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UK / WEST END THEATER REVIEWS

The latest reviews and critic recommendations from UK / West End
BWW Review: PRINCESS & THE HUSTLER, Bristol Old Vic

BWW Review: PRINCESS & THE HUSTLER, Bristol Old Vic

by Leah Tozer — February 23, 2019
Beauty pageants and bus boycotts seldom belong on the same page, but in Chinonyerem Odimba's joyously playful and beautifully played Princess & the Hustler, they're brought together by Princess James, a flamboyant young girl who is black, beautiful, and brilliantly funny....
'Everybody's Got The Right: The Changing Face of Criticism and How New Musicals are R

'Everybody's Got The Right: The Changing Face of Criticism and How New Musicals are Reviewed', MT Fest, The Other Palace

by Gary Naylor — February 20, 2019
Paul Taylor-Mills hosted a conversation with Mark Shenton, one of a series at The Other Palace's MT Fest. Here are some of the key points that emerged....
BWW Review: SHIPWRECK, Almeida Theatre

BWW Review: SHIPWRECK, Almeida Theatre

by Marianka Swain — February 20, 2019
'Isn't that the problem with political theater, too much directness?' queries one of Anne Washburn's characters in her new play - which, in meta fashion, and over a leisurely three hours, not only addresses Trump head on, but also painstakingly analyses our responses to the President and the present...
BWW Review: ONLY FOOLS AND HORSES - THE MUSICAL, Theatre Royal Haymarket

BWW Review: ONLY FOOLS AND HORSES - THE MUSICAL, Theatre Royal Haymarket

by Debbie Gilpin — February 20, 2019
When it was announced that Trotters Independent Traders' three-wheeled 'yellow peril' was heading direct to London's West End in the form of a new musical, a few eyebrows were raised. Only Fools and Horses - The Musical was the brainchild of TV series creator John Sullivan, though it has been realis...
BWW Review: CYPRUS AVENUE, Royal Court

BWW Review: CYPRUS AVENUE, Royal Court

by Gary Naylor — February 20, 2019
Cyprus Avenue is a blistering black comedy illuminated by a sensational performance from Stephen Rea as Eric, a man adrift in a world that is changing too quickly for him, feeding a psychosis about to explode....
BWW Review: Elina Garanca, Wigmore Hall

BWW Review: Elina Garanca, Wigmore Hall

by Sophia Lambton — February 19, 2019
If there are golden voices, the instrument of Elina Garanca isn't among them. Dusky like a claret, the mezzo-soprano's pervasive, pure timbre emerges with the strength of a tree bark; equally, the luscious lilt of gently pouring molten bronze....
BWW Review: THE PAPER MAN, Soho Theatre

BWW Review: THE PAPER MAN, Soho Theatre

by Gary Naylor — February 19, 2019
The Paper Man starts off with the story of Austria's 1930s football hero Matthias Sindelar but swiftly dummies the Nazis and nutmegs for a narrative about the construction of narratives - and becomes rather dull as a consequence....
BWW Review: THE LADY FROM THE SEA, The Print Room

BWW Review: THE LADY FROM THE SEA, The Print Room

by Cindy Marcolina — February 19, 2019
The Print Room at The Coronet is hosting a slick and melancholic bilingual revival of Henrik Ibsen's The Lady From The Sea produced by the venue in their first collaboration with The Norwegian Ibsen Company....
BWW Review: COME FROM AWAY, Phoenix Theatre

BWW Review: COME FROM AWAY, Phoenix Theatre

by Marianka Swain — February 18, 2019
A remarkable true story birthed this modest Canadian musical, which went on to storm Broadway in 2017, and now makes it West End debut at a time when its heartfelt message seems more necessary than ever. In these murky, cynical times, Irene Sankoff and David Hein's show feels like coming up for air....
BWW Review: TRIAL BY LAUGHTER, Richmond Theatre

BWW Review: TRIAL BY LAUGHTER, Richmond Theatre

by Aliya Al-Hassan — February 19, 2019
As Editor and Lead Cartoonist of Private Eye, Ian Hislop and Nick Newman are certainly not immune to the issue of libel. In Trial By Laughter they expand what was a Radio 4 afternoon drama to a full length play, focusing on the trials of satirist and forgotten hero of free speech, William Hone, in 1...
BWW Review: MACBETH, Orange Tree Theatre

BWW Review: MACBETH, Orange Tree Theatre

by Aliya Al-Hassan — February 18, 2019
School is where most of us are introduced to William Shakespeare and the nature of this introduction will often impact on how much we love or loath The Bard in later life. In their series Shakespeare Up Close, Richmond's Orange Tree Theatre continues its quest to bring Shakespeare's plays to life...
BWW Review: 9 TO 5 THE MUSICAL, Savoy Theatre

