"This is a night that will rock your world!" - Los Angeles Times
Like a comet that burns far too brightly to last, Janis Joplin exploded onto the music scene in 1967 and, almost overnight, became the queen of rock & roll. The unmistakable voice, filled with raw emotion and tinged with southern comfort, made her a must-see headliner from Monterey to Woodstock.
Now, you're invited to share an evening with the woman and her influences in the new Broadway musical, A Night with Janis Joplin.
Fueled by such unforgettable songs as "Me and Bobby McGee," "Piece of My Heart," "Mercedes Benz","Cry Baby," and "Summertime" a remarkable cast, and breakout performance by Mary Bridget Davies, A Night with Janis Joplin, written and directed by Randy Johnson, is a once in a lifetime musical experience that brings the music - and the woman - to life like never before.
Well, so much for hopes about 'A Night With Janis Joplin.' Goodbye to a glimmer of faith that, just maybe, Broadway might restrain itself from flattening this formative rock outlaw into another cheese-ball tribute like the ones that mass-market the singularity of Elvis and The Beatles...Writer-director Randy Johnson and the siblings Joplin left behind in Port Arthur, Texas, have scrubbed her up and domesticated her into just another ordinary '60s chick who idolized black women blues singers, loved literature, sang loud and died fast...Mary Bridget Davies has the lungs, the notes and the screaming moan in the back of the throat to suggest the real thing in 'Cry Baby,' 'Me and Bobby McGee' and 'Ball and Chain.' But the actress, who also toured in a different Janis revue, is too externalized (and badly costumed) to touch the layers of vulnerability, much less the brazen sexuality that helped galvanize the adventures of a generation.
On a set oddly decorated with clusters of small table lamps, she pierces the air with primal, lung-bursting screams and screeches, storming through such Joplin hits as 'Me and Bobby McGee,' 'Mercedes Benz,' 'Piece of My Heart' and 'Ball and Chain,' as well as a deconstruction of Gershwin's 'Summertime' that's deeply emotional, if barely recognizable. Davies' fervent singing italicizes Joplin's role as a rock pioneer, a strong-willed, free-spirited performer who was as tough and distinctive as the most notable male singers.
| 2013 | Broadway |
Original Broadway Production Broadway |
| 2016 | US Tour |
North American Tour US Tour |
| 2017 | US Tour |
2017 US Tour US Tour |
| West End |
West End |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2014 | Drama League Awards | Distinguished Performance Award | Mary Bridget Davies |
| 2014 | Theatre World Awards | Outstanding Broadway or Off-Broadway Debut Performance | Mary Bridget Davies |
| 2014 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Mary Bridget Davies |
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