Downtown Sioux Falls saw an invasion Thursday and Friday night - a British Invasion that is - as Good Night Theatre Collective kicked off their third season with their British Invasion Cabaret featuring artists from across the pond.... (more...)
"There's nothing formal about this but this dress." Kennedy Davenport's aside, just several minutes into her August 23 performance of THE GOSPEL ACCORDING TO KENNEDY DAVENPORT at the Laurie Beechman Theatre, couldn't have been truer. And, to put it in RUPAUL'S DRAG RACE speak, that informality repre... (more...)
Throughout her career, above all else, P!nk has proven to be something of a power ballad machine. That's why it's no surprise that, with the heightened emotion in the sound and lyrical content of much of her catalog, her music was such a natural fit for the theatrical performances of 54 SINGS P!NK a... (more...)
It's safe to say that Natalie Douglas is a little obsessed with Cher. Throughout TRIBUTES: CHER, the latest in her award-winning TRIBUTES series, Douglas made her way through the icon's life from her early career up to the present, both in song and in story. But the real focus of the July 16 show at... (more...)
One of the most exciting and important voices to emerge from the 1980s-90s American performance art movement, Karen Finley might be regarded as one of the country's most noted censored artists.... (more...)
Leona Helmsley shuffled back to this mortal coil for one night only---three, actually---and, as portrayed by Tovah Feldshuh, she's lost none of her bite in those intervening years. From the start, Feldshuh's Leona narrowed her eyes into a hard stare that would put Paddington to shame, never letting ... (more...)
If you've heard of Adrienne Truscott's work, the title of her current show, ADRIENNE TRUSCOTT'S A ONE TRICK PONY (OR ANDY KAUFMAN IS A FEMINIST PERFORMANCE ARTIST AND I'M A COMEDIAN), is self-explanatory: she last made waves with ADRIENNE TRUSCOTT'S ASKING FOR IT, a comedy special in which she stood... (more...)
Musical fans love a good 'songs from the shows' cabaret and House of Broadway present a polished evening packed with heart and humour as they share songs old and new from the musical theatre canon.... (more...)
Good Night Theatre Collective kicked off Pride weekend in Sioux Falls with their last cabaret show of season 2, PRIDE: The Love Cabaret. Thursday's sold out show featured songs written or performed by LGBTQ artists.... (more...)
Salty Brine has made what is becoming a familiar move: reckon with your beloved art works which time has "revealed" to be problematic (by which I mean, you have become aware enough to realize this; it was problematic from the beginning).... (more...)
Welcome to the exciting world of "14th century Italian literature." If that's not exactly a thrilling prospect for you, don't worry: BenDeLaCreme's INFERNO A GO-GO has more than enough sugar the help the medicina go down.... (more...)
In Bond's latest show, BOYS IN THE TREES, the performer seems particularly interested in exploring what happens when one colors outside prescribed lines of gender---masculinity, in particular---primarily performing songs by men who did just that.... (more...)
This past weekend Good Night Theatre Collective hosted their fourth cabaret show of the season presenting songs known for being One-Hit Wonders. The show definitely brought the nostalgia for members of the audience, bringing back those old favorites from days gone by that left you singing for weeks ... (more...)
Of the many great parts of the Broadway community and the performing arts community at large, perhaps the greatest is its ability to come together and provide support for one another. BROADWAY BABY MAMAS, held at Feinstein's/54 Below on March 15 little more than a week after the unthinkable tragedy ... (more...)
Byron Lane's meditation on the artifice and projection of fame and celebrity is brilliantly explored through the prism of Tom Lenk's exquisitely crafted performance in TILDA SWINTON ANSWERS AN AD ON CRAIGSLIST, which ran March 16-25 at the Laurie Beechman Theatre. CRAIGSLIST's Tilda is almost better... (more...)
