Harlem Stage Reveals Lineup For 2024 Season
Harlem Stage begins 2024 with an array of programming that continues the indispensable institution’s 40th anniversary season. Learn more about the full season lineup here!
Review: X Marks the Spot at Met Premiere of 'X: Life and Times of Malcolm X'
It’s taken a long time for X: THE LIFE AND TIMES OF MALCOLM X—the rediscovered and revised ‘80s work by Anthony Davis, Thulani Davis and Christopher Davis, in Robert O’Hara’s production and conducted by Kazem Abdullah--to cross the plaza from what was the old City Opera at New York State Theatre to a premiere at the Metropolitan Opera.
Review: A WONDERFUL WORLD Presented by Broadway In Chicago
World premiere musical A WONDERFUL WORLD has a wonderful lead in James Monrie Iglehart as Louis Armstrong. Iglehart embodies the acclaimed vocalist and trumpeter completely; he nails Armstrong’s signature raspy voice and vocals and larger-than-life presence, but he’s also a master at embodying the role’s emotions. He’s a joy to watch in every moment he’s onstage, even as Aurin Squire’s book charts both Armstrong’s successes and his more human mistakes. In terms of framework, A WONDERFUL WORLD surprisingly reminded me of Toby Marlow and Lucy Moss’s SIX. The musical starts and ends with Armstrong’s four wives: Daisy Parker (Khalifa White), Lil Hardin (Jennie Harney Fleming), Alpha Smith (Brennyn Lark), and Lucille Wilson (Ta’rea Campbell). Each of the musical’s four parts is centered around one of Armstrong’s wives. While the musical piqued my interest in Armstrong’s biography as a whole, I think this framework meant the timeline on his route to fame was incredibly condensed. And the musical certainly conveys that Armstrong was quite the philanderer; Squire’s book and Christopher Renshaw’s direction and conception don’t shy away at all from the fact that Armstrong cheated on each of his past wives with the next one.
Interview: James Monroe Iglehart On Pre-Broadway A WONDERFUL WORLD
BroadwayWorld sat down with star James Monroe Iglehart while the production played its first pre-Broadway engagement in New Orleans to chat about bringing Louis' story to life, the care that goes into telling stories through musicals, and if he can play a certain instrument.