BWW Review: THE SCOTTSBORO BOYS at Signature Theatre
The topics of the distinguished Broadway writing team of John Kander and Fred Ebb's musicals have never been light and frothy.
The latest reviews and critic recommendations from Washington, DC.
The topics of the distinguished Broadway writing team of John Kander and Fred Ebb's musicals have never been light and frothy.
Director Alan Paul is bringing Lerner and Loewe's CAMELOT to a new generation, and his efforts couldn't be timelier.
As both a celebration of the Washington National Opera and a culmination of the John F.
The first five minutes of Theater Alliance's new production of Flood City are some of the most gripping that have graced a D.
The older I get, the more ornery and unforgiving I become.
Spooky Action Theater is good about seeking out interesting works from unusual sources.
In The Remains, husband and husband Kevin (Maulik Pancholy) and Theo (Glenn Fitzgerald) throw a dinner party for their family on their 10th wedding anniversary.
As acknowledged by Director Kiernan McGowan's program note, Pericles is a hot mess of a show.
When defining theatrical productions, people like to break down the categories into two basic camps: plays and musicals.
The musical adaptation of Adrienne Shelly's screenplay WAITRESS made history on Broadway when it came in with the first all-female creative team led by Director Diane Paulus.
Watching Saint Joan, something seems missing in Bedlam's informal and intimate production.
Teatro El Publico's production of Petra von Kant, which regrettably only saw two performances at the Kennedy Center's Family Theatre, is both a thoughtful exploration of humanity and a classic actor's vehicle.
A musical like Priscilla is a big endeavor for any theatre company to take on due to its well-known songs and extravagant costumes.
THE FREDERICK DOUGLASS PROJECT is an innovative and ambitious world premiere musical commissioned by Solas Nua.
Malpaso Dance Company's troupe of talented dancers harness a striking synchronicity while showcasing each dancer's strength, talent, and grace.
The kind of well-worn rock club set designer Matthew J.
There's something incredibly rewarding about a simplistic production.
If, like me, you missed Mosaic Theater Company's HOODED, OR BEING BLACK FOR DUMMIES last season, here's your second chance: a remount, featuring almost all of the original cast, has arrived by popular demand.
Candide's little delights can't quite atone for the production's original sins: injecting far too much self-importance and taking itself far too seriously.
It was on a May evening 105 years ago when the premiere of Igor Stravinsky's ballet 'The Rite of Spring' caused booing, catcalls and near riots in Paris.
The combination of all of these voices and musicians sharing this powerful story set the concert on a good footing, initially.
If you've somehow missed the buzz surrounding Paapa Essiedu in the title role of Royal Shakespeare Company's HAMLET, let me be the one to tell you: get thee to the Kennedy Center before the end of its very short run.
If you've never read George Orwell's 1984, the seminal classic examining a world that's fallen under the rule of the nameless Party and their omnipotent leader Big Brother, stop what you're doing and read it now.
Studio Theatre is serving up a spectacle of a show that mashes satire and high emotion.
While the musical itself may not be my personal cup of tea as a whole, some catchy music (performed by a killer all-female band and two endearing actors) and the sweet, throwback story make it worthy of some positive attention.
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