BWW Review: THE IMPORTANCE OF BEING EARNEST, The Watermill Theatre
Kate Budgen's production of The Importance of Being Earnest at The Watermill Theatre is laugh-a-minute funny.
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BWW Review: RAILED, Brighton Spiegeltent
Head First Acrobats return to Brighton Fringe, bringing their new Wild West themed show, Railed, to the Spiegeltent.
BWW Review: THE MERRY WIVES OF WINDSOR, Shakespeare's Globe
There's something magical about watching Shakespeare at the Globe theatre, especially on a sunny summer evening.
BWW Review: RUTHERFORD AND SON, National Theatre
Rain gushes down the front of the Lyttelton stage, a pitiless wall of water trapping and framing the Rutherfords - a clan very much defined by their environment.
BWW Review: TOSCA, Royal Opera House
Gorgeous and gruesome, this revival of Jonathan Kent's production fills the Royal Opera House with emotion and passion - and a warning of what chaos can ensue in a failing state.
BWW Review: MARIAH CAREY: CAUTION WORLD TOUR, Royal Albert Hall
Mariah Carey's Caution World Tour kicked off its European leg in Dublin last week.
BWW Review: BENEATH THE BLUE RINSE, Park Theatre
Simon Sudgebury (Kevin Tomlinson) has been scamming older ladies forcing them to buy expensive alarm systems in order to earn a huge bonus.
BWW Review: BLUEPRINT MEDEA, Finborough Theatre
Medea (Ruth D'Silva) becomes a Kurdish militant seeking asylum in the UK.
BWW Review: DOES MY BOMB LOOK BIG IN THIS?, Soho Theatre
What makes a seemingly ordinary 15-year-old girl travel to Syria to become a jihadi bride? Years before Shamima Begum became front page news, writer and actor Nyla Levy was developing the story of Does My Bomb Look Big In This? after being repeatedly cast as the girlfriend of terrorists in her own a
BWW Review: A MIDSUMMER NIGHT'S DREAM, St Nicholas' Rest Garden
The Lord Chaimberlain's Men return to Brighton Festival with their dreamy production of A Midsummer Night's Dream.
BWW Review: OUR TOWN, Regent's Park Open Air Theatre
The first production for Regent's Park Open Air Theatre's summer 2019 season is a revival of Thornton Wilder's 1938 play, Our Town.
BWW Review: COOPED, Worthing Pavilion Theatre
Spymonkey are a quartet of performers from Spain, Germany and England formed in 1997.
BWW Review: THE TALENTED MR. RIPLEY, Wilton's Music Hall
Tom Ripley is struggling to make a living in New York City.
BWW Review: USER NOT FOUND, The CoffeeWorks Project, Battersea Power Station
USER NOT FOUND plunges us into the very contemporary and very real issues concerning one's digital legacy.
BWW Review: ANNA, National Theatre
The audience plays surveillance state in this pioneering collaboration between playwright Ella Hickson and sound designers Ben and Max Ringham.
BWW Review: HOARD, Arcola Theatre
Bili (Kemi Durosinmi) is introducing her boyfriend Brian (Tyler Fayose) to her sisters Rafi (Elizabeth Ita) and Ami (played by Estella Daniels on book due to Emmanuella Cole's being ill on press night).
BWW Review: MAN OF LA MANCHA, London Coliseum
As the alternate Aldonza/Dulcinea, Cassidy Janson would be forgiven for feeling a little out of place amongst the otherwise established company.
BWW Review: VINCENT RIVER, Trafalgar Studios
When Davey musters the courage to go speak to Anita instead of merely stalking her, both have to confront psychological trauma that can no longer be denied.
BWW Review: ANDREA CHENIER, Royal Opera House
Andrea Chenier is a feast for eyes and ears with Roberto Alagna, Sondra Radvanovsky and Dimitri Platanias magnificent in the tale of the poet who stays true to love as the world descends into madness.
BWW Review: AMELIE, New Wimbledon Theatre
It is the irresistible tale of a lonely Parisian waitress who tries to spread happiness in the lives of others, set in a fantasy world.
BWW Review: SUPERHOE, Attenborough Centre For The Contemporary Arts
Nicole Lecky brings her sell-out London show to Brighton Festival.
BWW Review: STING AND SHAGGY, Roundhouse
On first glance, these two may seem like an odd pairing.
BWW Review: TESTAMENT, The Hope Theatre
Max (Nicholas Shalebridge), his girlfriend Tess (Jessica Frances), and his brother Chris (William Shackleton) are involved in a terrible car accident that results in Tess' death.
BWW Review: THE WIND IN THE WILLOWS, Stepney City Farm
Take one of the best-loved stories for children and some fantastic food served by waiters who are also the actors and you have the latest project from Scripts For Supper, creators of immersive theatrical and dining experiences.
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