‘Gutenberg! The Musical’ review: Andrew Rannells and Josh Gad wear many hats in two-hander show
6 / 10
Rannells and Gad once again make a terrific pair of unlikely pals and earn many laughs. However, “Gutenberg!” was intended to be what the Polish theater theorist Jerzy Grotowski termed “Poor Theater,” built upon minimal production values and maximized imagination. On Broadway, it feels both overdone (with an elaborate set invoking an empty stage, instead of an actual empty stage, and a band instead of a single piano, losing its original charm) and undercooked (a slight, overextended, and rudimentary comic routine).
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