BWW Review: WILDERNESS, Hampstead Theatre
Alistair's mum and dad have split up; his life is about to change.
UK / West End Theater Reviews
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BWW Review: TOP GIRLS, National Theatre
Caryl Churchill's ground-breaking 1982 work comes to the National for the first time - and, also a first, with a full cast rather than actors doubling up, as the playwright had originally intended.
BWW Review: NOUGHTS & CROSSES, York Theatre Royal
Malorie Blackman's young adult novel Noughts & Crosses was ground breaking when it was first published in 2001, and now Pilot Theatre have brought it to the stage to capture a new generation.
BWW Review: THE CRUCIBLE, Yard Theatre
Over recent years The Yard has developed a reputation for staging bold and pretty out there productions, usually boding well with audiences and generating a definite buzz about the space.
BWW Review: RUSSIAN BALLET ICONS GALA, London Coliseum
The annual Russian Ballet Icons Gala always delivers with a host of superstar names from the dance world, presenting a somewhat haphazard selection of classical and modern snippets of choreography.
BWW Review: LITTLE MISS SUNSHINE, Arcola Theatre
Back in 2006 a small road-trip film about a dysfunctional family, the Hoovers - who set off on a trek to a children's beauty pageant was released to audiences in the US.
BWW Review: AN EVENING WITH JASON ROBERT BROWN, Theatre Royal Haymarket
Jason Robert Brown's annual pilgrimage to the UK culminated this year in an intimate concert at the Theatre Royal Haymarket, launching its 'Sunday Encounters' residencies.
CD Review: TINA THE MUSICAL, Original London Cast Album
It's been nearly a year since Tina: The Musical opened in London to critical acclaim.
BWW Review: MAGGIE MAY, Finborough Theatre
Liverpool, 1960s.
BWW Review: GALA EVENING WITH JUAN DIEGO FLOREZ, Royal Festival Hall
Juan Diego Flórez gave an orchestral recital which failed to display his superlative assets.
BWW Review: THE PHLEBOTOMIST, Hampstead Theatre
When Bea meets Aaron, she thinks she's found the one.
BWW Review: JACK THE RIPPER: THE WOMEN OF WHITECHAPEL, London Coliseum
In February this year, historian Hallie Rubenfold brought out a poignant book describing the backstories of the five women killed in 1888 by a murderer nicknamed Jack the Ripper.
BWW Review: HAIR, New Wimbledon Theatre
New York.
BWW Review: MARGARET THATCHER: QUEEN OF SOHO, Wilton's Music Hall
You never imagined Margaret Thatcher could be so vulgar, but then, it seems weirdly plausible.
BWW Review: GRIEF IS THE THING WITH FEATHERS, Barbican
Enda Walsh and Cillian Murphy team up again after a streak of collaborations started with Disco Pigs that saw them working together on award-winning and career-defining productions throughout the years.
BWW Review: BERENICE, Linbury Theatre, Royal Opera House
Berenice is something of a forgotten delight, its tortuous plotting more than offset by its splendid arias and delightful characters, with plenty of contemporary resonance on hand if you need it.
BWW Review: FIDDLER ON THE ROOF, Playhouse Theatre
Fiddler On the Roof brings the Menier Chocolate Factory to the Playhouse Theatre.
The Third Annual Tonic Awards Celebrate Women in Theatre
Playwrights, directors and producers gathered at the May Fair Hotel on Monday for the third annual Tonic Awards, celebrating the achievements of women in theatre.
BWW Review: AFTER EDWARD, Sam Wanamaker Playhouse
During the latter part of this winter season, Shakespeare's Globe has been concentrating on Voices in the Dark: Pride, Then and Now, with a production of Marlowe's infamous Edward II running alongside a range of different events.
BWW Review: THE WHITE CROW
The White Crow focuses on Rudolf Nureyev's life from birth until his sensational defection at the age of 23.
BWW Review: WOLFIE, Theatre503
Wolfie glows with the energy and hope of youth, even as it paints a grim picture of a world stacked against it by the alienating forces of a society retreating from its obligations to its children.
BWW Review: COMPANY: THE COMPLETE REVISED BOOK AND LYRICS
As far as play texts go, Company jumps off the page from the word go - carefully crafted and delicately complied, to result in a magic mixture of New York grit and Broadway schmaltz.
BWW Review: MARY'S BABIES, Jermyn Street Theatre
Mary Barton founded one of the first fertility clinics.
BWW Review: EMILIA, Vaudeville Theatre
“We are only as powerful as the stories we tell.
BWW Review: LA FORZA DEL DESTINO, Royal Opera House
Not since a memorable La traviata in 2008 have superstars Anna Netrebko and Jonas Kaufmann appeared together at the Royal Opera House.
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