Review: LA TRAVIATA, Royal Ballet And Opera
by Clementine Scott - Jan 9, 2026
Opera as a whole may be too reliant on museum pieces, on endless identikit revivals designed to secure bums on seats. But in the case of Richard Eyre’s 1994 La traviata, the old adage might be true: if it ain’t broke, don’t fix it.
Critics' Choice: Gary Naylor's Best Theatre of 2025
by Gary Naylor - Dec 24, 2025
Theatre is, of course, a window on another world, often glitzier and brighter than our own, sometimes a reflection that can comfort or discomfit us and sometimes a portal into what it is to be human at all. It is an escape - and who can deny that we need such refuges more than ever - but it can be so much more than mere escapism. The best theatre of 2025 made those lofty promises - and kept them.
Review: KENREX, The Other Palace
by Clementine Scott - Dec 11, 2025
An ominous small town tension, the lingering fear that something rotten lies beneath the wholesome community spirit, pervades KENREX, which transfers to London after an acclaimed Sheffield Theatres run.
Review: MY FAIR LADY, The Mill At Sonning
by Kat Mokrynski - Dec 1, 2025
For their Christmas show this year, The Mill at Sonning is putting on My Fair Lady, the 1956 Broadway musical written by Alan Jay Lerner (Lyrics and Book) and Frederick Loewe (Music). For those unfamiliar with the venue, it is an intimate, 217-seat theatre in the semi-round that operates as a dinner theatre, where audiences have a lovely two-course meal before the performance begins.
Review: LOVERS ACTUALLY, The Other Palace
by Louise Penn - Nov 27, 2025
Lovers Actually takes the mick out of everyone's love-hate Christmas film, Love Actually, in a show written by Neil Hurst and Jodie Prenger. Following on the heels of last year's Homo Alone, this show seasons the festive fun with a side of sauce.
The musical aspect is fully embraced with lively choreography from Kim Healey. Ultimately, Lovers Actually is a cheeky nod to the naughty nineties, but there's a bit too much going on for it to leave us fully satisfied.
Photos: Lara Denning Joins The UK And Ireland Tour Of HERE & NOW
by A.A. Cristi - Nov 13, 2025
Check out brand new photos featuring actress Lara Denning in the role of Caz in the UK and Ireland tour of HERE & NOW. The musical, created by Steps with an original book by Shaun Kitchener, continues touring with direction by Rachel Kavanaugh and choreography by Matt Cole.
Review: FRIENDS! THE MUSICAL PARODY, King's Theatre
by Natalie O'Donoghue - Nov 12, 2025
FRIENDS! The Musical Parody, the hit New York and Las Vegas sensation, is a sidesplitting musical comedy packed with iconic moments from all ten seasons of the beloved television series. Featuring an entirely original musical score, the show follows the escapades of the world's most famous group of twenty-somethings.
Review: FATHERLAND, Hampstead Theatre
by Cindy Marcolina - Nov 7, 2025
A life coach and his struggling daughter embark on a journey to find their Irish roots. Each of them is running away from something. Joy, who is exceedingly against the idea of leaving for an unplanned trip with her father, is going through a bad breakup; Winston, overly chatty and intrusive, is trying to forget the lawsuit that threatens his so-called career. Nancy Farino’s debut play tries hard to be profound. It looks into how our need for connection is the answer to many of our problems, but – much like its characters – it doesn’t know how to communicate its ideas. Directed by Tessa Walker, Fatherland might as well be a pedestrian radio drama.
Review: HERE & NOW, New Wimbledon Theatre
by Laura Jones - Nov 5, 2025
Here & Now arrives at New Wimbledon Theatre with all the sparkle, nostalgia and high-camp energy you’d expect from a show built around the hits of one of Britain’s most beloved pop groups, Steps. Set in a seaside supermarket, the musical blends tongue-in-cheek humour with heartfelt moments, delivering a production that’s equal parts fun, flamboyance and genuine warmth.
Guest Blog: Writer and Actor Nancy Farino On The Challenges of For New Writers and Her Debut Play, FATHERLAND
by Guest Author - Oct 29, 2025
My advice would be to don’t stop working on that thing. Whatever that writing project is. Feel free to become frustrated and put it away for a few weeks but keep it ticking away. I believe it’s immeasurably important for emerging writers - it is these spaces that shape the play, where mistakes can happen and solutions be found, without the pressure of a deadline or a looming opening night or financial stress. (On that note, we open 31 October at The Hampstead Theatre, please come?!)
Interview: 'I Like To Be In The Centre of The Action': Performer Melanie La Barrie on Death and Hope in THE BOOK THIEF in Concert
by Kat Mokrynski - Oct 21, 2025
After previous runs in 2022 and 2023, The Book Thief musical finally arrives in London. The Book Thief: A Concert Production was originally scheduled to be performed for one night only on 19 October, but two more performances have been added on 26 October due to popular demand. Recently, we had the chance to speak with Melanie La Barrie, who is playing the role of Death in this production of The Book Thief. We discussed what made her want to be a part of the show, what it is like to perform in a concert production versus a full staged one and even what is appealing to her about playing characters who take on the role of the narrator!