BWW Review: BABY REINDEER, Bush Theatre
It all started with Richard Gadd offering a lonely woman a cup of tea in a bar.
UK / West End Theater Reviews
The latest reviews and critic recommendations from UK / West End.
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BWW Review: GROAN UPS, Vaudeville Theatre
Having never seen a Mischief Theatre show before, it's safe to say I was very excited to attend the premiere of their new piece last night.
BWW Review: AMATORY ASYLUM, Wellington Members Club
House of Kittens takes over the Wellington Members Club and turns it into a sort of castle of pleasure.
BWW Review: BEETHOVEN: SYMPHONY NO.7, Southbank Centre
As part of the Southbank Centre's Classical Season, the Philharmonia Orchestra performed a fantastic Sunday matinee of Beethoven's Symphony No.
BWW Review: EXTRAORDINARY WALL (OF SILENCE), Bristol Old Vic
1880 was something of a watershed moment in the history of the Deaf community.
BWW Review: GHOST STORIES, Ambassadors Theatre
The extraordinary success of Jeremy Dyson and Andy Nyman's Ghost Stories back at the Lyric Hammersmith in 2010 led to multiple runs in London, a film starring Martin Freeman, Paul Whitehouse, and Alex Lawter, and a number of tours and productions all over the world.
BWW Review: CROWD, Sadler's Wells
Raves are often chaotic, messy, and inscrutable.
![BWW Review: MEPHISTO [A RHAPSODY], Gate Theatre](https://cloudimages2.broadwayworld.com/columnpiccloud/200200-83b2c49e6f0ad6c5df887c237e4df3b1.jpg?format=auto&width=220)
BWW Review: MEPHISTO [A RHAPSODY], Gate Theatre
The tiny town of Balbek is falling prey of the far right.
BWW Review: MAME, Hope Mill Theatre
Hope Mill Theatre is known for its excellent musical theatre revivals, and the current production of MAME is no exception.
BWW Review: THE MAN IN THE WHITE SUIT, Wyndham's Theatre
A 1950s Ealing comedy probably wouldn't be your first port of call when trying to think of a timely film to adapt for the stage, whilst also giving people an opportunity for a much-needed laugh.
BWW Review: A TASTE OF HONEY, Richmond Theatre
Shelagh Delaney was known for putting working class women centre-stage.
BWW Review: PRISCILLA QUEEN OF THE DESERT THE MUSICAL, New Wimbledon Theatre
Back in 1994, Stephan Elliott created a funny and powerful road-trip film that soon became a cult classic.
BWW Review: WE ANCHOR IN HOPE, Bunker Theatre
I go to the Bunker more than any other London theatre, but when stepping into the building this time I hardly recognised it.
BWW Review: SKYFALL IN CONCERT, Royal Albert Hall
a?oeOrphans always make the best recruits.
BWW Review: VARIANT 31
In the heart of central London, a seven-building, 35-floor, 42,000 sq ft adventure awaits brave travellers.
BWW Review: BIPOLAR ME, Etcetera Theatre
a?oeIt's crazy intense, that's what I'm likea?? Katie says.
BWW Review: SHUCK 'N' JIVE, Soho Theatre
Shuck 'n' Jive, Cassiopeia Berkeley-Agyepong & Simone Ibbett-Brown's debut play, charts the journey through creating a piece of theatre that represents them as individuals, and not solely defined by the colour of their skin.
BWW Review: FRIENDSICAL, Worthing Pavilion Theatre
It's been 25 years since a certain coffee shop-loving troupe appeared on our TV screens.
BWW Review: MANON, Royal Opera House
The Royal Ballet's 19/20 season is opened in confident style with Kenneth MacMillan's 1974 production of Manon.
BWW Review: NOISES OFF, Garrick Theatre
Sheer brilliance.
Book Review: MORE GOLDEN RULES OF ACTING, Andy Nyman
Currently performing as Tevye in the West End production of Fiddler on the Roof, Andy Nyman is an award-winning actor, director and writer.
BWW Review: LETTERS LIVE, Royal Albert Hall
Almost six years since its first outing at the Tabernacle, Letters Live last night put on its biggest show yet: in the grandiose and historic setting of the Royal Albert Hall.
BWW Review: THE NICETIES, Finborough Theatre
Hailed by The New York Times as a?oebristlinga?? and a?oeprovocativea?? during its Off-Broadway run, Eleanor Burgess's abrasive The Niceties is exactly that.
BWW Review: A PARTNERSHIP, Theatre503
Following an acclaimed run at the 2019 Edinburgh Festival, A Partnership plays for a limited time at Battersea's Theatre503.
BWW Review: EITHER, Hampstead Theatre
Ruby Thomas' debut play is a delicious mix of humour, intelligence and desire.
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