BWW Review: ANDREA CHENIER, Royal Opera House
Andrea Chenier is a feast for eyes and ears with Roberto Alagna, Sondra Radvanovsky and Dimitri Platanias magnificent in the tale of the poet who stays true to love as the world descends into madness.
UK / West End Theater Reviews
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BWW Review: AMELIE, New Wimbledon Theatre
It is the irresistible tale of a lonely Parisian waitress who tries to spread happiness in the lives of others, set in a fantasy world.
BWW Review: SUPERHOE, Attenborough Centre For The Contemporary Arts
Nicole Lecky brings her sell-out London show to Brighton Festival.
BWW Review: STING AND SHAGGY, Roundhouse
On first glance, these two may seem like an odd pairing.
BWW Review: TESTAMENT, The Hope Theatre
Max (Nicholas Shalebridge), his girlfriend Tess (Jessica Frances), and his brother Chris (William Shackleton) are involved in a terrible car accident that results in Tess' death.
BWW Review: THE WIND IN THE WILLOWS, Stepney City Farm
Take one of the best-loved stories for children and some fantastic food served by waiters who are also the actors and you have the latest project from Scripts For Supper, creators of immersive theatrical and dining experiences.
BWW Review: RICHARD III, Royal and Derngate
Held together by a mesmerising performance by Tom Mothersdale, Headlong's production of Richard III races along at such a pace that it's only after it stops that you realise exactly how much ground they have managed to cover.
BWW Review: PHAEDRA, Linbury Theatre, Royal Opera House
God it's good to have the Linbury back.
BWW Review: WHITE PEARL, Royal Court Theatre
Clearday has gone from a small Singaporean start-up to an international cosmetic brand.
BWW Review: HAPPY JACK, Jack Studio Theatre
Happy Jack is an early play by John Godber full of working class warmth tempered with a hard edge of social criticism.
BWW Review: EVERYBODY'S TALKING ABOUT JAMIE, Apollo Theatre
Drag Star Bianca Del Rio and Steps singer Faye Tozer officially joined the cast of Everybody's Talking About Jamie this week at a special Gala night.
BWW Review: UTE LEMPER: RENDEZVOUS WITH MARLENE, Arcola Theatre
Ute Lemper: Rendezvous with Marlene sees a living legend portraying a now lost legend - up close and personal and a privilege to see.
BWW Review: ORPHEUS DESCENDING, Menier Chocolate Factory
Theatr Clwyd's latest co-production with the Menier Chocolate Factory takes on Tennessee Williams' Orpheus Descending.
BWW Review: MY LEFT RIGHT FOOT: THE MUSICAL, Theatre Royal Brighton
Following a highly succesful run at the 2018 Edinburgh Fringe Festival, My Left Right Foot: The Musical makes a stop in the Theatre Royal as part of the Brighton Festival and at the end of the National Theatre of Scotland production's own tour to Japan and various UK venues.
CD Review: HEATHERS THE MUSICAL, Original London Cast Album
Heathers: The Musical has recently enjoyed a limited West End run, following an extremely successful production debuting at The Other Palace in London.
BWW Review: REGINALD D HUNTER: FACING THE BEAST, Richmond Theatre
Reginald D Hunter's latest show was originally titled Reginald D Hunter: Facing The Beast and Niggas when it premiered at his 20th appearance at the Edinburgh Festival last summer.
BWW Review: THE FIRM, Hampstead Theatre
For all its bravado and comedy, Roy Williams' The Firm is a potent piece about masculinity.
BWW Review: COURTNEY ACT: UNDER THE COVERS, Underbelly Festival
Back in 2014, audiences stared rapt into their televisions as Courtney Act (aka Shane Jenek) debuted her flare and gorgeousness as one of the participants in RuPaul's Drag Race.
BWW Review: THE LAST TEMPTATION OF BORIS JOHNSON, Park Theatre
Jonathan Maitland delivers a satirical take on Brexit in general and Boris Johnson in particular, that lacks the insight and the jokes required to do justice to its source material's rich potential.
BWW Review: CLASS, Bush Theatre
Iseult Golden and David Horan's story speaks of family struggle, adolescent development and the complexities of the education system.
BWW Review: EMERGING DANCER 2019, Sadler's Wells
Now in its 10th year, English National Ballet's Emerging Dancer competition returned to Sadler's Wells on 7 May 7 with six finalists, all members of ENB's corps de ballet, competing for the title.
BWW Review: THE PROVOKED WIFE, Swan Theatre
The Provoked Wife combines tremendous comedy with a hard-edged look at human nature and the institutions that underpin society - as relevant today as when it was written over 300 years ago.
BWW Review: DEATH OF A SALESMAN, Young Vic
Seventy years on from its Broadway opening, Marianne Elliott and Miranda Cromwell present Arthur Miller's masterpiece afresh in an inspired, shattering revival.
BWW Review: MATILDA THE MUSICAL, Bristol Hippodrome
Children are just revolting aren't they? They're snivelling maggots that need discipline, discipline and more discipline.
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