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WASHINGTON, DC THEATER REVIEWS

The latest reviews and critic recommendations from Washington, DC
BWW Review: Kafka's Dark, Dystopian Classic THE TRIAL Dazzles at Synetic Theater

BWW Review: Kafka's Dark, Dystopian Classic THE TRIAL Dazzles at Synetic Theater

by Jeffrey Walker — January 24, 2018
Synetic's latest work is taken from Kafka's novel THE TRIAL with elements borrowed from his other works, presented in the kinetic and bold theatrical style the 22-year old company has earned their renown. A perfect fusion of movement, stagecraft, text and performance, Synetic's THE TRIAL leaves a la...
BWW Review: MAMMA MIA Proves A Super Trouper in Regional Premiere at Riverside Center

BWW Review: MAMMA MIA Proves A Super Trouper in Regional Premiere at Riverside Center

by Jeffrey Walker — January 24, 2018
The view looks pretty good from a pair of platform shoes. Heck, even on an idyllic, Greek island resort there's not a moment of stress and strain that can't be cured by breaking into the hits of Sweden's number one pop group, ABBA. If you want to get your groove back to the tune of 'Dancing Queen,' ...
BWW Review: AMERICAN OPERA INITIATIVE: THREE 20-MINUTE OPERAS at The Kennedy Center

BWW Review: AMERICAN OPERA INITIATIVE: THREE 20-MINUTE OPERAS at The Kennedy Center

by Molly Korroch — January 23, 2018
Composers and librettists were the stars Saturday night at The Kennedy Center's triple world premiere. For six years, the American Opera Initiative Festival (AOI) has selected three composer-librettist teams to create their own 20-minute operas under the guidance of a seasoned composer and librettis...
BWW Review: Washington Stage Guild sequel SEE ROCK CITY

BWW Review: Washington Stage Guild sequel SEE ROCK CITY

by Roger Catlin — January 23, 2018
Washington Stage Guild had a hit last year with the 1940s Americana romance 'Last Train to Nibroc,' so it's natural to want to stage the sequel by Arlene Hutton featuring the same pair of actors as the appealing couple, Lexi Langs and Wood Van Meter....
BWW Review: THE WOLVES at Studio Theatre

BWW Review: THE WOLVES at Studio Theatre

by Jenny Minich — January 22, 2018
The Wolves boasts an all-female cast and the lack of any male in a play set in the male-dominated world of sports is innovative...Just girls being girls, in whatever way they see fit....
BWW Review: Pointless Theatre's IMOGEN Creatively Spotlights a Female Star of Shakesp

BWW Review: Pointless Theatre's IMOGEN Creatively Spotlights a Female Star of Shakespeare

by Barbara Johnson — January 21, 2018
Shakespeare's CYMBELINE may be named for the play's king, but his daughter Imogen is the real star of the tale, the center of the action. Pointless Theatre's original adaptation by playwright-director Charlie Marie McGrath corrects the misnomer in a version entitled IMOGEN, which uses creative chore...
BWW Review: EVERYTHING IS ILLUMINATED at Theatre J

BWW Review: EVERYTHING IS ILLUMINATED at Theatre J

by Keith Tittermary — January 17, 2018
Jonathan Safran Foer's 2002 semi-autobiographical debut novel, Everything Is Illuminated, is a riveting portrayal of one man's quest to find the woman who saved his grandfather from the Nazis at the start of World War II. While the journey of the central character, Jonathan, is the focus of the book...
BWW Review: 45 PLAYS teaches us about 45 PRESIDENTS

BWW Review: 45 PLAYS teaches us about 45 PRESIDENTS

by Keith Tittermary — January 16, 2018
In the course of American history there have been 44 men to become President of the United States. In the course of just under two hours, 5 very capable women embody those 44 men, plus their wives, mistresses, political opponents, and everyone's favorite non-POTUS, Benjamin Franklin....
BWW Review: Skillful and Fun THE SKIN OF OUR TEETH at Constellation Theatre Company

BWW Review: Skillful and Fun THE SKIN OF OUR TEETH at Constellation Theatre Company

by Pamela Roberts — January 16, 2018
THE SKIN OF OUR TEETH at Constellation Theatre is a thought-provoking, skillfully-rendered reminder that chaos and uncertainty are not unique to our time or to any single time. In the sure directorial hands of Mary Hall Surface, Thornton Wilder's masterpiece is a wild time-traveling, allegorical t...
BWW Review: THE WAY OF THE WORLD at Folger Theatre is Biting Satire for the Reality T

BWW Review: THE WAY OF THE WORLD at Folger Theatre is Biting Satire for the Reality TV Age

by Barbara Johnson — January 15, 2018
The DC premiere of Theresa Rebeck's satire THE WAY OF THE WORLD is adapted from a Restoration-era classic by William Congreve, but it couldn't be more contemporary and on trend. With biting wit and visual flair, it delivers timeless social commentary for the Kardashian (and Trumpian) age. Can true l...
BWW Review: THE HUMANS  at The Kennedy Center

BWW Review: THE HUMANS at The Kennedy Center

by Jenny Minich — January 13, 2018
In the wake of a marathon holiday season, there is a helluvah lot to love about Stephen Karam's Tony Award-Winning The Humans....
BWW Review: QUEENS GIRL IN AFRICA at Mosaic Theater Company

BWW Review: QUEENS GIRL IN AFRICA at Mosaic Theater Company

by Elliot Lanes — January 12, 2018
The second annual Women's Voices Theater Festival's first entry is the follow up to the hit play Queens Girl in the World, an entry in the first festival in 2015....
BWW Review: ON YOUR FEET! Comes to Kennedy Center

BWW Review: ON YOUR FEET! Comes to Kennedy Center

by Jennifer Perry — January 12, 2018
It's fun and sometimes that's all you need....
BWW Review: THE ILLUSIONISTS - LIVE FROM BROADWAY Returns to the Kennedy Center

BWW Review: THE ILLUSIONISTS - LIVE FROM BROADWAY Returns to the Kennedy Center

by Roger Catlin — December 31, 2017
Individually, they might amuse the captive audience of a cruise ship. But combining five magicians in one show under the name The Illusionists has proven to be a popular attraction worldwide ever since it was first devised in Australia nearly six years ago. With its revolving casts of not quite hous...
BWW Review: Don't Wait One Day More to See LES MISERABLES at The National Theatre!

