BWW Review: BLUE DOOR, Theatre Royal Bath
From mathematics professor Lewis's insomnia and amnesia plagued night emerges a poetic, fragmented and poignant reflection on race, forgetfulness, and legacy enlightened by two fine performances in a thoughtfully directed production from Eleanor Rhode as part of the Ustinov Studio's UK premieres fro...
BWW Review: RIP IT UP - THE 60s, Garrick Theatre
Rip It Up The 60s is unabashed entertainment full of great songs, plenty of dancing and a handful of stars from Strictly....
BWW Review: SOFT ANIMALS, Soho Theatre
Following on from a traumatic incident that occurred months ago, two individuals become the best of friends, despite the unlikeliest of circumstances. Rocked by tragedy, soft animals is an in depth investigation into the many stages of grief, questioning culpability and the wider implications of our...
BWW Review: ALL ABOUT EVE, Noel Coward Theatre
Fasten your seatbelts! Ivo van Hove has taken on the ultimate quotable backstage melodrama: Joseph L. Mankiewicz's 1950 Oscar-winning film about a celebrated actress and her young wannabe assistant. And the modern star power is assured: Gillian Anderson succeeds Bette Davis, while Lily James follows...
BWW Review: THE PRICE, Wyndham's Theatre
Arthur Miller is certainly popular this season, with The Price currently at the Wyndham's Theatre, The American Clock and All My Sons both at the Old Vic in the next few weeks, and Death of a Salesman due to open in May at the Young Vic. Miller productions are all the rage in London right now!...
BWW Review: A BEAUTIFUL NOISE, Lyric Theatre
He's penned some of the greatest hits of the 20th century and is revered the world over. Now, the legendary music of Neil Diamond is brought to life on a West End stage for a night you won't forget....
BWW Review: ABIGAIL'S PARTY, Nuffield Southampton Theatres
Mike Leigh's iconic class comedy, Abigail's Party, has arrived at Nuffield Southampton Theatres on its UK tour....
BWW Review: THE WINTER'S TALE, National Theatre
A wonderful version of The Winter's Tale that is made for young people but has plenty to say to those of us as old as Leontes and Polixenes....
BWW Review: THE ROCKY HORROR SHOW, New Wimbledon Theatre
Theatre audiences are certainly less easy to shock these days than they were back in 1973 when Richard O'Brien's outrageous musical The Rocky Horror Show first debuted at the Royal Court. These days gender is a much more fluid concept and cross-dressing is commonplace rather than quirky. Shows such...
BWW Review: THIRST TRAP, Above The Stag
James Barr's Thirst Trap is an outrageously funny exploration of modern dating. Following a four-star run at the Edinburgh Fringe last year, the two London dates have been extended to four at Above the Stag in Vauxhall....
BWW Review: THE GOOD PERSON OF SZECHWAN, Barbican Centre
A hail of cigarette boxes, bicycles, jazz, and divine intervention. Moscow Pushkin Drama Theatre's The Good Person of Szechwan, at the Barbican Centre, is unpredictable, intense, and cathartic - like a drug intervention. (One where cigarette boxes fall from the ceiling.)...
BWW Review: SADLER'S WELLS SAMPLED, Sadler's Wells
Sadler's Wells annual pick 'n' mix buffet of dance offerings return again for a selection of live performances and interactive front of house experiences....
BWW Review: INFINITY, VAULT Festival
Nessa Matthews compares the struggles of mental health to an astronaut floating in space. The metaphor she draws in her new solo play Infinity falls into place perfectly and engages the imagination in a colourful journey of healing and acceptance....
BWW Review: THE GOOD LANDLORD, VAULT Festival
A wonderful flat in Central London. You can see Big Ben from one of the windows and you can walk to work. All this for a ridiculous price. 'Where's the catch?'. Tom and Ed are flat-hunting and stumble upon the perfect accommodation, but something's not right....
BWW Review: ASHES, VAULT Festival
Shaun Amos explores the relationship with his deceased father in Ashes, a confused piece of dark comedy that doesn't reach the desired objective. First presented at The Arcola Theatre Scratch Night, it's a rollercoaster. Amos details his childhood and family life with sincerity and brashness, depict...
BWW Review: GET RREEL, VAULT Festival
After years of world-wide success, girlband Get RREEL are breaking up. Ireland's pride and joy are hosting one last intimate concert to explain to their most loyal fans why they've taken this decision....
BWW Review: ORCHESTRA OF THE ROYAL OPERA HOUSE IN CONCERT, Royal Opera House
This evening of contrasting sentimental works was far too fiery to resound with echoes of the (Russian) soul....
BWW Review: CHITA RIVERA, Cadogan Hall
At 86, Chita Rivera could easily justify putting her feet up a little. She first performed in London back in 1958 in the iconic role of Anita in West Side Story and has never stopped since. She returned to the capital this weekend for two one-off concerts, chronicling her life and amazing career.
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BWW Review: SEXY LAMP, VAULT Festival
Following her award-winning Bicycles and Fish, Katie Arnstein is back at VAULT Festival with Sexy Lamp, an honest and straightforward account of her beginnings as an actress and a cutting analysis of the flaws and sexism of the business....
BWW Review: BLACK IS THE COLOR OF MY VOICE, Trafalgar Studios
Inspired by the music and the political activism of the legendary Nina Simone, Black Is The Color Of My Voice is the tiny gem of a show, written by singer and writer Apphia Campbell. The production has been shown all over the world since 2013 and it now makes its West End debut as it comes to Londo...
BWW Album Review: Here's To The COMPANY 2018 LONDON CAST RECORDING
Phone rings, door chimes, in comes musical modernization! Closing in on 50 years since its Broadway debut, George Furth and Stephen Sondheim's COMPANY returns with a revolutionary new production in the West End. This rendition sees the previously male lead role Bobby now as the female Bobbie, portra...
PINTER SEVEN, Harold Pinter Theatre
Jamie Lloyd's outstanding season of Pinter shorts - chock-full of mini revelations, innovative stagings, and a thrilling range of work from both actors and creatives - finishes on a high note with this thoroughly entertaining pair....
BWW Review: GREYSCALE, VAULT Festival
Anonymous Is A Woman strikes again with a disquieting site-specific show about consent and its withdrawal. Inspired by the Aziz Ansari scandal where a woman referred to as 'Grace' accused the comedian of pressuring her into sex while he stood by the opinion that it was merely a bad date, Greyscale i...
BWW Review: AVENUE Q, New Wimbledon Theatre
Avenue Q is an interesting show to describe to those who have never seen it. Naive graduate Princeton comes to New York with big dreams and little money to match. When he moves to Avenue Q he meets his neighbours where he tries to find his purpose in life. Together they tackle various issues and le...
BWW Review: THE CHERRY ORCHARD, Barbican Theatre
The Moscow Pushkin Drama Theatre brings its modern, surreal take on Chekhov's classic play to The Barbican, with a barb or two directed towards some familiar faces....
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