The Rivals - - Broadway Articles Page 10

As rehearsals begin, the National Theatre announce the full casting for Jack Absolute Flies Again, which will play in repertoire in the Olivier from 15 April until 25 July.

The Lehman Trilogy is officially in previews on Broadway! This strictly limited, 16-week engagement comes to Broadway on the heels of runs at London's National Theatre and New York's Park Avenue Armory, as well as an engagement in London's West End. Written by Stefano Massini, directed by Academy Award and Tony Award winner Sam Mendes, and starring its original cast of Simon Russell Beale, Adam Godley, and Ben Miles, The Lehman Trilogy opens officially at Broadway's Nederlander Theatre (208 West 41st Street) on Thursday, March 26, 2020.

Full casting has been announced for NY Classical Theatre's staged reading of Carlyle Brown's drama The African Company Presents Richard III, which will be performed on two nights in March in Harlem and midtown.

What if you met the person you've been waiting for your whole life, just as a nuclear apocalypse was heading your way? Worlds collide in a tiki bar at the edge of Kauai when an aimless Silicon Valley dropout meets the bar's brassy owner, who has a plan for all worst-case scenarios, except one... finding love.

The National Theatre today announces nine productions that will play on the South Bank in 2020-2021 alongside previously announced shows. These run alongside our international touring productions, three plays that will tour to multiple venues across the UK and a West End transfer. The NT also announces today that it will increase the quantity of low-price tickets on the South Bank by 25%, with 250,000 available across the year at £20 or less.

Amanda Boxer will star in the world premiere of MUM, a new play about love, loss and dementia by actress and comedian Juliet Cowan, directed by Yasmeen Arden, opening at the Playground Theatre on 18 April and playing until 4 April, with a press night on Friday 20 March. Sian Ejiwunmi-Le Berre will star as 'Roz', Lucille Findlay as 'Laurel' and completing the cast are Lilly Driscoll and Martin Edwards.

Seattle Shakespeare Company's free Wooden O productions for this summer will be The Comedy of Errors and Othello. Both shows will start performances on July 9 and will perform in park venues throughout the region through August 9. (please see attached schedule). Two summer Shakespeare veterans will make their Wooden O directing debuts.  Crystal Dawn Munkers will direct The Comedy of Errors and Reginald André Jackson will direct Othello.

Imy Wyatt Corner today announces Jade Williams will perform Everywoman. The one-woman show, directed by Amelia Sears and written anonymously, opens on 18 February, with previews from 17 February and runs until 22 February.

This March, one of the leading Shakespearean actors of his generation, Michael Pennington, is to play Prospero for the first time in Jermyn Street Theatre's staging of Shakespeare's final work The Tempest.

What has drama, comedy, and romance all in one show? What will make you laugh till tears come streaming out of your eyes? If you guessed NOISES OFF presented by the Arts Club Theatre Company, you definitely would be correct! I had the pleasure of seeing the show last week and I can honestly say it was one of the best productions I've seen from the Arts Club so far! Playing at the Stanley Industrial Alliance Theatre in Vancouver from January 23rd to February 23rd, NOISES OFF is definitely worth the money to see!

Kate Hamill's PRIDE AND PREJUDICE (based on the novel by Jane Austen) runs at Playhouse on Park from February 19 a?" March 8. The Richard P. Garmany Fund at the Hartford Foundation for Public Giving is the presenting sponsor of PRIDE AND PREJUDICE.

James Corden welcomes his guests Greta Gerwig and Noah Baumbach, and asks how the couple of 7-years refers to each other. And James asks them to recap the morning both of their films, Little Women and Marriage Story, received a slew of Academy Award nominations.

Bristol Riverside Theatre continues its 33rd anniversary season by partnering with the renowned Bedlam Theatre, out of New York City, to present a modern look at a classic Shakespearean tragedy. Bedlam has a reputation for new, fresh, active environment storytelling that creates a kinetic experience of shared empathy. Lead by Bedlam's Artistic Director Eric Tucker, Bedlam brings its six-woman interpretation of William Shakespeare's King Lear to the Philadelphia region and Bucks County. This exciting collaboration represents the first time Bristol Riverside Theatre has presented another theatre company on its stage.

Swashbuckling sword fights and romance lie at the center of this thrilling take on Alexandre Dumas' The Three Musketeers by Catherine Bush, produced by Orlando Shakes in partnership with UCF, runs from February 5 - March 22, 2020. This bold production will run in repertory with William Shakespeare's Henry IV, Part 1. Tickets (starting at $30) are available now by phone (407) 447-1700 ext. 1, online at orlandoshakes.org, or in person at the John and Rita Lowndes Shakespeare Center (812 East Rollins Street).

PW Productions have announced the full cast of the UK and Ireland Tour of Stephen Daldry's seminal production of JB Priestley's classic thriller AN INSPECTOR CALLS which runs at Theatre Royal Tuesday 24 - Saturday 29 March.

While viewing the opening night of Seattle Shakespeare Company's production of Richard Brinsley Sheridan's a?oeThe Rivalsa??, one old adage kept springing to mind. a?oeThrow it against the wall and see if it sticks.a?? Well, aside from a few standout performances, not much stuck. But that wasn't from lack of trying as director George Mount seemed to throw everything but the kitchen sink at that wall whether it fit within the play or not.

Full casting has been announced for the UK and Ireland Tour of Stephen Daldry's seminal production of JB Priestley's classic thriller AN INSPECTOR CALLS which heads to Theatre Royal Brighton from Tuesday 25 a?" Saturday 29 February.

Duels, dandies, deceptions, and dudes with daddy issues stir up a comic frenzy in Richard Brinsley Sheridan's witty gem The Rivals at Seattle Shakespeare Company. George Mount directs the production which begins previews on Jan. 7, opens Jan. 10 and runs through Feb. 2 at the Center Theatre at Seattle Center.

Duels, dandies, deceptions, and dudes with daddy issues stir up a comic frenzy in Richard Brinsley Sheridan's witty gem The Rivals at Seattle Shakespeare Company. George Mount directs the production which begins previews on Jan. 7, opens Jan. 10 and runs through Feb. 2 at the Center Theatre at Seattle Center.

Skylight Music Theatre today announced the cast and creative team for Ruddigore, or The Witch's Curse, presented January 3-19, 2020 in collaboration with Milwaukee Opera Theatre. Skylight celebrates its long history of producing the works of W.S. Gilbert (book and lyrics) and Arthur Sullivan (music) with an imaginatively reinvigorated production of this classic gothic operetta. Ruddigore will be performed in a special, limited run in the Studio Theatre at the Broadway Theatre Center, 158 N. Broadway, in Milwaukee's Historic Third Ward.

Paines Plough have today announced casting for the transfer of Sam Steiner's YOU STUPID DARKNESS! to Southwark Playhouse, a co-production with Theatre Royal Plymouth. An urgent play about the struggle for optimism and community amid the chaos of a collapsing world, the production is directed by former Paines Plough co-Artistic Director James Grieve and the cast includes: Andrew Finnigan; Jenni Maitland; Lydia Larson; Andy Rush. The show opened at Theatre Royal Plymouth earlier this year and will run at Southwark Playhouse from 16 January - 22 February with a Press Night on Monday 20 January.

The National Theatre has announced its upcoming lineup for December 2019 - June 2020.

It may be an unfamiliar sport to most American audiences, but in Kate Attwell's ambitious new play Testmatch, cricket becomes a prism in which she explores the lasting legacy of British colonialism in the Commonwealth countries that regularly compete against their former rulers. Attempting to lob questions of race, gender, sexuality, and class across the centuries, it ultimately misses the wicket.