Review: SUPERNOVA, Omnibus Theatre
Supernova doesn't feel like a debut play.
Cindy Marcolina - Page 17
Review: JULES AND JIM, Jermyn Street Theatre
Jules and Jim is Stella Powell-Jones’s first production since taking over the artistic direction of Jermyn Street Theatre, and it certainly sets the mood for what could be.
Review: ANIMAL, Park Theatre
Jon Bradfield (script) and Josh Hepple (original story alongside Bradfield) pen a relatable tale of love and lust in the digital age, putting disability centre-stage in all its complicated frustrations.
Review: VILLAGE IDIOT, Theatre Royal Stratford East
Samson Hawkins’s play is great fun, but it’s a complex one.
Review: THE MAKINGS OF A MURDERER, Adelphi Theatre
Swindle drives a practical narrative that avoids storytelling in order to preserve the naked truth and honour those who lost their lives with such brutality.
Review: SNOWFLAKES, Park Theatre
Directed by Michael Cottrell, it’s a rabid episode of Black Mirror wannabe.
Review: A LITTLE LIFE, Harold Pinter Theatre
The play it's certain to divide audiences and critics alike: its effect ultimately depends on what one looks for.
Review: SAP, Soho Theatre
Rafaella Marcus pinpoints the eternal bisexual struggle in Sap, which has come to London after a starry sell-out run at Edinburgh Fringe last year.
Book Review: MY SHAKESPEARE - A DIRECTOR'S JOURNEY THROUGH THE FIRST FOLIO by Greg Doran
Doran’s latest book gives a revelatory and revolutionary breakdown of the canon in a way that works for both the professional and uninitiated.
Review: WHEN WE DIED, Jermyn Street Theatre
After having her run at VAULT Festival rudely interrupted by the pandemic three years ago, Alexandra Donnachie is currently touring her self-penned one-woman-show When We Died.
Review: BERLUSCONI - A NEW MUSICAL, Southwark Playhouse Elephant
Silvio Berlusconi.
Review: GONE TOO FAR!, Theatre Royal Stratford East
Set on a housing estate in South London, the piece sees two brothers being sent out to the shops by their mother.
Review: MARJORIE PRIME, Menier Chocolate Factory
Jordan Harrison’s 2015 Pulitzer Prize finalist is a reflection on mortality that doesn’t dare to go into the depths of the matter.
Review: WASTED, Lyric Hammersmith
Running at around 50 minutes, it’s snappy and positively Gen-Z in pace and subject.
Review: CONTEMPT, VAULT Festival
While the writing is gripping and Gabrielle Nellis-Pain’s performance is excellent, there’s something missing.
Review: YOU ARE GOING TO DIE, VAULT Festival
You are going to die.
Review: FREAK OUT!, VAULT Festival
Coin Toss Collective are an exceptionally creative young company.
Review: VANILLA, VAULT Festival
Laura Mead writes with prudish humour while Keith Swainston directs her, Ned Wakeley (Dan), and Scott Henderson in a production that’s almost as uninteresting as Katie and Dan’s sex life.
Review: BURNOUT, VAULT Festival
This approach has the story losing focus and looks like a plain attempt at quirkiness.
Review: THE MESSIAH COMPLEX, VAULT Festival
The Messiah Complex is a fascinating exploration of dystopian philosophy and intellectual restrictions.
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