BWW Review: ROOMS, Barbican Centre
The Barbican Centre's Silk Street Theatre has been transformed to host Enda Walsh's third piece in his programme. The stage becomes a dark universe where five huge white cubes hold different rooms. By stepping into them, the audience is transported in perfectly curated personal spaces....
BWW Review: QUEEN OF THE MIST, Brockley Jack Studio Theatre
Queen of the Mist is a curious musical about the nearly forgotten woman who was first to go over Niagara Falls in a barrel and who lived to tell her story - the problem was that few wanted to hear it the way she told it....
BWW Review: DON'T YOU DARE!, Tristan Bates Theatre
The Actors Centre and Voila! Theatre are currently hosting A Piece of the Continent at the Tristan Bates Theatre, a small three-week festival to celebrate European talent. Artist coming from all around Europe take their plays to London in a diverse and engaging program that spans all areas of experi...
BWW Review: THE NOISES, The Old Red Lion Theatre
The Noises traps us in a room with Luna, as she tells us her story from puppy to dog / bodyguard while the world disintegrates outside. Her journey is one faced by many neglected kids - a key factor to explain those noises off....
BWW Review: THRILL ME: THE LEOPOLD & LOEB STORY, The Hope Theatre
The crimes perpetrated by Nathan Leopold and Richard Loeb in 1920s-Chicago have gone on to become interwoven in popular culture and have generated a multitude of films, plays, and fiction. They were barely 20 years old when they ensnared and murdered 14-year-old Bobby for no other gain but the thril...
BWW Review: AGAINST THE STREAM, London Coliseum
Former Royal Ballet Principal Ivan Putrov has been curating regular galas in London in recent years with hit and miss results. 2017's Men in Motion fell into the latter category however, returning now with Against the Stream, the result is an engaging evening of dance from some of ballet's most star...
BWW Review: SCARY BIKERS, Trafalgar Studios
John Godber's Brexity flavoured two-hander examines loneliness in late middle-age with warmth, humour and no little insight - a gem....
BWW Review: HEART OF DARKNESS, York Theatre Royal
Written more than 100 years ago, Joseph Conrad's novella Heart of Darkness continues to be a hugely influential, and deeply controversial, work of literature. But where Conrad's book paints a picture of colonialist Africa that roots it firmly in its time, this startling new adaptation catapults it h...
BWW Review: GHOST STORIES, Lyric Hammersmith
Expect lots of frights and surprises in this production, as the hit from 10 years ago makes its way back to where it all started. After many transfers, tours and a well-received film, Jeremy Dyson and Andy Nyman's horror tale seems scarier than ever....
BWW Review: SHOWSTOPPERS, Theatre Royal Brighton
On previous visits to Brighton, Sean McCall of the Showstoppers company recalls their creation of an improvised musical set on the Palace Pier, amongst other places. Tonight, the audience gives the 6-strong cast the task of producing Cheap As Chips - the Musical set in the cheap seats of the balcony...
BWW Review: BALLETBOYZ THEM/US, Richmond Theatre
From the founding duo of ex-Royal Ballet dancers, Michael Nunn and Billy Trevitt, Balleboyz has seen many variations and additions to the group. Always innovating and never predictable, the collective of male dancers is currently touring with their fantastic new production Them/Us, which seeks to ex...
BWW Review: BED PEACE: THE BATTLE OF YOHN & JOKO, Cockpit Theatre
Recreating the political tensions that swirled around John and Yoko's Bed-In protest of 50 years ago, this play with music strives for a radical approach to its material, but forgets some theatre basics....
BWW Review: INTRA MUROS, Park Theatre
Richard, a theatre director who's seen better days, is asked to teach a drama class in a maximum security prison in Norwich. Only two inmates are attending the course, which kick-starts an exploration of guilt, time, and what it means to be human....
BWW Review: ENGLISH NATIONAL BALLET - SHE PERSISTED, Sadler's Wells
Three years ago, English National Ballet presented an evening of work all by female choreographers, She Said. It was an uneven programme but a brave artistic choice, and those courageous female voices are finally fully realised in the sequel, She Persisted....
BWW Review: ROTTERDAM, Rose Theatre
John Brittain's nuanced and tender play Rotterdam has had a whirlwind of success since it debuted in 2015 at the tiny Theatre503. It moved to the Trafalgar Studios, won an Olivier award, then moved to an off-Broadway slot before returning to the West End in 2017. It is now embarking on an extensive ...
BWW Review: OPERATION BLACK ANTLER, Southbank Centre
Operation Black Antler marked Blast Theory and Hydrocracker's sell-out venture at the Brighton Festival last year. Now they bring it to London as, one assumes, a bigger and more complex production, not quite succeeding in their ambitions....
BWW Review: WILDERNESS, Hampstead Theatre
Alistair's mum and dad have split up; his life is about to change. The pair's separation seems initially very mature and amicable, but it soon turns toxic and things begin to get out of control. Everything's a bit mad in Kellie Smith's new play, which takes a domestic struggle and amplifies it, crea...
BWW Review: TOP GIRLS, National Theatre
Caryl Churchill's ground-breaking 1982 work comes to the National for the first time - and, also a first, with a full cast rather than actors doubling up, as the playwright had originally intended. It adds to the expansive feel of Lyndsey Turner's production, particularly effective in the play's sti...
BWW Review: NOUGHTS & CROSSES, York Theatre Royal
Malorie Blackman's young adult novel Noughts & Crosses was ground breaking when it was first published in 2001, and now Pilot Theatre have brought it to the stage to capture a new generation....
BWW Review: THE CRUCIBLE, Yard Theatre
Over recent years The Yard has developed a reputation for staging bold and pretty out there productions, usually boding well with audiences and generating a definite buzz about the space....
BWW Review: RUSSIAN BALLET ICONS GALA, London Coliseum
The annual Russian Ballet Icons Gala always delivers with a host of superstar names from the dance world, presenting a somewhat haphazard selection of classical and modern snippets of choreography. The evening offers up a varied mix of virtuoso pas de deux - the beating heart of the classical repert...
BWW Review: LITTLE MISS SUNSHINE, Arcola Theatre
Back in 2006 a small road-trip film about a dysfunctional family, the Hoovers - who set off on a trek to a children's beauty pageant was released to audiences in the US....
BWW Review: AN EVENING WITH JASON ROBERT BROWN, Theatre Royal Haymarket
Jason Robert Brown's annual pilgrimage to the UK culminated this year in an intimate concert at the Theatre Royal Haymarket, launching its 'Sunday Encounters' residencies. Known for his penchant for writing a rather lengthy tune, Brown kept this show to a timely 130 minutes…which left his audience...
CD Review: TINA THE MUSICAL, Original London Cast Album
It's been nearly a year since Tina: The Musical opened in London to critical acclaim. Fans of the show will be thrilled to hear that they can now get their hands on a digital copy of the cast album featuring the original company, including Adrienne Warren in the title role. A physical copy of the r...
BWW Review: MAGGIE MAY, Finborough Theatre
Liverpool, 1960s. Maggie May Duffy is a prostitute who's in love with her childhood sweetheart Patrick Casey, a sailor and son of a union leader who's been at sea for some time. She tries to rekindle their feelings when he finally comes back but his struggles with accepting his legacy and her reputa...
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