Over 100 years after Stan & Ollie were first paired on screen together, Jeffrey Holland celebrates the lives and laughs of two of Hollywood's funniest men.
As teenagers, Emma, Joe and Polko thought they’d never grow apart. Then time passed. When Emma returns to the suburb of their childhood 10 years later she discovers nothing, and everything, has changed. Joe is stuck, living with his mum while working part-time in a hotel; and Polko has vanished, leaving a cloud of stories and misremembered nights in his wake. Set in the front seats of a parked car, Polko is a modern memory play about the places we call home, and the people we leave behind.
Stuart McPherson uses his latest hour of stand up to hilariously explore self love and why his generation (and himself) find it so hard to love themselves.
Fresh from the Soho transfer of his last show Colossal, Patrick McPherson is back at the Fringe with a new one man show. The Way Way Deep dives into male friendship and self-identity with the writer/performer’s trademark storytelling flair. McPherson is a master storyteller, holding the audience’s attention from start to finish with constant energy and passion. He manages to balance brash confidence and stage presence with moments of vulnerability
Derry Girls meets Spring Awakening in this absolute triumph of new musical theatre writing. Performed by a talented young cast, this is a show that deserves a very long life. We’ll Have Nun Of It follows a year in the life of four close friends at an Irish Catholic boarding school in the 1960s. Each of the girls has their own backstory and personality, very quickly distinctive, and the dynamics between each of them are fun to watch play out.
Presented by Alex Edelman, Soho Theatre and Pleasance, tickets are now on sale for a special one-off benefit performance of Alex Edelman's award-winning JUST FOR US on Saturday 26 August at the Edinburgh Fringe Festival in honour of the show's director Adam Brace (Liz Kingsman's One Woman Show, Leo Reich's Literally Who Cares). All profits will go to an Award that will be set up in Adam Brace's name which supports talent in the way Adam did, with details to follow.
Have you ever used Marketplace to buy something? Have you ever been scammed by someone on there? Have you ever befriended the man who has scammed you, changing the course of your life for the next year? Michelle Brasier has, and she’s ready to talk (and sing!) about it.
Have you ever been sitting in a theatre as an audience member, watching a show, thinking, “I could do better than that!” If you have, The Importance of Being . . . Earnest? might be the show that you have been looking for.
Gail can laugh at her life now she's won a BAFTA for 'being mental' (Being Gail Porter, 2020). She's been famous, homeless and sectioned with two guys both claiming to be Jesus. She's even lost her hair, but no need for sympathy, she gets so many travel upgrades as people assume she's dying. By sharing the stories of her mental life and mental mind she hopes to show how, with love and kindness, we can all thrive. She's a wee Scottish ninja back in her home town – it's time to go Gail force.
Early Morning Productions bring Alan Turing’s story to life in this piece written by Joan Greening with music by Joel Goodman and Jan Osborne. From his visionary work in computing to his appalling treatment by the authorities for being gay, it explores Turing’s experiences and legacy.
Freya Parker's latest show may get laughs but very rarely more than a chuckle. In spite of this, her brand of humour may very well find an audience at this years Fringe.
Situated in Scotland's Inner Hebrides, the Isle of Eigg has a fascinating history of sovereignty. Not long ago, the inhabitants on Eigg faced a different type of invader; a celebrity Laird looking to create a Gaelic island utopia. Will the citizens support his vision? Can they put up with his antics? Can he accept that a medieval landlord mentality no longer works on Eigg? The transfer to community ownership hatched on Eigg is arguably the most captivating example of Scottish land reform. Come celebrate this small island tale at the Edinburgh Festival Fringe this August!
Exceptionally convivial and inclusive, the performances are relaxed and explained ahead by Brigitte herself. It’s loud, and dark, and blindingly bright. But earplugs are provided and leaving or taking a break are completely appropriate reactions. Audiences are encouraged to be understanding.
Italian performer Greta Zamparini takes extracts from Concita De Gregorio and creates a complex solo show about the commodification of the female body. A series of women open up and explain why they do what they do. From a high-end escort to a trafficked woman who’s finally back home, Temporarily Yours provides a very wise and rational take to the subject with an eloquent script that keeps crossing the lines of empowerment and exploitation.
Innumerable sounds of all kinds create a 360-degree retro journey to the future. While the blindfold doesn’t completely plunge the individual into the darkness, it evokes an air of mystery and immerses them in a world of weird delivery methods and pyramidal children. It’s an engrossing adventure that showcases a remarkable use of sound design.
The glam queen showcases her knack for storytelling, comedy and operatic vocals (that RANGE though) in an anecdote-filled, fabulous performance extravaganza.
Faizal Abdullah launches an engaging, thought-provoking, unique and deeply personal exploration of Malay identity in Singapore through his performative lecture Siapa Yang Bawa Melayu Aku Pergi? (Who Took My Malay Away?)
A new hour of stand-up by the wee guy with the glasses from Glasgow. Featuring routines and jokes on such topics as Edinburgh Zoo, going for a walk, and the collapse of the British state.
A queer immersive nightclub musical based on the life of Oscar Wilde? In theory, this sounds incredible. In practice, I’m not completely convinced. Did I have fun? Yes. Did I know what was going on? Questionable.