Rose Art Museum Sets Fall 2014 Exhibitions
The Rose Art Museum at Brandeis University has announced the Fall 2014 exhibition schedule, kicking off with a September 10 grand opening celebration for the permanent installation of Chris Burden's sculpture, Light of Reason, and the exhibitions Mark Bradford, Rose Projects 1B | 1914: Magnus Plessen, and Rose Video 04 | Alex Hubbard. On October 8, the Rose opens a major retrospective of work by artist John Altoon; and, on November 11, Rose Video 05 | Gillian Wearing.
PERMANENT INSTALLATION: CHRIS BURDEN, LIGHT OF REASON
GRAND OPENING - SEPTEMBER 10
The Rose has commissioned a major installation by Boston native and critically acclaimed artist Chris Burden. Heralded as a creator of "epoch-defining work" and "one of the most important American artists to emerge since 1970," Burden has designed a work inspired by the three torches, three hills and three Hebrew letters spelling the word "truth" in the Brandeis University seal. The installation's title, "Light of Reason," borrows from a well-known quote by the university's namesake, Supreme Court Justice Louis Dembitz Brandeis: "If we would guide by the light of reason, we must let our minds be bold."
In Burden's design, antique Victorian lampposts and concrete benches form three branches that fan out from the Rose Art Museum's entrance. The sculpture will create an inviting gateway to the museum and a dynamic outdoor space for the Brandeis community. Planned as an integral part of the image of the Rose Art Museum and the university, the work is already being discussed as a potential setting for a broad range of student and community activities.
September 11 - December 21
Gerald S. and Sandra Fineberg Gallery
An exhibition of major new painting and sculptures by MacArthur-award winning artist Mark Bradford, featuring a monumentally-scaled mural created in direct relation to the Rose's glass-fronted Lois Foster Wing. One hundred feet in length, the mural represents a continuation of Bradford's painting practice while aspiring to return to the grand American mural tradition of the early- 20th century.