"I've been dieting all week. I can't wait to eat some freakin' pizza!"
-- Audra McDonald after winning her 5th Tony Award
The grosses are out for the week ending 6/10/2012 and we've got them all right here in BroadwayWorld.com's grosses section.
Up for the week was: VENUS IN FUR (17.8%), GORE VIDAL'S THE BEST MAN (15.5%), PETER AND THE STARCATCHER (14.4%), SPIDER-MAN TURN OFF THE DARK (14.2%), END OF THE RAINBOW (12.7%), OTHER DESERT CITIES (11.3%), ONE MAN, TWO GUVNORS (11.1%), NICE WORK IF YOU CAN GET IT (8.8%), GHOST (8.3%), PORGY AND BESS (8.0%), HARVEY (6.7%), SISTER ACT (6.2%), DON'T DRESS FOR DINNER (5.9%), MARY POPPINS (5.6%), WAR HORSE (5.3%), JERSEY BOYS (4.7%), MAMMA MIA! (4.5%), JESUS CHRIST SUPERSTAR (4.5%), MEMPHIS (4.4%), ROCK OF AGES (4.1%), CLYBOURNE PARK (3.6%), EVITA (3.3%), THE LYONS (3.0%), CHICAGO (2.3%), ONCE (1.5%), ANYTHING GOES (1.0%), WICKED (0.2%), THE LION KING(0.1%),
Posted on June 11, 2012 - by
About the Author:After 20-odd years singing, dancing and acting in dinner theatres, summer stocks and the ever-popular audience participation murder mysteries (try improvising with audiences after they?ve had two hours of open bar), Michael Dale segued his theatrical ambitions into playwriting. The buildings which once housed the 5 Off-Off Broadway plays he penned have all been destroyed or turned into a Starbucks, but his name remains the answer to the trivia question, "Who wrote the official play of Babe Ruth's 100th Birthday?" He served as Artistic Director for The Play's The Thing Theatre Company, helping to bring free live theatre to underserved communities, and dabbled a bit in stage managing and in directing cabaret shows before answering the call (it was an email, actually) to become BroadwayWorld.com's first Chief Theatre Critic. While not attending shows Michael can be seen at Citi Field pleading for the Mets to stop imploding. Likes: Strong book musicals and ambitious new works. Dislikes: Unprepared celebrities making their stage acting debuts by starring on Broadway and weak bullpens.