BWW Review: 9 TO 5 THE MUSICAL, Savoy Theatre

by Marianka Swain — February 17, 2019
In a programme interview, Patricia Resnick - writer of both the original 1980 film and this 2008 musical adaptation - notes that Jane Fonda wanted to convey a political message about workplace sexism, but realised couching it in comedy would make it more palatable. Like composer Dolly Parton herself...
BWW Review: BUTTERFLIES, VAULT Festival

BWW Review: BUTTERFLIES, VAULT Festival

by Cindy Marcolina — February 17, 2019
Flat 4 Theatre make their debut as a company with Butterflies, a quite jarring account of the relationship between Generation Z and technology....
BWW Review: DON QUIXOTE, Royal Opera House

BWW Review: DON QUIXOTE, Royal Opera House

by Vikki Jane Vile — February 17, 2019
Carlos Acosta's vibrant production of Don Quixote offers an all-thriller, no-filler evening complete with exuberant staging, grand and detailed sets fit for a West End musical, luxurious costuming, and a stellar cast in which there is not a single weak link....
BWW Review: BERBERIAN SOUND STUDIO, Donmar Warehouse

BWW Review: BERBERIAN SOUND STUDIO, Donmar Warehouse

by Emma Watkins — February 16, 2019
It's the 1970s and British sound designer Gilderoy is stepping well out of his comfort zone to create the soundscape for Italian horror-thriller director Santini's latest movie. Berberian Sound Studio is a slightly curious play, but a really beautifully styled piece of theatrical craft, and also an ...
BWW Review: TOBACCO ROAD, VAULT Festival

BWW Review: TOBACCO ROAD, VAULT Festival

by Cindy Marcolina — February 16, 2019
It's the Roaring Twenties in London. The Great War is over, having killed millions of people with it; citizens are going back to their disheveled lives and organised crime thrives in a city that's getting back up on its feet....
BWW Review: AGNES COLANDER: AN ATTEMPT AT LIFE, Jermyn Street Theatre

BWW Review: AGNES COLANDER: AN ATTEMPT AT LIFE, Jermyn Street Theatre

by Cindy Marcolina — February 16, 2019
Jermyn Street Theatre open the celebrations for their 25th anniversary with a world premiere aged 120. Harley Granville Barker's Agnes Colander: An Attempt At Life was found by the British Library about a century after the Edwardian director wrote it in 1900 and was immediately hailed as a masterpie...
BWW Review: CAN-CAN!, Union Theatre

BWW Review: CAN-CAN!, Union Theatre

by Gary Naylor — February 15, 2019
Phil Willmott tries to rescue two shows with the plot of a third, but his show also never quite coheres, for all the energy expended by the hard-working cast....
BWW Review: CALL ME FURY, VAULT Festival

BWW Review: CALL ME FURY, VAULT Festival

by Cindy Marcolina — February 15, 2019
After winning People's Choice Award in last year's edition of the VAULT Festival, Out Of The Forest Theatre are back with Call Me Fury to tell the stories of unjustly condemned women throughout the centuries....
BWW Review: EDWARD II, Sam Wanamaker Playhouse

BWW Review: EDWARD II, Sam Wanamaker Playhouse

by Charlotte Downes — February 14, 2019
Christopher Marlowe's Edward II is one of the earliest English history plays, and tells the story of the title character, his infatuation with his favourites and the dissent of his disapproving peers. It is a tragedy, replete with violence, gore and death....
BWW Review: THE CUNNING LITTLE VIXEN/THE TWO PIGEONS, Royal Opera House

BWW Review: THE CUNNING LITTLE VIXEN/THE TWO PIGEONS, Royal Opera House

by Vikki Jane Vile — February 14, 2019
In a rare piece of programming from the Royal Opera House, audiences have the opportunity, for a limited run, to watch the Royal Ballet School's talent of tomorrow and the main company's talent of today together in a mixed programme of animal-based stories. It features new work from Artist in Reside...
BWW Review: THE AMERICAN CLOCK, Old Vic

BWW Review: THE AMERICAN CLOCK, Old Vic

by Louis Train — February 14, 2019
This new production of Arthur Miller's rarely-produced play, on now at the Old Vic, offers some emotional and aesthetic rewards, but misses more often than it hits....
BWW Review: BOTTLED, VAULT Festival

BWW Review: BOTTLED, VAULT Festival

by Cindy Marcolina — February 14, 2019
BBC Writers Room's Hayley Wareham and Flux Theatre present bottled, a jarring original play about domestic abuse....
BWW Review: CARMEN, King's Head Theatre

BWW Review: CARMEN, King's Head Theatre

by Gary Naylor — February 14, 2019
The King's Head pulls off another re-imagining of a classic opera that packs plenty of punch and is a joy for newbies and old hands alike....
BWW Review: RUTHERFORD AND SON, Crucible, Sheffield

BWW Review: RUTHERFORD AND SON, Crucible, Sheffield

by Ruth Deller — February 13, 2019
Sheffield Theatres' revival of Githa Sowerby's play skillfully balances drama and humour....
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