Fosse-style as it was (and is in this excellent touring production of the 1996 revival), Chicago has always been a slight history of vaudeville.
See photos and a write up of the 4/1 Dutch Treat Club luncheon featuring performer Mark Nadler and author David Margolick, who presented his new book: When Caesar Was King: How Sid Caesar Reinvented American Comedy.
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