BWW Review: WOMAN! PILOT! PIRATE?, VAULT Festival
Emmy finds her life to be absurdly limiting.
UK / West End Theater Reviews
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BWW Review: UNMYTHABLE, VAULT Festival
After a European tour, Out of Chaos bring their celebrated Unmythable to The Vaults.
BWW Review: DISNEY'S BROADWAY HITS, Royal Albert Hall
Having previously played to sold out audiences in 2016, Disney's Broadway Hits returns to the Royal Albert Hall.
BWW Review: HANG, Crucible Studio, Sheffield
Sheffield Theatres bring debbie tucker green's play to the city in this vibrant revival.
BWW Review: A MIDSUMMER NIGHT'S DREAM, Tobacco Factory Theatres
It's fitting that the once industrial space of the Tobacco Factory is now the dystopian setting for the latest outing of the Factory Company - a gender-bending A Midsummer Night's Dream.
BWW Review: LADYKILLER, VAULT Festival
A nightmarish scream anticipates the lights.
BWW Review: TESSERACT, Barbican Theatre
An often beautiful, sometimes confusing, work that uses dance and technology to move from the rigid certainties of three dimensions into the threats and opportunities of the fourth.
BWW Review: NARCISSIST IN THE MIRROR, VAULT Festival
A dressing room of a West End theatre.
BWW Review: THE TRICK, Bush Theatre
The Bush has had non-stop success after success with their recent programming, however this show misses the mark by a lot.
BWW Review: THE GRAND EXPEDITION, Secret Location
Gingerline was founded by food and drink enthusiasts who aim to create the ultimate - immersive - dining experience.
BWW Review: JESUS HOPPED THE 'A' TRAIN, Young Vic
Stephen Adly Guirgis's play is as relevant today as ever, its coruscating examination of the nature of American justice and religious redemption losing none of its power a generation on from its first outing.
BWW Review: WOOD, VAULT Festival
When John Rolando fails to be able to get an instant erection on the set of a porn film, his life starts to fall apart and kicks off a curious experiment of meta-theatre.
BWW Review: WORK BITCH, VAULT Festival
Waitress is 32 years old and is still serving tables.
BWW Review: AND THE REST OF ME FLOATS, Bush Theatre
Seven performers individually enter the space and stare.
BWW Review: THE REMAINS OF THE DAY, Royal and Derngate
The very stiffest of stiff upper lips is on display at Royal and Derngate in the premiere of Barney Norris's adaptation of The Remains of the Day.
BWW Review: KINKY BOOTS, Bristol Hippodrome
There's something undeniably irrepressible about Kinky Boots - it's a fully sequined, unabashed romp through a true (ish) story of a shoe factory threatened with closure until a radical idea to start producing oh so fabulous boots for drag queens appears.
BWW Review: CHEATING DEATH, Cockpit Theatre
Cheating Death fails to solve the considerable problems of writing and staging farce in an ambitious show that falls well short of expectations.
BWW Review: THE SON, Kiln Theatre
Teenager Nicolas (Laurie Kynaston) is going through a difficult phase.
BWW Review: MY MOTHER SAID I NEVER SHOULD, Richmond Theatre
Written in 1985 and first performed in 1987, Charlotte Keatley's sensitive drama My Mother Said I Never Should is a warm and understated show about the complex relationships between mothers and daughters.
BWW Review: AUSTENTATIOUS, Fortune Theatre
Some shows might transfer or extend their run.
BWW Review: ROCK OF AGES, New Wimbledon Theatre
Taking us back to a world of hideous stonewashed denim, huge hair and even bigger rock anthems, Rock of Agesis on a new national tour.
BWW Review: COSI FAN TUTTE, Royal Opera House
The Royal Opera House revives its 2016 Cosi with all the mischievous wit and splendid music of Mozart and Da Ponte - but also lets us in on the game within the game - and the price that's paid
BWW Review: A MODERN GUIDE TO HEROISM & SIDEKICKERY, VAULT Festival
Michelle Zahner lands at VAULT Festival in a flurry of lycra, capes, masks, and different identities.
BWW Review: THE APOLOGISTS, VAULT Festival
A Secretary of State for Health and Social Care requests a white doctor when her daughter is rushed to a hospital.
BWW Review: ORLANDO, VAULT Festival
In 1928 Virginia Woolf explored her freedom of identity with her novel Orlando.
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