DOUBT: A PARABLE
8 / 10
Even if its principal generates less interest, however, the play grows richer every time you see it. On this latest visit—my fifth encounter with Doubt, including the 2008 film with Meryl Streep and Phillip Seymour Hoffman—I wondered if Ellis’s revival, in deference to modern sensibilities, took too clear a position on what has happened between Father Flynn and Donald. But then I remembered that my own convictions on that subject have changed each time I’ve seen some version of this work. My reactions may well say more about me than the production, and they exemplify why it remains so satisfying to sit in the dark with a crowd of people also wrestling with Doubt, divided perhaps in our suspicions but united in a liberating bond of uncertainty.
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