MUSIC NEWSROOM - Page 1100

In conjunction with The GRAMMY Museum, Browne will also take part in a keynote interview at this year’s AmericanaFest taking place in Nashville from September 22 to 25.

Since its premiere in 1981, State of the Arts has been nominated for multiple New York and Mid-Atlantic Emmys, winning a total of 32.

Directed by EBEN’s close friend Evan Hara & co-starring Jonah Marais of Why Don’t We, the movie was shot guerrilla-style over the span of three weeks along the West Coast from Portland throughout California.

The company has released catalog titles from Eddie Star's work in the 90s (Generation Zero, Live From Hollywood).

Tasha has also announced a triumphant return to touring with a run of November and December North American dates, including a residency at Chicago’s Sleeping Village.

The video for 'Generous' places Alice TM at a formal dinner party where guests are free to explore their emotional and consensual sexual whims.

The video, which was directed and shot by Avery Whitted and edited by Jean-Louis Droulers, debuted today at New Noise Magazine and can also be shared at YouTube.

Upcoming guests that will help the boys of Midland dig into other wild Country lore include Martina McBride, Darius Rucker, Wynonna Judd, Jake Brennan and many more

Indigo De Souza is scheduled to play a full band livestream this Thursday Aug 12 at 7 PM EST for Bowery Presents’ Twitch channel live from Music Hall of Williamsburg in Brooklyn NY.

Into The Blue will be available digitally and on limited edition colored vinyl via Enci Records in North America, Full Time Hobby in Europe and Soundly Distro in the rest of the world.

The lead single “Bitter Taste,” premiering today, features some of Idol’s most introspective and confessional lyrics ever, as he confronts death, rebirth, and his personal growth in the thirty-one years since his near-fatal 1990 motorcycle accident.

Produced by acclaimed East London film director Darnell Depradine (Aitch, Potter Payper, Jacob Banks), the video serves up pure feel-good summer energy as we see Ray enjoying quality time with family and friends and familiar faces such as Kojey Radical and MNEK.

“Summer’s Coming Down” follows the release of the first single from BDL, “Confessed The Sheets” which is a mix of 1970’s The Who (complete with Townshend keyboards in the chorus), 1980’s Simple Minds, and 1990’s indie rock.

Along with the news of a new album they are also dropping a new song and a video to their first album single “Country,” written and sung by Liam, “Country” persists in spite of its appeal to return to a simpler, easier way of being.

'Not Me Anymore' moves away from the complex guitar driven rock the band is known for and offers a change of pace and a glimpse into what to expect from Enjoy the View.

“You can’t believe in nothing/If you’re caked in mud for something/Cuz we’re sewn inside each other”.

After the single release last month, “Bones” has been featured on Spotify’s The New Alt and New Noise playlists, as well as Apple Music’s New In Rock.

Having recently performed for Backline's 'Set Break' live stream alongside Alanis Morissette, Tom Morello, Ben Folds, Sara Bareilles and more to raise funds and awareness for mental health services to be distributed to music industry for free, L'FREAQ has been a champion for her community.

“Yeah!” joins the previously released singles from Chew The Scenery that embrace the impact and intensity of our feelings and how they are shaped by the environment around us.

The video arc ends with her kicking the man to the curb, literally, and stealing his car.

The video, directed by Cartel Juncal, was made using actual footage taken from Aluna's recent DJ sets at Sound Nightclub in Los Angeles and Elsewhere Rooftop in Brooklyn.

Luke previously shared the EP’s 'New Miss America' single.

The nine-track Shiner is a soundtrack for early mornings and late nights mixing the organic with the synthesized, the intimate with the collaborative, and folky with the pop-inspired.

A lyric like “I feel like tapping out, but I can’t let you beat me” naturally rings out as both timely and empowering, yet there is an existential and enduring pain ringing out in Jackson Phillips’ voice on “Before We Knew.

Deformed//Devoid is a small window into the struggle to find purpose in life, and ultimately a narrative about the harm diving into and constantly living in the negative places of your own mind can cause.