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UK / West End Theater Reviews

The latest reviews and critic recommendations from UK / West End.

BWW Review: AGRIPPINA, Royal Opera House

BWW Review: AGRIPPINA, Royal Opera House

by Gary Naylor — September 24, 2019

Despite a distracting set, the music and singing triumph on an evening that reminds us that you can be too clever by half when you seek to be kingmaker.

BWW Review: AKRAM KHAN'S GISELLE, Sadler's Wells

BWW Review: AKRAM KHAN'S GISELLE, Sadler's Wells

by Vikki Jane Vile — September 21, 2019

Akram Khan's Giselle is only three years old, but it already has a weighty reputation, as a powerful contemporary reworking of a classic, done with the choreographer's impressive sense of intensity and drama.

BWW Review: THE PERMANENT WAY, The Vaults

BWW Review: THE PERMANENT WAY, The Vaults

by Gary Naylor — September 20, 2019

David Hare's play may look like it's set in an increasingly distant past, concerning itself with old arguments, but its brutal message is as important today as ever.

BWW Review: BLACK CHIFFON, Park Theatre

BWW Review: BLACK CHIFFON, Park Theatre

by Anthony Walker-Cook — September 19, 2019

Within the first 20 minutes of Lesley Storm's Black Ciffon, Alicia asks a?oeIs there enough gin?a?? Finally, I thought, a character I could get behind.

BWW Review: THE LIFE I LEAD, Wyndham's Theatre

BWW Review: THE LIFE I LEAD, Wyndham's Theatre

by James Ayles — September 19, 2019

Miles Jupp thrives in this thoughtful and funny look at the life, times and career of British actor David Tomlinson, who died in 2000 aged 83 and was most famous for playing Mr Banks in the 1964 classic Mary Poppins.

BWW Review: CONSPIRACY, New Diorama Theatre

BWW Review: CONSPIRACY, New Diorama Theatre

by Gary Naylor — September 19, 2019

Conspiracy sees our three intrepid investigators set off to prove that one photograph holds the key to just about every conspiracy theory you ever heard!

BWW Review: FAITH, HOPE AND CHARITY, National Theatre

BWW Review: FAITH, HOPE AND CHARITY, National Theatre

by Gary Naylor — September 18, 2019

Faith, Hope and Charity is a 21st century Boys from the Blackstuff, a searing indictment of austerity as seen through the eyes of decent people who want to be kind and need to be loved.

BWW Review: CAISSIE LEVY, Cadogan Hall

BWW Review: CAISSIE LEVY, Cadogan Hall

by Caroline Cronin — September 17, 2019

Caissie Levy made her triumphant return across the Atlantic on Sunday night, marking her first UK performance since 2013.

BWW Review: PROMS IN THE PARK, Hyde Park

BWW Review: PROMS IN THE PARK, Hyde Park

by Caroline Cronin — September 17, 2019

The BBC Proms closed another year with literal bangs, as the Last Night of the Proms played out at Proms in the Park in a blaze of fireworks, alongside the more traditional classical performances over at the Royal Albert Hall.

BWW Review: A WOMAN OF NO IMPORTANCE, Richmond Theatre

BWW Review: A WOMAN OF NO IMPORTANCE, Richmond Theatre

by Aliya Al-Hassan — September 18, 2019

After the broad success of his year-long Oscar Wilde Season, Classic Spring's Dominic Dromgoole has brought the first play in that series, A Woman Of No Importance, on a national tour that kicks off Richmond Theatre's new season this week.

BWW Review: REMEMBER, The Cockpit

BWW Review: REMEMBER, The Cockpit

by Jonathan Marshall — September 15, 2019

Directed by Lawrence O'Connor, Remember takes us on two very different journeys through grief.

BWW Review: PRIDE AND PREJUDICE* (*SORT OF), Bristol Old Vic

BWW Review: PRIDE AND PREJUDICE* (*SORT OF), Bristol Old Vic

by Shane Morgan — September 14, 2019

It is a truth, universally acknowledged, that if you produce Jane Austen, especially in the South-West, then it is to be as authentic, as earnest and as close to traditional BBC magnificence as possible.

BWW Review: FAME, Peacock Theatre

BWW Review: FAME, Peacock Theatre

by Charlotte Downes — September 13, 2019

Billed as the 'definitive 30th anniversary tour', Nick Winston's production of Fame - now playing at the Peacock Theatre - is celebrating the stage adaptation of the 1980 film.

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