Photos: THE SOUND OF MUSIC At Curve Leicester
by A.A. Cristi - Nov 26, 2025
Curve Leicester has released new production photos and will present the Made at Curve staging of THE SOUND OF MUSIC this Christmas season. Performances begin 22 November 2025.
Review: END, National Theatre
by Alexander Cohen - Nov 21, 2025
With End, David Eldridge completes his triptych of modern relationships. Beginning saw Bleary-eyed flirtation in the early hours, to the introspection of mid-life melancholy in Middle. Now the final chapter. In that sense, End feels destined to sag with sentimentality, and despite admirable moments, it does exactly that.
Photos: Clive Owen and Saskia Reeves Star In END At The National Theatre
by A.A. Cristi - Nov 21, 2025
The National Theatre has released first look photos of Clive Owen (Closer) and Saskia Reeves (Slow Horses) in the world premiere of End. Playwright David Eldridge returns to the National Theatre with the final play in his trilogy exploring love and relationships.
Review: COVEN, Kiln Theatre
by Cindy Marcolina - Nov 12, 2025
Directed by Miranda Cromwell, it’s a mixed bag: invigorating and galvanising on one hand, sermonic and overly explanatory on the other. Exquisite performances deliver generally mid songs that have a tendency to come up short on poetic narrative, but overdo it on the clichés. A more decisive tonal approach might have made the message hit harder. The continuous reiteration of the piece’s political beliefs and the doubling down on its feminist slant by telling rather than showing us slows the show down dramatically and narratively.
Review: ROMEO A JULIET, Shakespeare's Globe
by Clementine Scott - Nov 7, 2025
Romeo a Juliet does not make any of its political points overtly, and this is an occasion where some things are better left unsaid, without cheap gimmicks. With nothing made explicit, the audience comes away reflecting on their own use of language and dialect in their daily life, as well as on how over 500 years later, new eyes on Shakespeare can still make desperately overdone texts feel brand new.
Photos: THE SOUND OF MUSIC In Rehearsal At Curve Theatre
by A.A. Cristi - Nov 7, 2025
Curve Theatre has released photos from inside rehearsal for its 2025 Made at Curve production of The Sound of Music, directed by Artistic Director Nikolai Foster. The production will run from November 22, 2025, through January 17, 2026.
Photos: Roald Dahl’s THE BFG in Rehearsals
by Stephi Wild - Oct 31, 2025
All new photos have been released from rehearsal for the world stage premiere of The BFG. The show will open at the Royal Shakespeare Theatre in Stratford-upon-Avon for a 11-week run over the festive season.
Rachel Zegler Would 'Love' to Bring EVITA to Broadway
by Josh Sharpe - Oct 27, 2025
During a recent appearance on The Graham Norton Show, Rachel Zegler shared her hope that Jamie Lloyd's production of Evita, which played a limited run in the West End this summer, would make its way across the pond.
Review: THE MAIDS, Donmar Warehouse
by Cheryl Markosky - Oct 22, 2025
An exhilarating new satire on social media, class and how we live in unreal worlds bursts onto the Donmar stage in a frenzy of must-see vigour. Writer/director Kip Williams – who made his West End debut with Olivier and Tony award-winning The Picture of Dorian Gray, starring Succession's Sarah Snook – returns with his bang up-to-date adaptation of Jean Genet's play based on sisters Christine and Lea Papin, who murdered their employer and her daughter in 1933.
Interview: 'I Like To Be In The Centre of The Action': Performer Melanie La Barrie on Death and Hope in THE BOOK THIEF in Concert
by Kat Mokrynski - Oct 21, 2025
After previous runs in 2022 and 2023, The Book Thief musical finally arrives in London. The Book Thief: A Concert Production was originally scheduled to be performed for one night only on 19 October, but two more performances have been added on 26 October due to popular demand. Recently, we had the chance to speak with Melanie La Barrie, who is playing the role of Death in this production of The Book Thief. We discussed what made her want to be a part of the show, what it is like to perform in a concert production versus a full staged one and even what is appealing to her about playing characters who take on the role of the narrator!
Rachel Zegler to Perform From EVITA on STRICTLY COME DANCING
by Josh Sharpe - Oct 15, 2025
Rachel Zegler is set to perform on the BBC's Strictly Come Dancing later this month, joining the UK competition show on the 26 October episode for 'Icons Week,' where she will sing 'Don't Cry for Me Argentina.'
Review: LA BOHÈME, Glyndebourne
by Aliya Al-Hassan - Oct 15, 2025
PucciniAs the nights draw in, it seems highly appropriate to return to Glyndebourne for the start of its Autumn season and the chilly streets of Puccini’s La bohème. Floris Visser’s production, beautifully revived by Rachael Hewer, has the spectre of death ever-present. In this case, quite literally as a pale man dressed in black (Christopher Lemmings) appears to stalk Mimì, making her fate even more inevitable than usual.
Review: SMALL HOTEL, Starring Ralph Fiennes, Theatre Royal Bath
by Cheryl Markosky - Oct 10, 2025
How many extended metaphors does it take to change a lightbulb? Only one, please, Rebecca Lenkiewicz. Commissioned by Ralph Fiennes to come up with a new play for the Ralph Fiennes/Theatre Royal Bath Season, Lenkiewicz's Small Hotel offers way too many exciting ideas – alas, none of which string together coherently into an easy-to-comprehend piece.
Review: GIUSTINO, Royal Ballet And Opera
by Clementine Scott - Oct 8, 2025
Both director and designer have slightly too many ideas about what the show could be, and what is left is unresolved potential.
Review: THE IMPORTANCE OF BEING EARNEST, Starring Olly Alexander & Stephen Fry
by Aliya Al-Hassan - Oct 1, 2025
No one could accuse Max Webster's flamboyant production of Oscar Wilde's The Importance of Being Earnest of being subtle. A new cast takes the reins from the National Theatre's hugely successful production last year and moves onto the intimate Noël Coward stage, bringing with them the biting wit, vibrant costumes and sexual fluidity that made this show such a hit.