Three Artists Have Been Short-Listed for the BP Portrait Award 2014 at the National Portrait Gallery
In a record-breaking year for entries, three artists have been short-listed for the twenty-fifth anniversary BP Portrait Award 2014 at the National Portrait Gallery, London. Their sitters are a homeless man in Germany who earns money by cleaning car windscreens, an American woman who was reluctant to sit for a portrait painted by her son, and the Bath-based grandmother and model featured in Channel Four's Fabulous Fashionistas.
One of the world's most prestigious art competitions, the First Prize was increased last year by £5,000 to £30,000 making the prize one of the largest for any global arts competition. The winner also receives a commission to paint a portrait for the National Portrait Gallery's permanent collection worth £5,000, to be agreed between the Gallery and the artist.
The Second Prize winner will receive £10,000 and the Third Prize winner £8,000. While the competition is open to everyone over the age of 18, for the seventh year there will be a BP Young Artist Award of £7,000 for the work of an entrant aged between 18 and 30. This award winner and the other prize-winners will be announced on the evening ofTuesday 24 June 2014. The portraits go on display to the public at the BP Portrait Award 2014 exhibition at the National Portrait Gallery from 26 June to 21 September 2014.
The three artists shortlisted for the 2014 BP Portrait Award 2013 are Thomas Ganter for Man with a Plaid Blanket, David Kassan for Letter to my Mom and Richard Twose for Jean Woods.
Thomas Ganter (26.03.1974) for Man with a Plaid Blanket (160 x 60 cm oil on canvas)
Thomas Ganter is an artist and illustrator from Frankfurt/Main, Germany. His shortlisted portrait of Karel, a homeless man he encountered following a visit to a museum, invites the viewer to contemplate the coexistence of wealth and poverty. 'After being in a museum, I saw a homeless man and was stunned by a similarity: the clothes, the pose, and other details resembled what I just saw in various paintings. However, this time I was looking at a homeless person wrapped in a blanket and not at the painting of a saint or noble in their elaborate garment. By portraying a homeless man in a manner reserved for nobles or saints, I tried to emphasise that everyone deserves respect and care. Human dignity shouldn't be relative or dependent on socio-economic status'. Karel, who tries to earn some money by cleaning car windscreens in the artist's neighbourhood, attended five sittings for the portrait. After these, in which the head and the hands were painted, Ganter used a life-sized doll, and painted the clothes and the blanket before finally adding the artificial flower at the bottom right.
David Jon Kassan (25.02.1977) for Letter to my Mom (124.5 x 81 cm oil on aluminium panel) Brooklyn-based artist David Jon Kassan, born in Little Rock, Arkansas, invited his mother and father to sit for him in his studio in New York City while his parents made a brief stop on their way to Europe. He had painted his mother a few years before, and he says she was reluctant to sit for him again, saying in order to persuade her, he had to bribe her by offering her a painting of his son Lucas. 'My work is very personal and heartfelt,' he says. 'It's my visual diary, so my family and loved ones make up a large part of what and why I paint. My parents have always been inspirational to paint. This portrait is a letter to my mom, who hates it when I paint her. But I tell her in the painting that by painting her, it is my way of spending time with her, contemplating our relationship and time together, my earliest memories'. The Hebrew text painted onto the portrait above the sitter reads: 'Dear Mom,/ This painting is my way to spend more time with you./ My way to meditate on our life together./ And all of the earliest memories I have/All of my earliest memories from you'.
Richard Twose (01.04.1963) for Jean Woods (90 x 60 cm oil on board)
The first time Richard Twose, a teacher and artist, saw the sitter of his portrait, Jean Woods, was when she was working in a shop in Bath, the British city where he is based. He was impressed not only by her striking looks and contemporary, edgy style, but also by the depth of character in her face. Following the broadcast of Channel Four's documentary Fabulous Fashionistas which featured Jean, Richard's daughter told him she was the grandmother of a friend. After calling her and asking her to sit for him, he was struck by her professionalism as a sitter -derived from her recent experience as a fashion model and from a quality of stillness she seems to possess naturally. 'Sometimes as Jean was talking, especially about her much-missed late husband, she reminded me of Rembrandt's Portrait of Margaretha de Geer, says Richard. 'Jean has a similar intensity and honesty in her gaze. I wanted to capture that sense of someone who has learnt to be almost fearless, looking forward to life still but with a great richness of experience behind her'.
This year the competition received a record-breaking 2,377 entries from 71 different countries, up from 1,969 entries from 77 different countries last year. 55 portraits have been selected for the exhibition (National Portrait Gallery, London, 26 June - 21 September 2014).