Jazz-Americana Artist Bryan Cumming Releases New Jazz CD
By: A.A. Cristi Mar. 07, 2017
Bryan Cumming, a jazz-Americana artist who has recorded with popular acts such as Al Jarreau and The Pointer Sisters, has released a new CD that pays tribute to the classic songs and legendary jazz artists of the Silent Generation.
"Come Out Swinging" celebrates the spirit of swing with a lively mix of traditional jazz classics and originals. Highlights include covers of standards written and/or performed by legendary artists such as Nat King Cole, Thelonious Monk, Duke Ellington, Dorothy Fields, and Irving Berlin. The album, which was recorded at Java Jive Studio in Nashville, features Kelli Cox on keyboards, Adam Mormolstein on drums, and John Vogt on bass.
"I grew up listening to the music my father loved, including recordings by jazz artists such as Artie Shaw, Tommy Dorsey, and Glen Miller," said Cumming, who also performs as a member of the Grammy-nominated Beatles tribute band The WannaBeatles. "As my music career has developed, I've found myself gravitating toward swing. It has a life-affirming tempo that expresses optimism, enthusiasm and energy. I hope my new album will inspire motion, inviting dancers to sway together, bounce, and enjoy the moment, just like in my daddy's day."
"Come Out Swinging" is available at major online retailers including CD Baby, iTunes and Amazon. To download, order or hear tracks from the album, visit http://www.CDBaby.com/CD/BryanCumming2 or https://itunes.apple.com/us/album/come-out-swinging/id1206565869 .
Among the covers are "Sunny Side of the Street," a standard recorded by Tommy Dorsey and The Sentimentalists in 1944. Other covers include "Straighten Up and Fly Right," "Don't Get Around Much Anymore," "It Had to Be You," and "Blue Skies." The album's title track, "Come Out Swinging," swings to life with the sounds and lyrical images of the '30s, '40s and '50s. "I wrote the song in 2008 to honor the classic swing music I learned from my parents," said Cumming. "'Come Out Swinging' is a nostalgic look at yesterday. It is presented as an imaginary epiphany,
where the singer hears the phone ring and mysteriously hears the sounds of old swing tunes. He gets inspired and preaches the message 'it's time to play' to his listeners."

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