EDINBURGH 2023: Review: HOLLYWOODN'T, Gilded Balloon Teviot
Directed by Elizabeth Kaye Sortun, while it offers a look at the complexities of toxic dynamics, coercion, consent, and control, it doesn’t truly achieve its goal.
Cindy Marcolina - Page 17
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EDINBURGH 2023: Review: MRS PRESIDENT, C Arts
Lily Wolff directs with gorgeous brushstrokes.
EDINBURGH 2023: Review: VIOLET AND ME, Pleasance Courtyard
It’s a tale of resilience, resentment, and regret told with instinctive storytelling and a dash of friendly advice.
EDINBURGH 2023: Review: BREAKING THE CASTLE, Assembly Rooms
Captivating writing is matched by a tireless performance that transports you in time with a complex breakdown of drug abuse.
EDINBURGH 2023: Review: TALES OF A JANE AUSTEN SPINSTER, Greenside @ Nicolson Square
With light and breezy writing, Jorgensen delivers an accurate analysis of what it feels like to try to find a partner in the 21st Century in 35 delightful minutes of Regency fun.
EDINBURGH 2023: Review: MY FATHER'S NOSE, Assembly Rooms
My Father’s Nose is a surprisingly heartwarming show about death and moving on.
EDINBURGH 2023: Review: I LOVE YOU, NOW WHAT?, Pleasance Courtyard
All in all, it’s not a great play, but it’s also not a particularly bad one either.
EDINBURGH 2023: Review: CHATHAM HOUSE RULES, Pleasance Courtyard
What seems like a silly little comedy about millennial dread at first becomes a pointedly anti-Tory invective in Louis Rembges’s Chatham House Rules.
EDINBURGH 2023: Review: CASTING THE RUNES, Pleasance Courtyard
Box Tale Soup adapt MR James’s ghost story into a play that has the same dark feel of a Penny Dreadful episode.
EDINBURGH 2023: Review: CAN'T WAIT TO LEAVE, The Space @ Surgeons' Hall
Zach Hawkins is incredible with Ryan’s exuberant resignation.
EDINBURGH 2023: Review: DEUTERONOMY, ZOO Southside
Funny and distinctively Beckettian, Deuteronomy is about everything and nothing.
EDINBURGH 2023: Review: NOT OUR CRIME, STILL OUR SENTENCE, Gilded Balloon Patter Hoose
Ambling between cheaply crafted stock characters and expanding only the lesser interesting ones, the project needs work desperately.
EDINBURGH 2023: Review: PLEASURE LITTLE TREASURE, Underbelly Cowgate
At this stage, it might be a bit wobbly, but promises great potential.
EDINBURGH 2023: Review: ALONE, Assembly George Square Studios
Written and directed by Luke Thornborough, this production hails from New Zealand with wit and charm, offering a bleak look into survival.
EDINBURGH 2023: Review: KLANGHAUS: DARKROOM, Summerhall
It’s so rare to be surrounded by the complete absence of light, that part alone is a treat in itself.
EDINBURGH 2023: Review: ÎLE, Pleasance Courtyard
A collection of funny characters accompanies Sophie as she discovers her where she comes from.
EDINBURGH 2023: Review: VITA AND VIRGINIA (ABRIDGED), TheSpace @ Niddry St
Abridged from Eileen Atkins’s play, the four-hander shows the visceral longing shared by the two women.
EDINBURGH 2023: Review: TITANIC: THE LAST HERO AND THE LAST COWARD, Charlotte Chapel
The Titanic has been in the news quite a lot this year with its endlessly fascinating, tragic story.
EDINBURGH 2023: Review: THIS IS NOT A PLAY (IT'S A PATHETIC CRY FOR HELP), Assembly George Square Studios
Pretentiously meta and absolutely bland, the piece is a paceless trudge.
EDINBURGH 2023: Review: THE STRONGEST GIRL IN THE WORLD, Greenside @ Nicolson Square
Truly Siskind-Weiss’s father died when she was ten years old.
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