Review: SALOME, Royal Opera House
If you thought horror as a genre wasn’t something opera dabbled in, think again. The fourth outing for David McVicar’s 2008 production of Richard Strauss’ is as bloody and gruesome as it gets in Covent Garden....
Review: WHO KILLED MY FATHER, Young Vic
Èdouard Louis’ book about love and anger is loved around the world. In the story, a son returns home to his remote part of northern France. ...
Review: THE TIGER LILLIES: THE LAST DAYS OF MANKIND, Wilton's Music Hall
The Last Days Of Mankind is undeniably one of the strangest plays few people have heard of. Written by Karl Kraus during and about the First World War, this docudrama which ends in a Martian invasion is rich pickings for the dark cabaret trio. @wiltonmusichall @thetigerlillies...
Review: ANTIGONE, Regent's Park Open Air Theatre
Nigerian born writer, Inua Ellams, originally turned down working on Antigone due to feeling “no distant kinship with the protagonist.” Five years of work later, how could Ellams have predicted that his modern adaptation would feel so responsive to the current socio-political climate. ...
Review: WALKING WITH GHOSTS, Apollo Theatre
Catch a master at work in London before the show heads to Broadway...
Review: REHAB THE MUSICAL, Playhouse Theatre
First premiering five years ago at the Union Theatre, Rehab the Musical draws on songwriter Grant Black’s own personal experience of rehab....
Review: AGE IS A FEELING, Soho Theatre
An unspectacular meditation on human mortality...
Review: SILENCE, Donmar Warehouse
Following a rebellion against the British in 1857, resulting in the death of hundreds of thousands of Indians and Britain’s, the Crown established a viceroy system over India, affirming its hold over the population. ...
Review: DOCTOR FAUSTUS, Southwark Playhouse
Directed by Ricky Dukes, Lazarus Theatre offer a take on Christopher Marlowe’s demonic tale that defies all genres, spanning everything from farce to gore in 95 minutes of esoteric intrigue. Historically controversial, Marlowe’s play had its first outing at the end of the 16th Century, but stays...
Review: THE GOLDBERG VARIATIONS, BWV998, Sadler's Wells
Complex chords are paired with seminal choreography in The Goldberg Variations, BWV 988 from choreographer Anne Teresa De Keersmaeker and pianist Pavel Kolesnikov....
Review: THE BEAR and AND I DECIDED..., Grimeborn Festival, Arcola Theatre
Opera at Home's double bill offers the traditional and the avant-garde...
Review: NOT F**KIN' SORRY, Soho Theatre
As the title suggests, the crip-cabaret crew Not Your Circus Dog collective are definitely, truly and utterly not f**king sorry. Anyone leaving this show not even slighty more aroused, enlightened or happier than when they arrived should be checked for signs of life....
Review: REUBEN KAYE: THE BUTCH IS BACK, Soho Theatre
Those new to Reuben Kaye should be warned that there are few holy cows that he is unwilling to turn into beefburgers. Sexuality, gender, race, politics, economics and religion are all grist to his mill. Imagine if legendary comedians Bill Hicks and George Carlin had a bastard child in the shape of a...
Review: BBC PROMS AND THE ENO at Printworks London
The Proms, Printworks, and multimedia mayhem. Created and co-produced by award winning counter tenor Anthony Roth Costanzo, Philip Glass's meditative Minimalism and Handel's Baroque elegance crash together in a cacophony of artistic media....
Review: LARKIN WITH WOMEN, Old Red Lion Theatre
There's more to Larkin's life than we see here, but, nevertheless, it's a lovely play that does full justice to the three women with whom he spent much of his life...
Review: VENUS, CUPID, FOLLY, & TIME: 30 YEARS OF THE DIVINE COMEDY, The Barbican Centre
Celebrating thirty years of cerebral pop, The Divine Comedy return to the Barbican to pick up where they left off in 2020....
Review: BLUEBEARD'S CASTLE, Grimeborn Festival, Arcola Theatre
Fascinating one act opera performed by technically very strong singers and musicians, but let down a little by a lack of clarity in its narrative exposition...
Review: I, JOAN at Shakespeare's Globe
Joan of Arc has long been a symbol of female empowerment. Her ascent to patron saint of France is often described as a tale of gender non-conforming rebellion for women to aspire to. Shakespeare's Globe and writer Charlie Josephine (they/he) have dismantled this depiction of womanhood, redefining Jo...
Review: A DIFFERENT STAGE, Duke Of York's Theatre
A Different Stage contextualises the Gary Barlow the tabloids know, giving him the chance to be at the forefront of his own version of the story whilst reconfirming him as an exceptional entertainer. Sure, it’s biased and obviously made to make him look good, but it’s heartfelt and authentic. M...
Review: HORSE-PLAY at Riverside Studios
What did our critic think of HORSE-PLAY at Riverside Studios? Well, you could stick to bland Date Night ideas, like going to the cinema or a gastropub meal for two. Or you could be more daring, like Tom and Tim. After a decade of marriage, the married gay couple decide to spend an evening with a hun...
Review: THE NARCISSIST, Chichester Festival Theatre
Christopher Shinn's play brims with interesting politics but is too often bogged down in overly-familiar personal issues...
Review: RIDE, Charing Cross Theatre
Still, Ride is an impressive feat in both material and execution. It delves into female entrepreneurship at the turn of the century in the face of dire necessity. It introduces an extraordinary woman gifted with cunning enterprise and - whether true or not - it tells a marvellous story....
Review: HORIZONS - A 21ST CENTURY SPACE ODYSSEY, O2 Arena
A few years ago, the concept of a scientist selling out arenas across the world simply wouldn’t compute, but the Professor Brian Cox Effect continues to work its magic. He and Robin Ince are back with a brand new tour that seeks to answer the following question: “What does it mean to live a smal...
Review: ATTENBOROUGH AND HIS ANIMALS, Wilton's Music Hall
Inspired by everyone’s favourite nonagenarian naturalist, the show purports to re-enact David Attenborough’s 1954 documentary Zoo Quest live on stage, with a special guest appearance from the man himself....
Review: PROM 53: EARTH PROM, Royal Albert Hall
The BBC’s very first Earth Prom celebrates all aspects of the BBC Studios Natural History Unit, combining beautiful music with stunning videos to great effect in a packed Royal Albert Hall....
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