The Tony®-Winning Hit Musical Comedy
Madeline Ashton is the most beautiful actress (just ask her) ever to grace the stage and screen. Helen Sharp is the long-suffering author (just ask her) who lives in her shadow. They have always been the best of frenemies…until Madeline steals Helen’s fiancé away. As Helen plots revenge and Madeline clings to her rapidly fading star, their world is suddenly turned upside down by Viola Van Horn, a mysterious woman with a secret that’s to die for.
After one sip of Viola’s magical potion, Madeline and Helen begin a new era of life (and death) with their youth and beauty restored…and a grudge to last eternity.
Now a warning! You may not be ready for the unbelievable amount of comedy, glamour, and magic onstage at the Lunt-Fontanne Theatre. Death Becomes Her is a “wildly entertaining, perfect musical comedy. It grabs the audience by the jugular and doesn’t let go” (Deadline). With direction and choreography by Tony winner Christopher Gattelli, Death Becomes Her is “a laugh-filled, tuneful musical to die for” (Variety) and “a cheek-aching laughter roller coaster — the most fun night out on Broadway!” (The Daily Beast). Experience the “savagely funny” (Time Out) pop-culture phenomenon that’s been certified “hilarious” by The New York Times, Entertainment Weekly, Z100, Beyoncé (!!), Goldie Hawn, Superman aka David Corenswet, Michelle Williams (the other one), and countless fans on Instagram, TikTok, and beyond. See it now, and laugh for eternity.
The latest example is Death Becomes Her, which actually manages the neat trick of being superior to the 1992 fantasy film starring Meryl Streep, Goldie Hawn, and Bruce Willis. The musical adaptation, newly arrived on Broadway after a Chicago tryout, is a laugh riot from start to finish, featuring superb comic performances from its two female leads, a lavish physical production that actually reflects the astronomical (reportedly $31.5 million) production cost, and a book featuring more zingy one-liners than a Friars Club Roast. The only thing missing are memorable songs, but fortunately the show is so entertaining you’ll find yourself not minding very much.
Marco Pennette’s book gives Hilty all the grand-dame one-liners, but it’s Simard who gets the more unexpected laughs with delightful line readings that take a second or two to register. The sharp dialogue is in perfect tune with Julia Mattison and Noel Carey’s lyrics, and that duo’s music, which is merely serviceable, manages not to get in the way of the characters and the story, which Pennette has made far less convoluted than its source material.
| 2024 | Broadway |
Original Broadway Production Broadway |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2025 | Drama Desk Awards | Outstanding Book of a Musical | Marco Pennette |
| 2025 | Drama Desk Awards | Outstanding Costume Design of a Mus | Paul Tazewell |
| 2025 | Drama Desk Awards | Outstanding Lead Performance in a Musical | Jennifer Simard |
| 2025 | Drama Desk Awards | Outstanding Wig and Hair Design | Charles G. LaPointe |
| 2025 | Drama League Awards | DISTINGUISHED PERFORMANCE | Jennifer Simard |
| 2025 | Drama League Awards | DISTINGUISHED PERFORMANCE | Megan Hilty |
| 2025 | Drama League Awards | OUTSTANDING DIRECTION OF A MUSICAL | Christopher Gattelli |
| 2025 | Outer Critics Circle Awards | Outstanding Book of a Musical (Broadway or Off-Broadway) | Marco Pennette |
| 2025 | Outer Critics Circle Awards | Outstanding Choreography | Christopher Gattelli |
| 2025 | Outer Critics Circle Awards | Outstanding Costume Design | Paul Tazewell |
| 2025 | Outer Critics Circle Awards | Outstanding Direction of a Musical | Christopher Gattelli |
| 2025 | Outer Critics Circle Awards | Outstanding Featured Performer in a Broadway Musical | Christopher Sieber |
| 2025 | Outer Critics Circle Awards | Outstanding Lead Performer in a Broadway Musical | Jennifer Simard |
| 2025 | Outer Critics Circle Awards | Outstanding Lighting Design | Justin Townsend |
| 2025 | Outer Critics Circle Awards | Outstanding New Broadway Musical | Death Becomes Her |
| 2025 | Outer Critics Circle Awards | Outstanding Orchestrations (Broadway or Off-Broadway) | Doug Besterman |
| 2025 | Outer Critics Circle Awards | Outstanding Scenic Design | Derek McLane |
| 2025 | Outer Critics Circle Awards | Outstanding Score (Broadway or Off-Broadway) | Noel Carey |
| 2025 | Outer Critics Circle Awards | Outstanding Score (Broadway or Off-Broadway) | Julia Mattison |
| 2025 | Outer Critics Circle Awards | Outstanding Sound Design | Peter Hylenski |
| 2025 | Tony Awards | Best Book of a Musical | Marco Pennette |
| 2025 | Tony Awards | Best Choreography | Christopher Gattelli |
| 2025 | Tony Awards | Best Costume Design of a Musical | Paul Tazewell |
| 2025 | Tony Awards | Best Direction of a Musical | Christopher Gattelli |
| 2025 | Tony Awards | Best Lighting Design of a Musical | Justin Townsend |
| 2025 | Tony Awards | BEST ORIGINAL SCORE (Music and/or Lyrics) | Julia Mattison |
| 2025 | Tony Awards | BEST ORIGINAL SCORE (Music and/or Lyrics) | Noel Carey |
| 2025 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Megan Hilty |
| 2025 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Jennifer Simard |
| 2025 | Tony Awards | Best Scenic Design of a Musical | Derek McLane |
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