BWW Review: THIS IS NOT RIGHT, Wilton's Music Hall
Holly (Martha Godber) is a talented girl who lives on a Council estate in Hull with her Dad (Jamie Smelt).
UK / West End Theater Reviews
The latest reviews and critic recommendations from UK / West End.
Our UK / West End Critics
View All ›
Aliya Al-HassanCritic
Amber-Rae StobbsCritic
Caroline CroninCritic
Cheryl MarkoskyCritic
Cindy MarcolinaCritic
Debbie GilpinCritic
Donald HuteraCritic
Franco MilazzoCritic
Gary NaylorCritic
Guest AuthorCritic
Kat MokrynskiCritic
Kerrie NicholsonCritic
Matthew PaluchCritic
Mica BlackwellCritic
Michael HiggsCritic
Vikki Jane VileCritic
BWW Review: IAN MCKELLEN ON STAGE, Harold Pinter Theatre
Sir Ian McKellen.
BWW Review: THE LAST KING OF SCOTLAND, Crucible, Sheffield
This adaptation of Giles Foden's novel takes us into the heart of Idi Amin's regime
BWW Review: 'MASTER HAROLD'...AND THE BOYS, National Theatre
Athol Fugard's 1982 play, set in 1950s Port Elizabeth, is inspired by his own boyhood in apartheid-era South Africa a?' as Fugard says in a programme note, it's a?oethe most intensely personal thing I have ever writtena??.
BWW Review: ONE MAN, TWO GUVNORS, Nuffield Southampton Theatres
If any show proves that physical comedy is timeless, it's One Man, Two Guvnors, which brings a subversive 18th-century Italian comedy onto the 21st-century stage, and then promptly pushes it down the stairs to uproarious laughter.
BWW Review: THE MERCHANT OF VENICE, Nelson Mandela Primary School and RSC Swan Theatre
This Merchant of Venice is aimed at schoolchildren and it's a fantastic experience for them.
BWW Review: PLATONIC, White Bear Theatre
Emily (Julia-Maria Arnolds) is heading to a?oethe villagea?? to try to fix things with her boyfriend, who's actually decided not to go with her after all.
BWW Review: CALENDAR GIRLS - THE MUSICAL, New Wimbledon Theatre
After the 2003 film and the 2009 play, there can be few people who are not aware of the story of the Yorkshire Women's Institute members who posed nude for a charity calendar.
BWW Review: THE WATSONS, Menier Chocolate Factory
Laura Wade isn't the first to tackle Jane Austen's unfinished novel, abandoned in 1805, but she is the only one so far to write herself, the struggling adaptor, into the text.
BWW Review: MUSEUM PIECES, Tristan Bates Theatre
Museum Pieces consists of four monologues and tells the story of four individuals who are forever changed, perhaps scarred, by a reality television show in which the contestants appear naked.
BWW Review: A DAY IN THE DEATH OF JOE EGG, Trafalgar Studios
Claire Skinner and Toby Stephens reunite for the first time in 18 years in Peter Nichols seminal 1960's play about parents coping with a disabled child.
BWW Review: AMELIE THE MUSICAL, Nuffield Southampton Theatres
Almost twenty years after she charmed hearts on the big screen, Amélie is taking to the stage in a bid to change lives and spread joy in the smallest of ways, with the biggest of hearts.
BWW Review: ANDY PARSONS: HEALING THE NATION, Nuffield Southampton Theatres
At a time of confusion, uncertainty and political chaos, never has there been more to talk about; and never has our country needed more reason for light relief and laughter.
BWW Review: REDD, Barbican Centre
Following on from their phenomenal, Oliver-Award winning spectacle Blak Whyte Gray, which I saw last year, world-renowned dance company Boy Blue present their new show at Barbican Centre.
BWW Review: KING JOHN, Swan Theatre, Stratford-upon-Avon
King John's themes are horribly present in today's febrile political climate making it exactly the right time to revive one on Shakespeare's less performed plays.
BWW Review: THE SEVEN AGES OF PATIENCE, Kiln Theatre
There was so much love at the Kiln Theatre last night.
BWW Review: MACBETH, Chichester Festival Theatre
The time is now for The Scottish Play; over the past couple of years there has been a glut of Macbeths, no doubt inspired by the extraordinary ongoing political events.
BWW Review: GLASS. KILL. BLUEBEARD. IMP., Royal Court
Caryl Churchill returns with a new quartet of shorts a?' and, at 81, she's still one of the most daring, formally inventive and linguistically dexterous playwrights working today.
BWW Review: GASTRONOMIC, Shoreditch Town Hall
Three chefs are preparing for service on an Airbus from Beirut to London.
BWW Review: TWO LADIES, Bridge Theatre
At the G7 summit last month, the wives of the world leaders were pictured together by Donald Tusk walking not across a zebra crossing as per The Beatles but through a garden.
BWW Review: A VIEW FROM THE BRIDGE, York Theatre Royal
Arthur Miller's modern classic A View from the Bridge is faithfully revived in this co-production between York Theatre Royal and Royal & Derngate, Northampton.
Book Review: COME FROM AWAY: WELCOME TO THE ROCK, Irene Sankoff, David Hein and Laurence Maslon
This new illustrated companion volume to Irene Sankoff and David Hein's Tony and Olivier Award-winning musical Come From Away, which tells the remarkable true story of a small Newfoundland town that welcomed stranded air passengers on 9/11, is just as beautifully and thoughtfully crafted as the show
BWW Review: BLOOD WEDDING, Young Vic
Tragedy was Lorca'sdomain, and fabric of his plays are about the darkest parts of collective human behaviour.
BWW Review: THE OPEN, The Space
The year is 2050.
BWW Review: MOTHER OF HIM, Park Theatre
Based on a true story, Evan Placey's debut play Mother of Him tells the story of a Canadian teenager under house arrest while he waits for his hearing.
Tickets From $59
Tickets From $95
Tickets From $95
Tickets From $70