BWW Review: SAILING, The Cockpit
Prince is in his late twenties, lives by the sea, and still goes by the old nickname his mum gave him when he was little. He was raised to be a sensitive and delicate man, one who - by his own admission - always had the tendency to become 'one of the girlsa??. Duarte Bandeira writes and plays a swee...
BWW Review: EIGHT GIGABYTES OF HARDCORE PORNOGRAPHY, Orange Tree Theatre
Online pornography addiction, debt collectors, unhappy marriages and acute boredom. This is the bleak world in which Australian playwright Declan Greene's play Eight Gigabytes of Hardcore Pornography is set. As part of the Orange Tree's Directors' Festival, Gianluca Lello directs the UK premiere of...
BWW Review: PILGRIMS, Orange Tree Theatre
As part of the Orange Tree Theatre's Directors' Festival, Elinor Cook's lyrical play Pilgrims looks at masculinity, mountains and myths.
Friends Dan and Will scaled Everest when they were just teenagers. This incredible achievement comes to overshadow their adult lives in a variety of destructiv...
BWW Review: THE MIKVAH PROJECT, Orange Tree Theatre
The Orange Tree Theatre's Directors' Festival is always an exciting opportunity to see emerging talent.
This is the third cohort of directors who have been studying the Orange Tree Theatre and St Mary's University MA Theatre Directing Masters course. Georgia Green takes the directing reins here ...
BWW Review: SHACKLETON'S CARPENTER, Jermyn Street Theatre
Veteran stage actor Malcolm Rennie steers the ship with intensity and poise in this retelling of the life of a forgotten hero....
BWW Review: THE TIME OF OUR LIES, Park Theatre
Cancelling a press night is never a decision that's to be taken lightly. Holding a press night with a replacement actor in the main role could be catastrophic. When Daniel Benzali became incapacitated to perform at the opening night of Park Theatre's The Time Of Our Lies, director Ché Walker invit...
BWW Review: TREE, Young Vic
As someone who has never quite realised the appeal of going clubbing, imagine my fear as I walked into the auditorium of the Young Vic, where a central island was occupied by audience members dancing. Memories of my first night of Freshers at university sprung to mind, where I awkwardly stood in th...
BWW Review: DAS RHEINGOLD, Grimeborn Festival, Arcola Theatre
Grimeborn sees a condensed version version of the early part of Wagner's Ring Cycle that packs a punch in its intense 100 minutes running time....
BWW Review: MR GUM AND THE DANCING BEAR - THE MUSICAL!, National Theatre
The Dorfman stage at National Theatre transforms into Lamonic Bibber for the summer break. Mr Gum - a grumpy man who hates children and any kind of fun - traps Padlock the bear, Polly's new, unexpected friend and forces him to dance to entertain Gum's crowds of sailors and scallywags. Aided by her l...
BWW Review: UNCLE VANYA, Theatre Royal Bath
In his introduction to the play in the programme, David Hare remarks that: a?oeit's not just that Vanya soaks up a bewildering variety of interpretation... it's also, that, in the theatre, it's often hard to discern exactly what it's about.a??
This elusiveness characterises this specially commiss...
BWW Review: KISS ME, KATE, The Watermill Theatre
The vivacity of this production of Kiss Me, Kate hits you even harder than the gifts of the multi-talented cast. Just what you need to escape these troubled times....
BWW Review: NAKED PEOPLE WAKING UP, Etcetera Theatre
Four people wake up in a locked room, almost naked. They couldn't be more different from one another but right now they're all equally confused as to what's going on. Concept Theatre's debut show starts off with a strong premise but it doesn't, unfortunately, fulfill its capacity at the present stag...
BWW Review: THE GIRL ON THE TRAIN, Duke Of York's Theatre
Fresh from its UK tour, Rachel Wagstaff and Duncan Abel's adaptation of Paula Hawkins' bestselling novel The Girl on the Train comes to the West End....
BWW Review: BARBER SHOP CHRONICLES, Roundhouse
Never before has there been a show filled with such exuberance, or has there been a play that fires the audience up in such a way. Before the action even starts, people are up dancing and laughing along with the 12-strong ensemble. There's so much joy happening in the centre, and the buzzing enthusi...
BWW Review: STONES IN HIS POCKETS, Theatre Royal Brighton
There's always a buzz of excitement when a film crew come to your home town but is it always a positive impact on the community? Marie Jones' multi-award winning comedy, Stones in His Pockets, is currently touring the UK and is making its stop in Brighton's Theatre Royal this week....
BWW Review: VIOLETTA, Grimeborn Festival, Arcola Theatre
Violetta kicks off the Grimeborn Festival with a perfect example of how to pare back a grand opera and make a fine chamber piece that is played and sung beautifully....
BWW Review: F**K FREUD, The Water Rats
From having a mundane job to stay on top of bills to having to deal with agents who show no respect whatsoever, starting a career in the entertainment industry isn't for the easily impressionable. The life of the budding actor swarms with clichés on its own but Lucio Veronesi amps up the struggle a...
BWW Review: PETER PAN, Troubadour White City Theatre
The new Troubadour White City Theatre becomes Neverland as the timeless tale of Peter Pan flies into West London....
BWW Review: CRYSTAL CLEAR, Old Red Lion Theatre
Art dealer Richard has a long-term partner named Jane. He has also entered into an affair with Thomasina, a blind woman. When he suddenly loses his sight, Richard's relationships with both women are tested as he struggles to make sense of his new reality. Returning to the home of its original run i...
BWW Review: THE WORST WITCH, Vaudeville Theatre
Move over, Hogwarts a?' Miss Cackle's Academy for Witches is in town! Fresh from a UK tour, Emma Reeves' adaptation of Jill Murphy's The Worst Witch comes slipping and sliding into the West End for a summer residency at the Vaudeville Theatre. This musical stage version of the much-loved books is di...
BWW Review: PROM 11: THE SOUND OF A SUMMER, Royal Albert Hall
1969. The year of the moon. But that was far from all; Woodstock, the Stonewall riots, Monty Python's Flying Circus and the Battle of the Bogside were but a snapshot of life in the last year of the sixties - The Beatles' career came to an acrimonious end just as David Bowie's started its ascent to s...
BWW Review: SOUTHERN BELLES, King's Head Theatre
This year's rendezvous with King's Head Theatre's Queer Season kick's off with Southern Belles, a double bill of one-act plays written by Tennessee Williams. Jamie Armitage, fresh off his multiple Olivier Awards nominations for Six, directs Something Unspoken and And Tell Sad Stories of the Deaths o...
CD Review: GIRL IN A CRISIS, Original Cast Recording
Girl in a Crisis is a brand new one-woman musical that premiered in November 2018, as part of the Live at the Zedel season at Crazy Coqs in London. Starring award-winning West End performer, Lorna Want, the show was developed and directed by Simon Greiff with Andrew Fisher providing the book, music ...
BWW Review: MALORY TOWERS, Passenger Shed
At first glance, Enid Blyton's Malory Towers seems an odd choice for the second outing of Emma Rice's Wise Children theatre company. A genteel tale of a privileged girl's boarding school in Cornwall with mild peril and even milder themes doesn't seem like classic Rice....
BWW Review: SHERLOCK HOLMES AND THE INVISIBLE THING, Rudolf Steiner Theatre
It's only natural that, after its original 2016 run in Chiswick, a revised version of Greg Freeman's Sherlock Holmes and the Invisible Thing should land at the Rudolf Steiner Theatre, just down the road from 221B Baker Street itself....
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