BWW Review: TWO MAN SHOW, Soho Theatre
Two women play two women playing men.
UK / West End Theater Reviews
The latest reviews and critic recommendations from UK / West End.
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BWW Review: VICTORY CONDITION, Royal Court
A man and a woman enter, having just returned from a holiday in Greece.
BWW Review: HEISENBERG: THE UNCERTAINTY PRINCIPLE, Wyndham's Theatre
For the premiere work of new company Elliott & Harper Productions, director Marianne Elliott got the Curious Incident band back together, from playwright Simon Stephens to her acclaimed creative team.
BWW Review: THE LIE, Menier Chocolate Factory
Following their production of The Truth, also by Florian Zeller, the Menier Chocolate Factory, director Lindsay Posner and translator Christopher Hampton have teamed up again for the English language world premiere of The Lie.
BWW Review: THE BARBER OF SEVILLE, London Coliseum
It is said that Rossini wrote his most famous opera, The Barber of Seville, in three weeks, but few opere buffe remain as fresh and funny as this one.
BWW Review: RAIN: 50 YEARS OF SGT. PEPPERS, London Palladium
Fifty years ago, The Beatles changed the face of pop music when they released the iconic Sgt Pepper's Lonely Hearts Club Band album.
BWW Review: MY NAME IS RACHEL CORRIE, Young Vic
My Name is Rachel Corrie is revived at the Young Vic 12 years after its debut at the Royal Court.
BWW Review: FLASHDANCE THE MUSICAL, New Wimbledon Theatre
Flashdance The Musical may lack narrative drive, but it more than makes up for it with iconic songs and energetic performances full of star power.
BWW Review: SUNSET BOULEVARD, Edinburgh Playhouse
A murder and a major movie star: the media are in frenzy.
BWW Review: LAIKA, Unicorn Theatre
Despite all the little people in the audience, the seating was a tight squeeze as the Unicorn had sold out, and then some, for the press night of their new show Laika.
BWW Review: LABOUR OF LOVE, Noel Coward Theatre
With This House enjoying an acclaimed revival last year, and Almeida hit Ink now situated just metres away from new offering Labour of Love on St Martin's Lane, the West End currently belongs to the fantastically prolific playwright James Graham.
BWW Review: RITA, SUE AND BOB TOO, Bristol Old Vic
It's 1982 and Soft Cell is on the radio.
BWW Review: TURKEY, The Hope Theatre
Madeline (Peyvand Sadeghian) wants the only thing her partner Toni (Harriet Green) can't give her: a baby.
BWW Review: B, Royal Court
Presented as part of the Genesis Foundation Project, B kicks off the Royal Court's international season.
BWW Review: WHAT SHADOWS, Park Theatre
Transferring to London after debuting (rather appropriately) in Birmingham last year, Chris Hannan's play is based around Enoch Powell's 1968 'Rivers of blood' speech.
BWW Review: THE TOXIC AVENGER, Arts Theatre
Gary Naylor sees a show packed with broad humour and commercial songs - and underpinned by a message that matters.
BWW Review: LEGALLY BLONDE, Bristol Hippodrome
It's hard to watch Legally Blonde The Musical without becoming at least a little infected with the fluffy American can-do-anything attitude that prevails throughout this fast, frivolous and fun show.
BWW Review: THE BEST MAN, Richmond Theatre
Playwright Gore Vidal was well placed to have in depth knowledge of what goes on behind the scenes in US politics.
BWW Review: KING LEAR, Chichester Festival Theatre
'We that are young Shall never see so much, nor live so long.
BWW Review: SPAMALOT, King's Theatre, Edinburgh
A musical comedy adapted from 'Monty Python and the Holy Grail', this new UK tour of 'Spamalot' is more intimate than previous productions, but is no less entertaining.
BWW Review: CASINO ROYALE IN CONCERT, Royal Albert Hall
This weekend, for the first time, a James Bond score was performed in its entirety, as the Royal Philharmonic Concert Orchestra accompanied a screening of the 2006 film Casino Royale.
BWW Review: JANE EYRE, National Theatre
Three years after its Bristol Old Vic debut, Sally Cookson's fervently theatrical reimagining of Charlotte Bront 's novel returns to the National Theatre as part of a UK tour with a new cast, but with its collective spirit intact.
BWW Review: FRANKENSTEIN, Jack Studio Theatre
Frankenstein, likes its eponymous anti-hero, is often brilliant but flounders on its ambition.
BWW Review: THE FALL, Royal Court
Riding high from their momentous success at the Edinburgh Festival, Baxter Theatre Company bring their award-winning show The Fall to the Royal Court.
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