When his friend George Gershwin persuaded Vladimir Dukelsky to change his name to Vernon Duke, what the music world already knew became apparent to the public at large—the man had two musical personas—one as a composer, the other as a tunesmith. One wrote highbrow music, the other lowbrow. Yet the two sides complemented each other. Neither could function without the other. Born and classically trained in imperial Russia, Vladimir Dukelsky (1903–1969) fled the Bolshevik Revolution with his family, discovered American popular music in cosmopolitan Constantinople, and pursued his budding interest to New York before his passion for classical music drew him to Paris, where the impresario Serge Diaghilev hired him to compose a ballet for the Ballets Russes. Taking a Chance on Love immerses us in Duke’s dizzying globe-hopping and genre-swapping, as financial concerns and musical passions drive him from composing symphonies to writing songs, from brilliant successes to Broadway flops, and from performing with classical performers to writing books and articles. Throughout, as he crisscrosses the landscape of American music, collaborating with lyricists such as Howard Dietz, Ira Gershwin, and Sammy Cohn, the incomparable Vernon Duke emerges clearly from these pages: sometimes charming, sometimes infuriating, always entertaining. Although Vernon Duke has entered the canon of American standards with such songs as “Taking a Chance on Love,” “I Can’t Get Started,” and “April in Paris,” little is known about the composer with two personas. Taking a Chance on Love brings the intriguing double life of Dukelsky/Duke back into the spotlight, restoring a chapter to the history of the Great American Songbook and to the story of twentieth-century music.
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Publisher: University of Oklahoma Press Released: 2019
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Photos: Broadway Toasts Release of 'I'll Drink to That!' Cocktail Book
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- May 20, 2023
With The Rite of Spring – Spectre d’un songe, two of contemporary music’s most vital and innovative pianists – Sylvie Courvoisier and Cory Smythe – interpret and converse with one of the 20th century’s landmark compositions. On this breathtaking new recording, released May 19, 2023 from Pyroclastic Records, Courvoisier and Smythe perform Igor Stravinsky’s striking two-piano rendition of his iconic Le Sacre du printemps (The Rite of Spring), followed by a bold new Courvoisier composition that draws inspiration from Stravinsky as a launchpad for investigatory improvisation.
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