In Peter Brook's collection of essays, the director reflects on the role of music in theatre and performance and revisits some of the best-known productions from his career, including Titus Andronicus, Don Giovanni, The Magic Flute, and The Prisoner. Topics range from how to evoke "true listening" to the relationship between words and music to the "living presence" of silence. 80 pages.
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Publisher: Theatre Communications Group
Released: 2020
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