BWW Review: Don't Wait One Day More to See LES MISERABLES at The National Theatre!

by Evann Normandin — December 22, 2017
Soaring vocals, stunning costumes, weepy theatre goers: these are all things you expect at a production of LES MISERABLES. But a pace that leaves you reeling and energized? I didn't realize that was possible. The pacing, oh the pacing! This touring production of Cameron Mackintosh's production of Bo...
BWW Review:  Keegan Theatre's AN IRISH CAROL a fine, Dublin Take on Dickens' Classic

BWW Review: Keegan Theatre's AN IRISH CAROL a fine, Dublin Take on Dickens' Classic

by Andrew White — December 18, 2017
As seasonal offerings go, An Irish Carol is perfect for those who love the narrative arc of Dickens' original, and who could use the spiritual uplift, but who are sick to death of Marleys in chains, let alone all those cheery Fezziwigs. Down-to-earth, but with heart, it shines to remind us that ther...
BWW Review: Brave and Memorable SOLDIER POET at Theatre Prometheus

BWW Review: Brave and Memorable SOLDIER POET at Theatre Prometheus

by Pamela Roberts — December 16, 2017
Theatre Prometheus' world premiere, SOLDIER POET, is a compelling work, richly rendered. In an intimate theater space with fresh and compelling actors, a persuasive script, and inspired scenic design, SOLDIER POET aptly and successfully reminds us of our shared responsibilities and human connections...
BWW Review: A HOLIDAY POPS!  at Kennedy Center

BWW Review: A HOLIDAY POPS! at Kennedy Center

by Elliot Lanes — December 15, 2017
As the holidays kick into, high gear there is no better way to spend the season than with an evening of holiday music played by the National Symphony Orchestra (NSO) conducted by Maestro Steven Reineke....
BWW Review: In Series Visits DUKE ELLINGTON'S NEIGHBORHOOD

BWW Review: In Series Visits DUKE ELLINGTON'S NEIGHBORHOOD

by Roger Catlin — December 10, 2017
One of my first big assignments after I moved to Washington was tracking all the places that Duke Ellington lived, went to school, worked, hung out and performed with his orchestra in the city. I could walk to most of them....
BWW Review: FOREVER BALANCHINE: FAREWELL PERFORMANCES at Kennedy Center

BWW Review: FOREVER BALANCHINE: FAREWELL PERFORMANCES at Kennedy Center

by Roger Catlin — December 10, 2017
When the opening night curtain rose on the final work of an emotional night - the last performances of the Suzanne Farrell Ballet that has been in residence at the Kennedy Center for 15 years - there was applause even before there was any movement....
BWW Review: THE SECOND CITY'S TWIST YOUR DICKENS  at The Kennedy Center

BWW Review: THE SECOND CITY'S TWIST YOUR DICKENS at The Kennedy Center

by Jenny Minich — December 9, 2017
Riddled with anachronisms and enough irreverent potshots to keep your naughty inner child sated through the New Year, The Second City's Twist Your Dickens is just the ticket for a crowd of world-weary Washingtonians....
BWW Review: THE SANTALAND DIARIES Brings Irreverent Cheer to Drafthouse Comedy Theate

BWW Review: THE SANTALAND DIARIES Brings Irreverent Cheer to Drafthouse Comedy Theater

by Barbara Johnson — December 8, 2017
For the cynics among us who need to look beyond THE NUTCRACKER and A CHRISTMAS CAROL for holiday entertainment, THE SANTALAND DIARIES at Drafthouse Comedy Theater offers a quirky alternative. Cameron Folmar plays a disaffected department store Christmas elf in this consistently funny solo show adapt...
BWW Review: The In Series' AN OPERETTA HOLIDAY is a Charming Throwback

BWW Review: The In Series' AN OPERETTA HOLIDAY is a Charming Throwback

by Barbara Johnson — December 11, 2017
In many ways, the holiday season is about schmaltz and sentimentality, when it's okay to let yourself appreciate old-fashioned pleasures and crank up favorite songs. The In Series' AN OPERETTA HOLIDAY unabashedly embraces this spirit, serving up a frothy cabaret of romantic songs from THE MERRY WIDO...
BWW Review:  National Theatre of Norway's PRIVATE CONFESSIONS a Searing, Unforgettabl

BWW Review: National Theatre of Norway's PRIVATE CONFESSIONS a Searing, Unforgettable Celebration of Ingmar Bergman's Genius

by Andrew White — December 8, 2017
Bergman's protege Liv Ullmann directed the film version of Private Confessions in 1996, and now with the arrival of the centennial of Bergman's birth, Ullmann has returned to the scene of Bergman's heartbreak, with added depth and humanity....
BWW Review:  THE BOOK OF WILL Delights at Round House Theatre

BWW Review: THE BOOK OF WILL Delights at Round House Theatre

by Jennifer Perry — December 8, 2017
Under Ryan Rilette's excellent direction, a uniformly marvelous cast gives one of the best ensemble performances I've seen this season of a very strong play....
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