For nearly 35 years, I have loved the score of BABY, the Broadway musical that ran for 241 performances from 1983 to 1984 and made Liz Callaway a star. So, it was thrilling to hear the music sung in concert by a stellar cast at Feinstein's/54 Below on March 18, the proceeds of which went to Planned ... (more...)
The show, aptly titled 'The Story Goes On,' featured an eclectic set list, but there was one common thread - each song was exceptionally well sung.... (more...)
Tap dancer Savion Glover (BRING IN 'DA NOISE, BRING IN 'DA FUNK, SHUFFLE ALONG) and tanguero Leonardo Suarez Paz (FOREVER TANGO, TANGO ARGENTINO) mixed tap dance and tango music at Feinstein's/54 Below on February 15.... (more...)
In his latest show at Cafe Carlyle titled HEART TO HEART, John Lloyd Young continues to hearken back to an earlier era in look, sound, and song choice, mostly performing pieces from the 60s and 70s.... (more...)
Rachel Bloom has no shame, and we're all better for it. Performing original music at Jazz at Lincoln Center's Appel Room on Feb. 11, 2018, along with co-writer Adam Schlesinger, Bloom arrived on stage with guns blazing.... (more...)
BWW REVIEW: Good Night Theatre Collective is back with their BRITISH INVASION CABARET
BWW Review: Kennedy Davenport Puts Emotion on Display in Cathartic THE GOSPEL ACCORDING TO KENNEDY DAVENPORT
BWW Review: Lauren Patten + Company Raise a Glass to P!nk with 54 SINGS Tribute
BWW Review: Natalie Douglas Shares Her Love for Cher in Her Latest TRIBUTES at Birdland
BWW Review: Karen Finley's Defiant GRABBING PUSSY Attacks Patriarchal Sexual Oppression
BWW Review: Tovah Feldshuh Means Business as LEONA! at Feinstein's/54 Below
BWW Review: Adrienne Truscott Plays Both Comedian and Performance Artist in ADRIENNE TRUSCOTT'S A ONE TRICK PONY
BWW Review: HOUSE OF BROADWAY, Live at Zedel
BWW Review: Feel the love with Good Night Theatre Collective at PRIDE: THE LOVE CABARET
BWW Review: Salty Brine Connects Weezer and Puccini In His New LIVING RECORD COLLECTION Installment, I'M A LOT LIKE YOU
BWW Review: BenDeLaCreme Raises Hell in INFERNO A GO-GO at the Laurie Beechman Theatre
BWW Review: Liz Callaway Honors Female Role Models at Feinstein's/54 Below
BWW Review: Kathleen Turner Harnesses Her Power in FINDING MY VOICE at Cafe Carlyle
BWW Review: Justin Vivian Bond Colors Outside the Lines with BOYS IN THE TREES at Joe's Pub
BWW Review: Good Night Theatre Collective Brings the Nostalgia with ONE-HIT WONDERS CABARET
BWW Review: Broadway's Resilient Moms Gather At Feinstein's/54 Below To Send Love And Light to Ruthie Ann Miles
BWW Review: Tilda Swinton Moves Into The Laurie Beechman In The Absurd and Exquisite TILDA SWINTON ANSWERS AN AD ON CRAIGSLIST
BWW Review: Feinstein's/54 Below Pays Tribute to BABY: THE MUSICAL and Benefits Planned Parenthood
BWW Review: Full of Contradictions and Multitudes, Lena Hall Nails the Part in THE ART OF THE AUDITION
BWW Review: Laura and Linda Benanti Return to Kennedy Center in THE STORY GOES ON
BWW Review: Savion Glover and Leonardo Suarez Paz Bring a Fiery Collaboration of Tango & Tap to Feinstein's/54 Below
BWW Review: John Lloyd Young Returns To The Cafe Carlyle On A High Note With HEART TO HEART
BWW Review: Rachel Bloom and Adam Schlesinger of CRAZY EX-GIRLFRIEND Bring Brazen Hilarity to The Appel Room
