BWW Review: FEAST FROM THE EAST, Tristan Bates Theatre
Over the past five years, INK have developed and produced over 150 new short plays by writers who have strong bonds with East Anglia.
UK / West End Theater Reviews
The latest reviews and critic recommendations from UK / West End.
Our UK / West End Critics
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BWW Review: DON'T LOOK AWAY, Pleasance Theatre
Adnan (Robert Hannouch) has just arrived in the UK from Syria.
BWW Review: AMOUR, Charing Cross Theatre
Amour is a delightful fable that bathes you in the warmth of Legrand;s music and Sams' lyrics, brilliantly realised by a hardworking cast under the sure direction of Hannah Chissick.
BWW Review: BREAKIN' CONVENTION, Sadler's Wells
It's an immediate testament to the enduring appeal of Breakin' Convention, Sadler's Wells annual festival of hip hop theatre, now in its 16th year, to see the queues of people snaking round the block of the imposing building.
Book Review: CONTEMPORARY WOMEN STAGE DIRECTORS, Paulette Marty
In her comprehensive and insightful book Contemporary Women Stage Directors, Paulette Marty attempts to answer a pivotal question: 'How does gender influence the work of women directors?'
BWW Review: MISS JULIE, Jermyn Street Theatre
Miss Julie returns to London wearing the outstanding threads previously seen in Tom Littler's production at Jermyn Street Theatre in 2017.
BWW Review: ROSMERSHOLM, Duke of York's Theatre
As politicians and pundits dissect the local election results, Duncan Macmillan serves up a blistering new adaptation of an 1886 work that feels eerily like a 2019 commentary.
BWW Review: BARBER SHOP CHRONICLES, Bristol Old Vic
'It's your pub' says Winston, about the Three Kings Barber shop in London.
BWW Review: JUDE, Hampstead Theatre
This is Edward Hall's last production as Artistic Director.
BWW Review: SMALL ISLAND, National Theatre
The 2004 prize-winning novel by Andrea Levy, who sadly passed away earlier this year, has been beautifully translated to stage by adaptor Helen Edmundson and NT head honcho Rufus Norris, using thrilling theatrical solutions to honour Levy's epic - and still urgent - tale.
BWW Review: AVALANCHE: A LOVE STORY, Barbican
When a young love is re-lit when both parties are past their late 30s, a woman's objectives shift towards previously unexplored horizons.
BWW Review: SHADOWLANDS, Chichester Festival Theatre
Shadowlands can feel a little outdated, but it wins you over with the warmth and wit of the characters and two wonderful performances from Hugh Bonneville and Liz White.
BWW Review: HOTTER, Soho Theatre
Ell and Mary are best friends, and also ex-girlfriends.
BWW Review: GHOSTS, Royal and Derngate
Mike Poulton's new version of Ibsen's Ghosts will play on your nerves and force you to confront some dark truths.
BWW Review: THE MURDER EXPRESS: JEWEL OF THE EMPIRE, Pedley Street Station
It's 1937, the largest cut diamond is being transported by train from London to the French town of Murder amidst a crowd of socialites and odd characters who are travelling to the town in the south of Franch for different reasons.
BWW Review: THE HALF GOD OF RAINFALL, Kiln Theatre
Demi is the bastard son of a Nigerian woman and the Greek god Zeus.
BWW Review: MICHAEL BALL: COMING HOME TO YOU, London Palladium
Michael Ball is touring his new album 'Coming Home To You', which he proudly announces is his first number one selling album for 27 years.
BWW Review: EDMOND DE BERGERAC, Richmond Theatre
Edmond Rostand is a broke poet who's going through a seemingly endless writer's block.
BWW Review: OUT OF WATER, Orange Tree Theatre
The omens were good for the Orange Tree Theatre's new production, Out Of Water.
BWW Review: HELL YES I'M TOUGH ENOUGH, Park Theatre
Ben Alderton takes swipes at every stripe in the political rainbow, but lacks the precision required to bring a plague on all their houses.
BWW Review: THE AMBER TRAP, Theatre503
In an ordinary part of the north, Hope and Katie work at their local corner shop.
BWW Review: EMPTY ROOM, Camden People's Theatre
Miriam Gould's portrait of herself and her parents is as personal as one would expect, but its also beautifully judged and accessible, weaving music in and out of its narrative to great effect.
BWW Review: CREDITORS, Jermyn Street Theatre
Jermyn Street Theatre's latest co-production with Keswick's Theatre by the Lake is a new version of August Strindberg's Creditors directed by the theatre's own Tom Littler.
BWW Review: MAN OF LA MANCHA, London Coliseum
The London Coliseum has established a run of successes with some excellent revivals of almost-forgotten musicals in recent years.
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